Art and Design Commons^™

Your Friend, Wildfire, Elizabeth Riddle, Aubrey Frissell, Mackenzie Weiland, Katherine Wendeln, Rory Mclaverty, Lillian Hollibaugh

Undergraduate Theses, Professional Papers, and Capstone Artifacts

The frequency and severity of wildfire has increased around the world within the past two decades, due to shifts in land management practices, climate change, and other factors. The effects of these fires have led to an inaccurate public perception of wildfire as a whole. This overly-simplified, vilified perception of all fire obscures the role that it has played in shaping landscapes for thousands of years, and how indigenous peoples have applied fire to take care of landscapes.

Positive public perception of using fire as a tool for land management creates a more supportive environment for healthy landscape management. Thus, …

Meeting Place An Exhibition – And – Locating The Country: An Australian Bricoleuse’S Inquiry An Exegesis, Annette Nykiel

Theses: Doctorates and Masters

This practice-led PhD research investigated alternate forms of articulation to relate stories of place-making, as narrative or object, and added threads to the complex meshwork and herstory of the Country. The research was conducted in ‘The Country’, of the north-eastern Goldfields and Yalgorup Lakes in Western Australia. These two non-urban sites provided unique experiences of the bush, local people’s stories and understandings of time. The research investigated the implications of non-urban spaces as studios in relation to the concepts of place, time and narrative.

This research was, in part, experiential and drew on an absorbed embodied awareness of notions of …

Decorator Or Narrator: A Contextualisation Of Slavic And Australian Pattern Making And Its Relationship To My Painting Practice, Iliana H. Jordanov

Theses: Doctorates and Masters

In this thesis, I will examine pattern making in art practice from two cultural perceptions, Slavic and Australian. Existing differences between the two cultural backgrounds will be used to debate how pattern is understood by the viewer or practiced by an artist in a particular chosen environment. The central argument focuses on pattern as a decorator and/or a narrator. I will examine the outcomes and changes in narrative pattern according to cultural context and exchange. By introducing Slavic pattern into contemporary (Australian) art practice, I examine how traditional cultural values and functions change. In discussing the processes of changes that …