Art and Design Commons^™

Ten-Der-Ness, Brittany Jasin

Graduate School of Art Theses

Ten-der-ness. The title of this document defines the word, because one can easily forget all the meanings of a word. To be tender is to be compassionate and kind but also can mean to be in pain. “The quality of being easy to cut or chew” is my favorite definition; because to me that says that to be tender makes you vulnerable to being swallowed by reality. It’s a common saying that without suffering we would never know compassion but, within tenderness, compassion and suffering exist simultaneously in a ten letter word. Within my thesis I am exploring tenderness through …

My City Limits, Maggie Tarr

Graduate School of Art Theses

Many have taken part in the act of flanerie,[1] however, many have fallen victim to the flaneur; “the flaneur is the man who indulges in flanerie…”[2]. I am perpetually followed by the male gaze. I am a flaneuse, a surveyor of my surroundings at all times. “Outsider/insider is a border the flaneuse must skirmish on constantly, if only with herself.”[3]

This thesis is a first hand account of my negative experiences that are generated by the many flaneurs of sexualized culture and lustful society. It is an analysis of the paintings I have created as …

Light On, Baby. No Future, Shane Dollinger

Bachelor of Fine Arts Senior Papers

This project is a realistic depiction of the circularity of experience. As Images of ourselves and our experiences become increasingly inescapable, the repetitive and nonlinear nature of those experiences is amplified. This issue is explored in looking at contemporary artists/filmmakers whose handling of inundation in representation and narrative distinctly embraces multiplicity. Queering structures of representation, the work holds a mirror to the way that we experience living, encountering images, narrative structures and memories.

[Insert Body Here], Katie Yun

Bachelor of Fine Arts Senior Papers

The personal is political. Using humor and my individual narrative, I illustrate the main three factors that drive my work and relate them to corresponding theoretical frameworks: 1) My OCD tendencies and labor as art concept 2) Assimilation and the appeal of the White Cube 3) Reclamation of identity and Abject art. Through textual and visual research, I provide scholarly backing and precedents set by other artists to situate these personal narratives as part of a larger structural system of oppression, while being transparent of my culpability and participation in these structures. I posit that my work provides a nuanced …

Distraction And Community: The Magic Of Playtime, Heather Alfaro

Graduate School of Art Theses

Experiencing awkward encounters due to an anxious disposition, I create work that fulfills my own needs to fulfill the needs of others. By manipulating environments and providing props and crafted items, I take control of the situation to function within. Using craft, gift-giving and play, I encourage the audience to participate within my work—fostering community by providing an opportunity to play. Being ever fleeting, the encounters with the work and with the other participants distracts to allow the audience to lose themselves. When the work is gone, the memory lives on to comfort, and to inspire.

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

The Record In Question, Kari Varner

Graduate School of Art Theses

This thesis is an archive composed of text and image that catalogs the perpetual distance between the photograph and its subject. In my practice the fluidity of representation is examined through the frame of the photographic archive, while the notion of what constitutes a photographic archive is redefined. While seeking to describe the mutability of encounters with landscapes and past memories the materiality of the photograph is emphasized, the image and its substrate destabilized, and both experience and photograph are fleeting. In many cases water acts as the alchemical substance for transformation, leading the photographs closer to a state of …