Art and Design Commons^™

El Vínculo Entre El Arte, La Política Y El Espacio Público: Una Investigación De Colectivo El Muro Cusco Y Su Resistencia Contra Poder Estatal Y La Censura Del Espacio, Stella Gould

Independent Study Project (ISP) Collection

El Colectivo El Muro Cusco es un colectivo libertario y autogestionado dedicado al apoyo a las luchas sociales y al intercambio de información alternativa. Activo durante los últimos 20 años, El Muro,1 como se le conoce coloquialmente, ha sido un proveedor de la verdad en Cusco, utilizando el arte y la protesta para expresar descontento con las injusticias perpetuadas por el gobierno peruano. Utilizando el muro del Paraninfo Universitario de la UNSAAC ubicado en la Plaza de Armas de Cusco como su centro focal, el Colectivo utiliza el espacio como galería de arte y lugar de exposición, pero también como …

Murals & Mother Nature: Urban Environmental Art In Lisbon Reveals Great Concern And Appreciation For The Environment, Ana Gunther

Independent Study Project (ISP) Collection

Urban art is a novel dimension of the environmental movement. Utilizing highly trafficked areas, urban art has the potential to spread environmental messages both because of the size of the audience and because of the contrast between nature-centered art and the urban context. The paper discusses 15 environmental urban artworks in Lisbon and conducts a visual and thematic analysis. The analysis revealed five themes present in Lisbon: the power and beauty of nature, connection with nature, environmental loss and degradation, waste management, and climate change. The most prevalent theme in Lisbon was the connection with nature, followed by a tie …

La Capital Marica De Chile: Un Mapa Queer/Kuir/Marica De Valparaíso Y Una Investigación Sobre La Construcción Publica De Una Comunidad Visible En Valparaíso, Steven Powell

Independent Study Project (ISP) Collection

In Valparaíso, Chile, there is a teeming queer presence in the streets and public spaces. Expressions of queerness can be seen in Plaza Anabel Pinto in the way in which people dress or style their hair, can be heard from the small plaza in front of the Severin Library with the voguing/kiki music blasting at nights, and is grafittied on the walls all around the city. This presence and visibility is met with violence and accompanied by precarious life situations. It was my goal through this investigation to explore this relationship between violence and visibility as it is contradicted and …

Letters To A Glacier; An Experiment And Critique Of M. Jackson’S Glacier-Ruins Narrative, Lily Fife Schaeufele

Independent Study Project (ISP) Collection

“Words are events, they do things, change things. They transform both speaker and hearer; they feed energy back and forth and amplify it. They feed understanding or emotion back and forth and amplify it.” —Ursula K. Le Guin

Letters to a Glacier; The Buoy Project Isafjordur is an ongoing invitation to the people of Isafjordur to write a letter to a specific glacier in Iceland onto a collection of discarded buoys gathered from the Isafjorudur and Bolungarvik junk yards. Over a period of two days on November 9th and 10th, I actively invited customers in the local cafe Heimabyggð to …

The Last Yak Song: A Recount Of The Decline Of Pastoral Herding In Lower Mustang, Rachel Hellman

Independent Study Project (ISP) Collection

This project is fundamentally one of documentation and rumination, a case study of a profound change taking place. I initially sought to exercise my creative voice, and to uncover the world of the yak, a dying world at that. As my time progressed in Lower Mustang, it became clear that given the breadth and depth of change in the area, a more extensive and detailed analysis was necessary to truly paint a picture of the ways in which yak herding, engrained so finely into the cultural and social tapestry of the landscape, is disappearing. In this paper, using primarily interviewee’s …

Livelihoods Of The People Of Mazumbai: A Collection Of Stories And Portraits, Tanga Region, Tanzania, Joseph Baldus

Independent Study Project (ISP) Collection

Despite rapid urbanization in Tanzania, agriculture remains central to the nation, the economy, and the livelihoods of a large portion of the population. Smallholder farmers account for the vast majority of agricultural production, yet are an extremely vulnerable population due to poverty, single-sourced income, and climate-dependency for both subsistence and cash-crop agriculture (Rapsomanikis, 2015). This report explores these dynamic rural livelihoods through interviews and portrait photographs in a case study on Mazumbai, Tanga region, Tanzania. Semi-structured interviews explore the people’s modes of economic subsistence, domestic lives, education, challenges, and life stories. Excerpts from these interviews combined with portrait photographs create …

Think Outside: Exploring The Influence Of Nature On The Individual And Of The Individual On Society, Brielle Wells

Independent Study Project (ISP) Collection

This video project has an overarching goal to question the influence the natural environment has on the development of individual people and society as a whole. It begins by looking into the important role played by creativity in societal and economic development. From here a brief background is given on the requirements of maintaining and producing a creative environment. The piece alludes to the possibility that a relationship with nature has a deeper meaning than just being conducive to creativity. It also shows the effects pollution has had on the work of local artists and briefly the challenges faced by …

Vrai: The Culture Of Knockoff Goods In Morocco Their Social Value, Utility, And Context In Contemporary Rabat, Peter Nyberg

Independent Study Project (ISP) Collection

Fashion has long been an aspect of culture through which people identify, and it serves as a marker for class, nationality, and various other social statuses. With the continued democratization of culture via the internet and its various outlets, such as social media, fashion culture and the divide between high couture and mass-produced clothing, as noted by Bourdieu, is becoming less distinct. In the context of Rabat, Morocco, this has partially played out in the consumption of knockoff goods by the youth, a part of a larger individuation[1] process that includes a “westernization”of dress and a slow departure from …

Welcome To The Streets: Tracing The Development Of Street Art In Nepal Since 2010, Malik Earle

Independent Study Project (ISP) Collection

Graffiti is a process. There really is no beginning or ending to a piece. Graffiti art is practicing a design, bringing it to a wall, letting it take shape, and allowing it to interact with the environment. What makes graffiti unique, among other things, is its interaction with the environment. When international graffiti influences and local conditions drove inspired artists to bring their art to the streets, a new art form emerged in Nepal. “Local conditions” labels the forces ranging from personal drive to the history of public art in Nepal, which fuel the movement. The present study aims at …

Place Reimagined, Michelle Unger

Independent Study Project (ISP) Collection

This book shows the creative process and final product of my Independent Study Project, conducted in Prague as part of a semester study abroad program. The project started with interviewing four Czech graphic designers who described places in Prague that are especially meaningful to them. After collecting and transcribing their stories related to their places of inspiration, I visited the locations myself and photographed the locations with sensitivity to the details the artists had emphasized as unique to their experience of the place. While at each site, I also photographed elements of the locations that I personally found interesting and …

Progression Of Aesthetic: A Study Of Beads And Adornment In Contemporary Krobo Society, Jordan Ashe

Independent Study Project (ISP) Collection

1. Methodology: To gain insight into the role of bead heritage and adornment in Krobo, I spent 18 days in Krobo-Nyaso, learning how to make recycled glass beads called giga, and observing the use of beads in daily life and ceremonious occasions. I observed one wedding ceremony and parts of a Dipo ceremony, though I was unable to attend a naming ceremony or funeral. To gain insight into contemporary bead culture, I interviewed Krobos of all ages, occupations, and social ranks, including one bead vendor, two bead makers, two chiefs, one priest, and four Krobo women. I also sought …