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Technological University Dublin

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New media art

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Full-Text Articles in Art and Design

24 Hours Of Vine: Big Data And Social Performance, Conor Mcgarrigle Jan 2014

24 Hours Of Vine: Big Data And Social Performance, Conor Mcgarrigle

Conference Papers

24h Social is a generative a data-driven generative video installation that explores the social media phenomenon of Vine video as performances in data. The project is created from a database of appropriated Vine content, extracted from millions of tweets, with each video shown at the time of its original creation. The project simultaneously celebrates Vine as a platform that facilitates succinct creative performative expressions whilst acknowledging that these activities are embedded within a problematic data assemblage that accrues substantial quantities of data on its users. Drawing on notions of social media performance it is suggested that a pathway to understanding …


Locative Histories: Exploring The Continued Influence Of Early Locative Media Art, Conor Mcgarrigle Jan 2014

Locative Histories: Exploring The Continued Influence Of Early Locative Media Art, Conor Mcgarrigle

Articles

This paper, which draws on aspects of my doctoral research, traces the influence of early Locative Media Art on the current form and application of location-aware technologies. The mechanisms and impulse for this influence are introduced and analyzed and it is proposed that they point to new approaches in the consideration of the agency of Locative Media art.

I return to the origins of Locative Media at the Karosta workshop and the ambitions of early practitioners to argue that the practice was based on a prescient analysis of the potential for ubiquitous networked location-awareness. From this analysis was developed an …


How Locative Media Art Set The Agenda For Mobile Location Aware Apps (And Why This Still Matters)., Conor Mcgarrigle Sep 2011

How Locative Media Art Set The Agenda For Mobile Location Aware Apps (And Why This Still Matters)., Conor Mcgarrigle

Conference Papers

This paper explores the connection between Locative Media (LM) a set of art practices centred on location aware technologies and current Location Based Services (LBS) and applications. To achieve this LM will be traced to the origins of the term and to the originary ambitions driving this unique mode of engagement with emergent location-aware technologies. This involves returning to the first principles of the Karosta Locative Media workshop, its associated texts and to Ben Russell's "Headmap Manifesto" [1] to locate the intentions and ambitions embedded in the term itself.

From its inception at the locative media workshop in Karosta, Latvia …