Art and Design Commons^™

Why Munch?, Robert Jensen

Art and Visual Studies Presentations

Why Munch? was a keynote lecture for the conference "Marketing the North," sponsored by the society Munch, Markets and Modernism, in November 2017. In asking the question, the paper explores Munch's canonical status, especially vis-a-vis other Scandinavian artists of his time. In particular, the essay addresses the evolving nature of artistic professionalism at the end of the 19th century, and how Munch's personal and artistic behavior evoked a new definition of bohemianism that resonated deeply with the rise of European modernism and the post-1900 avant-gardes.

[Review Of The Book] Contemporary Art Colombia, Karyn Hinkle

Library Faculty and Staff Publications

No abstract provided.

Parallel Design Of A Product And Internet Of Things (Iot) Architecture To Minimize The Cost Of Utilizing Big Data (Bd) For Sustainable Value Creation, Ryan Bradley, Ibrahim S. Jawahir, Niko Murrell, Julie Whitney

Institute for Sustainable Manufacturing Faculty Publications

Information has become today's addictive currency; hence, companies are investing billions in the creation of Internet of Things (IoT) frameworks that gamble on finding trends that reveal sustainability and/or efficiency improvements. This approach to “Big Data” can lead to blind, astronomical costs. Therefore, this paper presents a counter approach aimed at minimizing the cost of utilizing “Big Data” for sustainable value creation. The proposed approach leverages domain/expert knowledge of the system in combination with a machine learning algorithm in order to limit the needed infrastructure and cost. A case study of the approach implemented in a consumer electronics company is …

Points Of View: Herbert Bayer's Exhibition Catalogue For The 1930 Section Allemande, Wallis Miller

Architecture Faculty Publications

Sigfried Giedion called Herbert Bayer’s exhibition catalogue for the 1930 Section Allemande a “minor typographical masterpiece.” Like similar catalogues, it is inexpensive, provides an inventory list, has an introduction, functions as a guide, and is illustrated. However, the majority of its images are of installations, not their contents. Bayer accommodates the catalogue type for applied arts exhibitions by listing installations as objects, but he confronts the type by showing installations as display contexts that establish points of view, emulating, idealizing and interpreting the experience of the exhibition. By independently constructing ways of seeing and understanding the exhibition, the catalogue resists …

Hayashi Yasuo And Yagi Kazuo In Postwar Japanese Ceramics: The Effects Of Intramural Politics And Rivalry For Rank On A Ceramic Artist’S Career, Marilyn Rose Swan

Theses and Dissertations--Art and Visual Studies

The use and firing of clay to make art instead of vessels was a revolutionary concept in Japan when it first was introduced by Hayashi Yasuo in 1948 with Cloud, and expanded upon by Yagi Kazuo in 1954 with Mr. Samsa’s Walk. Although both avant-garde artists were major forces in the advancement of abstract, nonfunctional ceramics, Yagi is usually given sole credit and occupies a prominent place in the literature, while Hayashi’s name can scarcely be found, despite his numerous international awards, large body of work and career spanning seven decades. This thesis seeks to identify the factors …

A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin

Oswald Research and Creativity Competition

Japanese contemporary artist Yayoi Kusama has developed her career through the continued use of the infinitely repeated polka-dot motif, an element that has not only persisted throughout the entirety of her work, but has also become a fundamental aspect of her self-presentation. Kusama has long suffered from a mental affliction called cenesthopathy, which results in intense hallucinations and anxiety attacks. Her use of the polka dot is not only a way for her to visualize her hallucinations, but also an example of the physical commitment (identified by Kusama as self-obliteration) she has to her work—her repeated application of small motifs …

An Evaluation Of The Quality Of Mens 100% Cotton Jersey Knit T-Shirts Representing Three Retail Categories, Jeanne Oakes Badgett

Theses and Dissertations--Retailing and Tourism Management

The purpose of this research was to evaluate the quality of design, materials, construction, appearance, and performance of mens 100% cotton jersey knit t-shirts from three retail categories: mass merchant, fast fashion, and better. These retail categories were represented by brands Fruit of the Loom, H&M, and Brooks Brothers, respectively. A convenience sample was comprised of 78 t-shirts. 13 white and 13 navy t-shirts from each brand were used for testing according to ASTM and AATCC standards and specifications. Evaluations and measurements were conducted before washing, and after one, five, ten, and twenty laundry cycles. The t-shirts were evaluated for …

Ichigo, Ichie, Meredith Matia

Oswald Research and Creativity Competition

This body of work explores how the mundane can provoke a sense of gratefulness for what is already around us. In researching the Japanese Tea Ceremony, as well as contemporary artists such as Jen Mann, David Hockey, Wayne Thiebaud, and artists from the Dutch Golden Age, this series of paintings is seeking to anchor these works in relation to these on going dialogs.

In this series of paintings titled ‘Ichigo, Ichie’ translates to “one time, one meeting” which represents one of the philosophies of the Japanese Tea Ceremony. ‘Chanoyu’ is the art of everyday life and …