Art and Design Commons^™

Sanctuary, Harsha Kejriwal

Masters Theses

When I first arrived in New England, I was accustomed to thinking of winters as short but pleasant periods. For me, winter was a break from the strong and relentless sunlight of summer in Central India. But the contrast between my childhood winters and the same months in the Northeastern United States was dramatic. Statistically, Providence has an average of five hours of sunlight a day whereas Central India enjoys 9.5 hours during its coldest months. This pronounced change in light piqued my interest. I was struck by the various phenomena created by natural light during these cold months. Sunlight, …

World Settings, Elizabeth Meiklejohn

Masters Theses

Acoustical building materials, with their ability to absorb and diffuse sound, can reshape the character of interior spaces in profound ways. Woven textiles often perform as acoustical materials, whether by coincidence or by design; strategic use of textile structure and dimensionality can yield specific experiential qualities in homes, offices and shared spaces. The way certain materials manipulate sound can feel otherworldly, as if they break the laws of physics or the familiar parameters of one’s surroundings. The same properties can be found in emergent visual patterns and illusory lighting conditions, which provoke an investigative, deliberate way of looking.

In this …

Matingkad - Flamboyant, Bhen Alan

Masters Theses

In the Tagalog language, matingkad is used when describing colors or light. Its English translation, flamboyant, usually describes a character of a person - a queer, performer, drag?

People have called me flamboyant due to the way I dress, my gestures, and how I approach my work. Because of this, I have experience discrimination and abuse towards my race and gender, as well as my citizenship status. Therefore I have learned to begin employing flamboyance to be opaque (matingkad na kulay).

With this experience, I had to adjust the opacity of my body as a way of survival …

Textile Architecture, Zoe Yates

Masters Theses

The escalating climate crisis has exposed many cracks in conventional building systems. Modern architectural processes contribute to climate change by consuming high levels of energy throughout the building cycle—from sourcing materials to construction to energy use once buildings are in use. Conventional architecture’s emphasis on heaviness and permanence makes these problems unavoidable. Light, temporary architecture is a solution to both the environmental impacts of the practice (the cause) and to the challenges of living in ever more impermanent situations (the effect). As climate change continues to manifest in rising global temperatures, sea level rise, drought, unpredictable weather, and natural disasters, …

Loose Threads / Hilos Sueltos, Estefanía De Ros

Masters Theses

In this body of work, I’ve collaborated with four artisans from my home country, Guatemala: Apolonio Vicente, Vinicio Vicente, Mario Poz and Manuel Otsojay. They all use traditional craft methods with natural materials: wicker, wool, and cotton. I interweave, overlap, and knot mementos from my childhood with current ideas and dialogues that contain loose threads to the work. All of the layers merge in fluid forms with texture and movement. The curtains let light in, the rug sets warmth, and the “cayuco” invites you to slow down.

I aim to push back against the devaluing of craft traditions, especially in …

Dal And Rice, Anushka Divecha

Masters Theses

I have always been a nostalgic person. I have boxes of old photographs, letters, birthday cards and objects from significant days in my life. I have confetti from different concerts, friendship bracelets and old diaries. While typically not represented by keepsakes, memories of food are some of my strongest. They encompass all five senses, which is perhaps why they are so powerful. Every time I smell a spice or taste something familiar, I am instantly transported to a certain place and time.

As a textile artist, I use materials, textures, imagery, and senses to evoke place and time. This year …

Insecurities: Tracing Displacement And Migration, Hammad Abid

Masters Theses

“Insecurities: Tracing Displacement and Migration,” the title of both my thesis work and thesis book, calls attention to displacement and forced migration as a disruption in the continuity of place, relationships, identity, memory, and time. Through a collection of textiles, I try to capture the psychological, social, and physical effects of forced migration and communicate the impact of political violence on identity and coexistence.

In this book, I position myself within the context of how the current Indian government is attempting to rewrite the nation’s history and distort India’s pluralistic story. I tell a personal narrative of displacement in harrowing …

Awe-Struck, Emily Robertson

Masters Theses

Awe-struck is an exploration at the intersection of embodied and situated cognition, sight, sense-making and nature with an additional layer of artistic interpretation and emotional response. Adapting elements of Terrapin Bright Green’s biophilic design principles, this work pushes past the well researched benefits of incorporating nature into a designed space, to uncover an individual’s personal connection to an environment. The connection is multi-faceted—layered with observations of space, color and location, filtered through a lense of physical, philosophical and psychological reactions and then translated into an individual personal history. With a specific focus on wild spaces, where humans have designed and …

Mais Fica : More For Me, Gabrielle Marie Ferreira

Masters Theses

This book is as much a part of my thesis as the fabrics and patterns themselves, stitched together from moments and memories. You may take these stories with you, but those hidden moments between my words will always remain for me and me alone. No matter how many people take these stories with them, still mais fica.

Haptic Wonder : The Sensation Of Exquisite Craft, Anjuli Berstein

Masters Theses

I reinterpret traditional woven techniques to create permeable handcrafted screens, by using archival research of historical passementerie and gauze structures. Conceptually, these textiles are an exploration of how wonder can be reached through exquisite craft, a result of valuable raw materials combined with fine hand manipulation. I attempt to distinguish a kind of wonder that exists as a tactile sensation based on haptic sight of minutia, versus the sublime as an experience of optical sight of distant objects.

How To Become Ocean?, Elaina Runge

Masters Theses

A shifting viewpoint transforms into multiple perspectives to explore surface and depth.

By compressing time into an instant, or expanding a moment out in infinite directions, patterns reveal and obscure themselves.

A process that is both rational and intuitive emerges through the use of different systems to approach the unknown.

The ocean operates as a metaphor. The beyond guides the search of one who is tethered to the shore.

Plastic, linen, silk, elastic, glass, cellulose, protein: fold, curve, bend, distort, resist to create forms that are neither unfamiliar nor named.

Blue, blue-grey, blue-green, blue violet, azure, cobalt, sapphire, lapis lazuli, …