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Full-Text Articles in Art and Design
Catalogue Essay For Kiera O'Toole Solo Exhibtion, Brian Fay
Catalogue Essay For Kiera O'Toole Solo Exhibtion, Brian Fay
Exhibition Catalogues
A catalogue essay discussing elements of O'Toole's practice as it responds to recent contemporary drawing practices and the specifics of the history and architecture of the Wicklw site.
Kiera O'Toole - A Fragile Intensity, Brian Fay
Kiera O'Toole - A Fragile Intensity, Brian Fay
Catalogues
This catalogue essay discusses the Irish artist Kiera O'Toole's practice in relation to serial drawing practices of the 1960's and Alain Badiou's observations on drawing.
Brian Fay Contribution To The Lismore Castle Arts Public Discussion- Painting As A Dream, Friday 25th Of April, 2014, Brian Fay
Other resources
Brian Fay contribution to the Lismore Castle Arts, Waterford, Public Discussion- Painting As A Dream, Friday 25th of April, 2014
Paper - A Reserve Or Backgound?, Brian Fay
Paper - A Reserve Or Backgound?, Brian Fay
Conference Papers
Paper: A Reserve or a Background?
“Using examples from contemporary practice and my own research, this presentation will discuss two models for the role of paper in drawing: as background and as reserve. It will focus on Walter Benjamin's definition for the graphic lines almost metaphysical relationship to the background, and compare it with Norman Bryson's model of the paper as a reserve, for him an 'area without qualities'.”
What Is Drawing - A Continuous Incompleteness, Brian Fay
What Is Drawing - A Continuous Incompleteness, Brian Fay
Other resources
This booklet was published as part of the What is_? series published by the Irish Museum of Modern Art. The series is intended to provide a broad overview of some of the central themes and directions in modern and contemporary art and also to provide information about the materials and methodologies employed by artists in the creation of their work.
Brian Fay Interview For Peel Magazine, Brian Fay
Brian Fay Interview For Peel Magazine, Brian Fay
Other resources
This interview is from a series of artist conversations around the use of and relationships to the materials they employ in their practice. Other interviewees include Alexandra Hughes, Nadia Scola, Rachel Sharp, James Watts and Zara Worth.
Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay
Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay
Other resources
This paper will consider the temporal implications for drawing in the light of conservation and restoration treatments to paintings by the Seventeenth Century Dutch painter Johannes Vermeer.
Using three critical frameworks: Norman Bryson’s becoming model for drawing and the relationship of liminality to a painting during conservation/restoration, George Didi Huberman’s anti-chronological reading of the detail and the pan in painting, and Walter Benjamin’s definitions of drawing the paper will seek to address some implications for a drawing practice that responds to a pre-existing museum artworks.
The paper will present some findings from my own drawing practice that responds to Vermeer’s …
Milestones / Miles’S Tones: A Coincidence, Brian Fay
Milestones / Miles’S Tones: A Coincidence, Brian Fay
Exhibition Catalogues
Milestones/Miles’s Tones: a Coincidence is a catalogue essay published in the 25th. anniversary catalogue for Black Church Print Studio’s, Dublin.
Finding Time: How It Is Made Visual Artists Newsletter, Brian Fay
Finding Time: How It Is Made Visual Artists Newsletter, Brian Fay
Articles
FINDING TIME
Brian Fay outlines the processes and concepts underpinning his practice