Art and Design Commons^™

Freiden Skincare: Evolving Stigmas For The Sake Of Wellness, Gabrielle Graham

Honors Theses

Frieden (pronounced free-den) is the German word for peace and self-reconciliation. Frieden is a skincare line infused with Cannabidiol, a natural compound found in marijuana plants that can be used for treating pain without the hallucinogenic side-effects (thanks to no THC being present in the product). Health benefits of Cannabidiol extend to topical relief from chronic pain, anxiety, depression, and a multitude of other forms of reprieve from discomfort.

Through my research, I discovered that in a world of fast fixes and reactive remedies, visual communication has influenced consumers to be more thoughtful with their purchases. Thanks in part to …

Who Is The Fairest Of Them All? Disney’S Depiction Of Non-Normative Embodiment In Its Villainesses, Caroline Bradley

Honors Theses

The world of Disney has long been criticized for the lack of empowered princesses, racial representation, and unrealistic body images in its princess films. While steps have been made to provide a fairer representation through the bodies of the princesses, there has not been much progress in the way villains’ bodies are depicted. Most Disney villains exhibit a form of disability or non-normative embodiment including missing limbs, old age, or fatness. This thesis will analyze the bodies of three well-known Disney villainesses from three different eras—The Evil Queen, Ursula, and Mother Gothel—and will demonstrate how their bodies reflect the historical …

Metagames: Postmodern Narrative And Agency In The Video Games Of Davey Wreden, Richard J. Andrews

Honors Theses

This study aims to determine how contemporary video games utilize self-reflexive narrative techniques to explore the strengths and weaknesses of video games as an artistic narrative medium. This study combines emergent digital game theory with established literary theory about self-reflexive narrative (also known as ‘metafiction.’) This synthesis is further informed by observing first hand player interaction with self-reflexive gaming platforms. A focus on the problems of ontology and epistemology for both gamers and readers allows comparison between treatments of these problems in both digital game theory and metafictional studies. My study compares these concepts and applies them to the operations …

Sustainable Design: Can Eco-Friendly Be Beautiful?, Melanie T. Santiago

Honors Theses

Graphic design students and professionals experience an enormous amount of pressure in regards to their final printed pieces. In the effort to produce flawless work, they print several versions of a piece—often comparing dozens of copies for slight differences in ink variation, color saturation and paper quality. While this trial-and-error process undoubtedly accomplishes its intended effects, it also produces outrageous amounts of wasted paper, ink and cardboard among other products.

Graphic design has implemented computers to increase efficiency in the design process while ignoring the impact of obsolete hardware on the environment. In its perfectionism, it has sent countless pounds …

Graphic Design And The Cinema: An Application Of Graphic Design To The Art Of Filmmaking, Kacey B. Holifield

Honors Theses

When the public considers different art forms such as painting, drawing and sculpture, it is easy to understand the common elements that unite them. Each is a non-moving art form that begins at the drawing board. Using line, color and shape to evoke a particular response from audiences is what ties these fine arts together. Graphic design, however, tends to separate itself from the fine arts. Because of its later development in the art world, as well as, its operation within modern technological developments, graphic design is driven by the idea of communicating to large audiences. In this way, although …

A Scenographic Transposition From The Stage To The Screen: An Excavation Of Tennessee Williams’ A Streetcar Named Desire, Jordan Randall

Honors Theses

This thesis explores the distinction between the scenic design of A Streetcar Named Desire’s original Broadway production and 1951 film. Using Streetcar as a case study, I evaluated the differences in the choices made in the scenography of the two mediums as a way to evaluate whether there are inherent differences between theatre and film. I examined the scripts of both mediums and analyzed how the story was transposed and how that transposition affected the choices made by the director and designer in the making of the film.