Art and Design Commons^™

La Gestión Del Consumo En La Experiencia Museística: Un Estudio En Las Ciudades De Buenos Aires Y La Plata, Fernando R. Simonato, Federico Del Giorgio Solfa

Federico Del Giorgio Solfa

Aesthetics In Culture, Dan Rager

Dan Rager

This article examines the role of aesthetics in art, music, non-art objects, and activities in daily life. It shows that recognition is vital to our understanding of art and art-objects and sometimes creates conflicts which ask, what does one do with art? The question becomes more confusing when we think about non-art objects and activities which concern our everyday experiences from eating, clothing, cleaning and dealing with life's natural elements. The author points out that Western cultures have a distinct artworld that is usually limited for special occasions set aside for that purpose. He suggests that aesthetics in culture is …

Artists-In-Residence, Isle Royal National Part, Christine Flavin

Christine Flavin

Vanishing Horizons #3 was selected by juror George Slade, Director of the Minnesota Center for Photography from over 700 images submitted to the Coalition of Photographic Arts second annual national juried exhibition. The group show was on display at the Walker Point Center for the Arts in Milwaukee, Wisconsin in September and October 2008.

National Juried Group Exhibition: Texas Women''S University, Christine Flavin

Christine Flavin

The Joyce Elaine Grant Photography Exhibition provides a national venue for the exhibition of artistic expression as seen through the eye of the camera. The 2009 exhibit was curated by Katherine Bussard of the Museum of the Art Institute, Chicago Illinois.

Faculty Research Grant, Christine Flavin

Christine Flavin

The Isle Royal National Park Artists-in-Residency Program is a national juried competition for artists of any medium to spend two or three weeks on the Island in the historic Dassler family cabin with accommodations provided by the Park, pursuing their creative endeavor. Twice during the residency, artists are required to present their project to visitors at the park.

Vanishing Horizons #1 And Vanishing Horizons #2, Christine Flavin

Christine Flavin

Two black and white zone plate photographs from the series "Vanishing Horizon" were selected from 500 images submitted to "Photo Midwest" a seven states juried competition by Lisa Hostetler Associate Curator of Photography at the Milwaukee Museum of Art . The 50 selected images were displayed at the University of Wisconsin, Wisconsin Union Galleries in Madison, WI.

Creative Images Fine Art Photography, Christine Flavin

Christine Flavin

"Abandoned Harbor" a 16x20 digital inkjet print from the series "Vanishing Points" placed in the national competition "Creative Images Fine Art Photography" and will be exhibitied in the Artsgarden in Indianapolis, Indiana for the month of November. The series, "Vanishing Points" documents the landscape of abandoned mines in Michigan's Upper Peninsula as they appear today with hand-built pinhole and zoneplate cameras.

Tlc Faculty Award 2008, Christine Flavin

Christine Flavin

Two black and white zone plate photographs from the series "Vanishing Horizon" were selected from 500 images submitted to "Photo Midwest" a seven states juried competition by Lisa Hostetler Associate Curator of Photography at the Milwaukee Museum of Art . The 50 selected images were displayed at the University of Wisconsin, Wisconsin Union Galleries in Madison, WI.

Vanishing Horizons #3, Christine Flavin

Christine Flavin

Vanishing Horizons #3 was selected by juror George Slade, Director of the Minnesota Center for Photography from over 700 images submitted to the Coalition of Photographic Arts second annual national juried exhibition. The group show was on display at the Walker Point Center for the Arts in Milwaukee, Wisconsin in September and October 2008.

Full Radius Brand Book, Samantha M. Bowersock, Akeem Mason, Anri Olivier, Alex Leon-Khan, Cherry Delrosario, Katina Dorsey

Alex Leon-Khan

No abstract provided.

Renoir To Remington: Impressionism To The American West, Anne M. Giangiulio

Anne M. Giangiulio

Catalog designed for the exhibition 'Renoir to Remington: Impressionism to the American West', on display from September 21, 2014 to February 1, 2015 at the Woody and Gayle Hunt Family Gallery of the El Paso Museum of Art. Organized by the El Paso Museum of Art in partnership with Tacoma Art Museum, Tacoma, Washington. 144 pages.

3d Technologies At Brockport. What's Next?, Gregory Toth, Kim Myers, Ken Wierzbowski, Wendy Prince

Kim Myers

Presentation on 3D printing and related technologies made at The College at Brockport's Center for Excellence in Learning and Teaching (CELT). Provides a broad overview of 3D technologies and applications, describes implementation and initial reception of 3D printing in The College's Drake Memorial Library as well as programs at Cornell University and SUNY New Paltz. Reviews potential applications of these technologies in the teaching/learning environment and expansion to a yearlong Faculty Learning Community focus and/or a campus makerspace.

Trans-Canada Art Tour, Matthew Ryan Smith, Ph.D.

Matthew Ryan Smith, Ph.D.

No abstract provided.

Rainer Splitt’S Farbgüsse / Colorpours, Scott Abbott

Scott Abbott

Rainer Splitt (contemporary German artist) recently exhibited a series of what he calls Farbgüsse or Colorpours. The essays views these works in a context that may be described as "The Motion of Form and the Form of Motion."

Building A Digital Museum: Opportunities For Scholarship And Learning, Christy Allen, Rick Jones

Christy Allen

No abstract provided.

Design Epilogues, Andreas Luescher

Andreas Luescher

The booklet tries to explain the generally unrecognized aspect of a studio experience that stitches together the most salient elements of the individual design projects into one coherent narrative. Design epilogues attempt to borrow something from each project that can be used to create something new.

The Art And Artifice Of Hand-Lettering, Lauren Gallow, Ellen Caldwell

Lauren L. Gallow

Is there a reason we’re so drawn to hand-lettering right now? Why are we craving handmade cards, signs, and posters in this moment? Why do we gravitate towards making hand-lettered flyers and signs and cards as opposed to designing on the computer? Maybe it’s just because we don’t know how to use Adobe InDesign and Illustrator… but we think there’s more to it than that.

Developing Digital Archives, Christy Allen, Rick Jones, Bruce Brockman, Peter Beudert, Jody Blake, Peter Wexler

Christy Allen

No abstract provided.

Derek Sullivan, Matthew Ryan Smith, Ph.D.

Matthew Ryan Smith, Ph.D.

No abstract provided.

Less Realism : More Meaning : Evaluating Imagery For The Graphic Designer, Stuart Medley

Stuart Medley

Typography' as a defining term has become interchangcable with 'graphic design'. and while font choice and application is seen as of paramount importance. image choice, virtually half , . of the communication design equation, is neglected in the theory and in pratice is left to the instinct of the designer. In this thesis I try to find approaches for graphic designers to understand image to the degree that they understand type. These approaches are tested through assignments for graphic design students and the results recorded and analysed. I seek to address the paradox that we are able to communicate more …

The Picture In Design: What Graphic Designers, Art Directors And Illustrators Should Know About Communicating With Pictures, Stuart Medley

Stuart Medley

Pictures are as vital to graphic design as type, yet graphic design theories barely give them a look. The seemingly unconscious nature of the act of seeing has meant that vision and pictures have been taken for granted. Finally, here is a way for graphic designers to understand pictures. This book explains the paradox that we are able to communicate more accurately through less accurately rendered images. There is a difference in the way pictures communicate depending on their realism quotient. The removal of realistic detail by the designer or illustrator allows for other aspects to be emphasized in or …

Otherpeoplespixels Interviews Lily Martina Lee, Otherpeoplespixels, Lily Lee

Lily Martina Lee

LILY MARTINA LEE memorializes the forgotten, the discarded and the overlooked. She juxtaposes intimacy and anonymity in her embroidered and appliquéd memorials to unidentified human remains, her beaded scratch ticket medallions and her car hood portraits based on the tattoos of fugitives wanted for non-violent crimes. Lily received a BFA in Fibers (2008) and a BA in American Indian Studies (2009) from the University of Washington in Seattle. She received her MFA from the University of Oregon in Eugene (2012). Her work was recently included in Post-Racial U.S.? at the University Art Gallery at New Mexico State University (Las Cruces, …

Graduate Exhibit: Displaced Worker - Sams Club_Chuck Davis 2018.Jpg, Chuck Davis

Chuck Davis

Drift, Megan Vossler

Megan Vossler

No abstract provided.

Presidio Trails:Overlapping And Unfolding Narratives, Lynn Sondag

Lynn Sondag

My paintings are inspired by a constant immersion in a familiar place. This allows me to notice subtleties created by sunlight fog and wind, and see an otherwise familiar environment with a new perspective. For the past fifteen years I’ve been exploring the ephemeral natural elements in the coastal landscape of San Francisco.

This most recent body of work, started in 2011, is inspired by the vibrant natural, historical, and cultural landscape of the Presidio National Park. The Presidio is a place that connects people both across time periods, as well as with in a single moment of time. The …

Ten Little White Folk, Shawna Hanel

Shawna Hanel

In 1868, Septimus Winner penned the song “Ten Little Injuns” based upon an 1850s minstrel act. Eventually, an abbreviated version became a popular contemporary children’s rhyme. My parents, in 1974, purchased The Giant Golden Mother Goose for their already bookwormish toddler. As a child, I adored “Ten Little Injuns.” However, rereading the text as an adult eviscerated any affinity I had for the nursery rhyme and ultimately inspired me to create this revised edition. For the new version, I replaced every instance of the term “Injun” with “White Folk.” I also exchanged every illustration of an Indian with photographs of …

My Dead Mom, Lauren Gallow

Lauren L. Gallow

After my mom died I inherited all of our family photo albums and scrapbooks. Looking through these treasure books, I was drawn to three very special scrapbooks that my mom made in the late 1970s when she was a senior in high school and then during her first few years of college. I remember flipping through these books for the first time and having the uncanny feeling that I was looking at myself. I look so much like my mom in these photographs, it blew my mind.

Mythical Figures & Mucawas: Ceramics From The Ecuadorian Amazon, Joe Molinaro, Richard Burkett

Joe Molinaro

Pottery in the Ecuadorian Amazon Basin is rapidly disappearing as plastic and aluminum containers replace the traditional pottery. Mythical Figures focuses on three of the best indigenous potters from the Kichwa culture: women who both make traditional pottery vessels such as the intricately decorated chicha drinking bowl called a mucawa, and who also create fascinating figurative work that comes from Kichwa mythology and their imaginations. The book contains photographic portfolios of mucawas and also figurative work made from clay, along with a wealth of images of pottery making and other cultural and environmental images. The authors have worked together for …

Ninth Letter Advanced Publication Course, Brian Wiley

Brian M. Wiley

Ninth Letter is a nationally recognized and distributed literary journal produced within the framework of a multi-disciplinary course that replicates professional practice. The studio blends students from all disciplines and all levels, and guides them through an intensive 12-week schedule that starts with a selection of texts curated by the Literary Arts program and culminates with the production of a 200+ page publication. During those 12 weeks, students are involved in all facets of design and the production process and because of this they leave the course with an amazing depth of skill and range of work that leaves them …

Minnesota Biennial, Megan Vossler

Megan Vossler

No abstract provided.