Art and Design Commons^™

The Approach: A Promise Of Warmth Inside, Louis Cohen

Masters Theses

Walking up those stairs is always a treat. The tacit knowledge that you are moving towards a hidden gem: a space most don’t know to find. Salt water, wood smoke, and roasted coffee perfume the air. But the best part of all is the intention. This is not a space to go to out of necessity or convenience. This is a space for slow sips and long reprieves.

This thesis explores many themes, but at the heart is the idea of The Approach: how we come to an object is just as important as the actual moment when we meet …

Partial Eclipse, Christopher Pak

Masters Theses

A meditation on the interior and exterior in physical space can help us to think about the relationship between the self and other. This thesis explores the boundary between the inside and outside, and between absence and presence through silkscreen printed fabrics. Using an improvisational process guided by chance, residual marks are layered to create an illusion of ephemeral architecture. These textiles offer an experience of time and space that exists between interior and exterior worlds.

A Vestige Of The Ultimate Force Of Time And Space, Jiyoung Megan Lee

Bachelor of Fine Arts Senior Papers

This art statement is rooted in an idea that the existential quality is independent of absence and presence (synonymous to appearing and disappearing, and real and recognition) and distilled physicality of human body creates a parallel relationship between the two. In search of a proof and logic for articulating the central idea, –that the absence does not define evanescence of existence— the application of physical interactivity in my art, also known as relational aesthetic, enables the work to invite viewers in a way that the interactors leave their traces by physically interacting with the work. These individual traces are eventually …

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.

Held, Erika Diamond

Theses and Dissertations

My work is a symptom of my ongoing quest to achieve immortality. I perpetually attempt to make permanent the traces we leave behind and the impressions we make upon each other. I use the body to portray boundaries – between the skin and the heart, comfort and disquiet, holding and letting go. The objects I make serve both as an agent for physical contact and as the commemoration of an ephemeral interaction. I create personal fossils, revealing the interstices formed when two bodies come into contact with one another. I use materials that reference endurance and longevity to record transient …

Seeing It Straight, Heather Harvey

Theses and Dissertations

This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the guiding thoughts behind …