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Full-Text Articles in Art and Design

Chinese Cultural Center, Wei Dong Jan 1988

Chinese Cultural Center, Wei Dong

Theses and Dissertations

During this period of high technology, designers are eager to create environments that have strong emotional appeal to people's physiology and psychology. Our exploration of the natural living space has become all the more an elusive search as modern technology advances. Interior design, in its concern for environmental engineering, endeavors to exploit the spiritual aspect of human resources. Through this message, people are inspired to higher planes of existence.A. PROJECT To design a Chinese Cultural center. B. PURPOSE 1. To introduce the traditional and contemporary Chinese culture to western people. 2. To illustrate and describe the philosophies of Chinese life …


The Effect Of Man On The Landscape And The Effect Of Land On The Manscape: Or Contingent Plans For Knowing A Mountain, Taylor Scott Baldwin Jan 1988

The Effect Of Man On The Landscape And The Effect Of Land On The Manscape: Or Contingent Plans For Knowing A Mountain, Taylor Scott Baldwin

Theses and Dissertations

In my artistic practice, I emphasize personal and pan-cultural anxieties regarding civilization and the environment as an impetus for work in sculpture, video, and drawing. By locating marginal microcosmic subject matter that tellingly exhibits macrocosmic global dread, I seek to capture and distill our overwhelming eco-socio-political anxiety into a portrait of a society at a point in its history when the specter of nameless impending disaster weighs pressingly on the collective psyche. This thesis is supplementary to my work of sculpture in the Graduate School of the Arts Thesis Exhibition at the Anderson Gallery opening on April 27th, 2007. The …


Minerva Teichert's Murals: The Motivation For Her Large-Scale Production, Marian Eastwood Wardle Jan 1988

Minerva Teichert's Murals: The Motivation For Her Large-Scale Production, Marian Eastwood Wardle

Theses and Dissertations

It is my thesis that the impetus for Minerva Teichert's prolific mural production came from the lofty ideals of the Beaux Art mural tradition which she encountered and embraced during her studies at the Art Institute of Chicago from 1909 to 1912. Furthermore, it was the great interest in mural decoration during the 1930s, spurred by government patronage, that provided Teichert with the opportunity to apply these ideals to large-scale works.
Research into the Beaux Art mural tradition has been difficult, as recent scholarship on the subject is negligible. An understanding of this early mural movement however, yields a greater …