Art and Design Commons^™

Defining Montréal: An Exploration On The Evolution Of Montréal’S Brand And Cultural Representations Since 1930, Liliane Lai

Masters Theses

Spaces contain and create meanings through the interplay of their surrounding physical and mental landscape i.e., geography, social activity, and representation. Like many defined spaces, Montréal is not only a social and spatial manifestation of a singular community, but an ideal conceived and constructed through interpretation, objectives, and media portrayal— a mosaic or assemblage. Conceptualising Montréal as a brand being one of the cultural capitals of Canada is deeply tied to an assemblage of its diverse roots and identity beyond its history. This thesis explores the notion of city branding to understand how a city’s image and reputation evolves in …

Kainan Liu, Kainan Liu

Masters Theses

Selection of furniture is a very personal thing. Its scale and social attributes also determine that it is rarely sent as a gift. So, it seems to me, that furniture belongs to the category of personal goods, which is a concept worth pondering. What kind of relationship do these mere worldly possessions, these so called "mine" things, whether these are vehicles, houses, furniture, clothes or accessories, have with us? When we say the word "mine", it is a self-definition with confident possessiveness and the free extension of this definition in choice? Or is it a instinctive behavior that you need …

Web Trauma And Haunting Images : Experimentations On Materiality, Installation, And Operation Of Screens, June Yoon

Masters Theses

This thesis seeks to compose dynamics among the screens, images, and space for viewers to confront what we easily ignore: the haunting ghosts of mistreated humanity in this age of web-trauma.

Float I;, Zihan Iris Li

Masters Theses

The digital world is just another reality, alongside all the other parallel universes. It is similar to dreams, reflect- ing our fear and desire. When we are not conscious, the particles from our mind will travel freely and construct dreams. While in virtual space, digits are those wandering particles which form the world and are partially controlled by our minds. What is interesting is that no one in those realities will question the logic and behaviours, even though some of them are ridiculous, if you think carefully when you are awake in this physical world. We do find things go …

Silence Is A Luxury, Elise Stephens

Masters Theses

We are beings with at once fragile and resilient senses. Each of us have a threshold that is tested by auditory and visual stimuli that are seemingly constant.

This can lead to discord driving poor choices in resource allotment on a global and for some, a personal scale.

On a global scale, frenzied and misguided journeys to capitalize on the earth’s riches has led to exploitation of both nature and in some cases, societies. At the time of writing, the negative effects of these choices are at the forefront of policy makers’ agendas. In the United States, there are areas …

Tension In The Curve, S.K. O'Brien

Masters Theses

This artist’s book is a meditative narrative on my making and exploration of materiality.

It’s the best way to allow you entry and understanding into how I see.

Finding the tension in the curve and the lines and shadow and light that are created,

These new forms that appear when stress occurs help me understand…

Slick And Lumpy : Heavy Cream, Emma Fague

Masters Theses

A conversation with myself. A look inside my mind, process, and feelings. Slick and Lumpy. Creamy, oozing, leaking, dripping. Poured, molded, and sewn. Not a body, but my body, big and bursting and spilling out. Two things placed next to each other and observed. Lots of dessert, frosting, squishing, covering. A conversation with a painting, with a building technique. Fetish and healing, leather, vinyl, latex. Private and public space. Identity, imposter syndrome, digital fabrication. Combining and subtracting and stuffing. Is it appealing, sexy, charming, or revolting, ugly and gross?

With Eyes Unclouded, Tiffany Tang

Masters Theses

Tiffany is interested in creating purposeful connections and direct relationships through this vehicle of functional work. The scale of the work is made for the tabletop, asking to be handled and enjoyed. Her work takes a lot of time. Everything she does to the piece has a purpose. There are many stages in the process, and each informs what the next step will be, leading to the work existing as an accumulation of experiences. The use of colors and patterns are a form of inviting joy into the work. Blue greens, dark teals, serenity blues, pastel pinks, rosy quartz, palest …

To Make Atmosphere, Gonzalo Galetto

Masters Theses

My artistic practice explores the possibility of shifting anthropocentric perspectives through media installations. These perspectives exist in the positions we hold in relation to the environment: they continue to exteriorize and distance humans from the environment. To reorient our attention in its direction, and the other-than-human life forms that sustain it, is a social imperative of our times. Reevaluating our engagement with the other, meaning other beings or selves, including other-than-human selves and landscapes, is to readjust our relationship with the environment. It is a way to reposition how to be and to act in the world, but to do …

Under / Over Looked, Kopal Seth

Masters Theses

Across the stages of migration, I have confronted emotional and social complexities. The farther I am from my roots, the more I want to strengthen my connection to India. Through a process of observation and reflection on every day, grows the desire to house a cultural identity within my work. Here, encounters between past, present and future layer atop history and memories.

To reclaim the kindred character of the craft culture of my country, I rediscover those values that resonate within me through recontextualised forms, clay acts as my drawing tool to outline social structures, psychology, traditions and nostalgia.

In The Flesh, Courtney Sierra Johnson

Masters Theses

This thesis is written in two parts:

Part one discusses the history of artistic swimming and its correlation to understanding the fluidity of gender. I adapt the analysis to interpret the underlying theme of critical theory. Tying to my work, I use the notion of the fountain to justify the theory of abjection towards the body and the suppression of natural bodily behaviors within society. Furthermore, the fountain explores water as a symbolic place of equality and gathering.

Part two was written during quarantine of the Coronavirus pandemic. It describes my inability to complete my original thesis and how my …

, Nevertheless,, Ji Yoon Chung

Masters Theses

Derived from transitions, my artistic practice is an act of condolence for the transient presence that takes time and indulges every process as an acceptance of loss.

Over the years, I have moved between distinctive regions and cultures, only to be disoriented by mementos that are residues of a seemingly in- accessible past. What remains is to witness the vanished moments that evoke associated memories. I tend to solidify the volatile condition of transition by carving a temporary fragment on a permanent surface to make the ephemeral, eternal. The attempt to preserve a transitory phenomenon through archives by utilizing digital …

Finding Identity In Memories, Hyejun Youn

Masters Theses

What are the ways in which we form and build our identities and habits in both physical and digital spaces? How can our different uses of the digital expression which evolved from analog forms reveal traits and memories that we have forgotten or overlooked?

The way I define my identity through the analog media I collect correlates with the quality of the memories within my current schema, knowledge structures that represent typical instances of categories.

We interact with an infinity of objects from birth to death. Our collection of objects resonates more and more with memory and nostalgia as the …

Bug Chaser, Peter Rogers

Masters Theses

The veins of the leaves were bustling roadways, complex interactions that occurred at such a distance from my own anthropocentric understanding, they may as well have inhabited their own universe.

Dwelling within the infinite wonder of these microcosms, I coined myself a nickname that I abode within intimately: Bug Chaser. Perhaps I had heard the term on the news, or caught one of the teachers use it in passing, but as far as I was concerned, the term was entirely of my own creation.

“I’m a bug chaser!” I announced triumphantly to my kindergarten class.

“You mustn’t use that word,” …

Erik Degiorgi, Erik Degiorgi

Masters Theses

Where I started two years ago is a very different place from where I am today. At the outset of my time at RISD I knew very little about what it meant to be a designer. I lacked confidence, yet still entered this program with strict ideas about the nature and outcome of my work.

Over the course of four traditional semesters and two winter sessions, I gradually moved away from my original, self-imposed fears and constraints. Not coincidentally, my work expanded into areas I had not conceived of previously. It has been an illuminating journey, and while I am …

Expanded Skin, Jihoo Kim

Masters Theses

Our digital interfaces have been degrading human sensory intelligence by limiting our body to only vision and the first two fingers. Despite the high level of available technologies, we do not fully utilize them due to our lack of awareness of its applicability in more various aspects than just media being consumed. It is also because of its inaccessibility in terms of human–computer interaction (HCI) beyond our sense of sight and touch screens. Those technologies have been key elements in all of my works, since my ultimate position is to redirect the technology in a way that could enhance human …

This Feels Familiar, E. Winslow Funaki

Masters Theses

This is a book about in-betweenness. It’s an examination of how we identify people and objects, the categories we use to do so, and those that don’t fit squarely into one or the other. It considers the grey areas of identity--race, gender, species, function, living, inanimate. It slips and slides through the ambiguous and indefinite, forever moving, always simultaneously being “both,” “all,” “neither,” and “none.”

Internal Resonance, Xiangyu Wang

Masters Theses

This thesis explores the interaction between my inside and outside worlds. It includes my discussion towards Zen methodology, homeostasis, nature, antiquity, inner order and the concept of Qi. It can also be seen as a process that scrutinizes my daily life and looks deep into those things which slowly echo in my body and push me to make my own response.

You Are Trapped., Will Chouinard

Masters Theses

YOU’RE TRAPPED. YOU CAN SEE THE EXIT BUT YOU CAN’T GET TO IT. EVERY TIME YOU MOVE, YOU RISK CUTTING YOURSELF ON THE SHARP EDGES OF THE TRANSLUCENT WALLS, SO YOU DON’T. YOU’RE STARTING TO SWEAT. NOT MOVING MAKES YOU INCREDIBLY UNCOMFORTABLE. YOU’RE BREATHING HEAVILY. YOU FEEL LIKE YOU’RE ABOUT TO PASS OUT, BUT YOU CAN’T BECAUSE IF YOU DO YOU KNOW THAT IT’S ALL OVER. SO YOU FORCE YOURSELF TO STAY AWAKE. THE WALLS ARE CLOSING IN ON YOU. YOU HAVE TO MAKE A MOVE. TAKE A LEAP OF FAITH. IN AN UNHUMAN EFFORT, YOU REACH UP TO THE …

Bundles And Blanks And Binds And Bends, Steven Kaplan-Pistiner

Masters Theses

This thesis investigates how objects we make offer us a chance at maintaining what makes us human.

Storytelling In Arts, Lindi Shi

Masters Theses

People and narratives are the core of my art practice. Compared with only exploring the subject matter, I am more excited about the characters and narratives around it. My media gradually shifts from flat drawings or prints to installation, performance, and even explosions. Perhaps as a human myself, I like people a lot. There are always interesting stories where people go. The thesis discusses four stories, including an oral tale from my grandma, my personal experience, stories about bodies, and a story in the imagination. This writing reflects my research on the relationship between types of storytelling and various art …

He Makes The Figs Our Mouths To Meet And Throws The Melons At Our Feet, Josh Meier

Masters Theses

He Makes the Figs Our Mouths to Meet and Throws the Melons at Our Feet investigates the relationship between the painted image and the cast subject. By compressing the visual contradictions of pictorial and physical space, my work argues for a simultaneity of conditions and emotions. I am interested in how two material realities can hybridize to produce a new, unanticipated, re-imagined self-portraiture. This thesis contextualizes my recent works within historical frameworks and discourses including other artists’ writings and artworks, philosophies of abjection, feminist and queer theories of embodiment, poetry, film, and stream-of-consciousness memoir.

This Side Of The Air, Madeline Peckenpaugh

Masters Theses

In my thesis, I have chosen to present a collection of stories throughout my life that continue to impact my practice, along with journal entries, gathered notes, and small to large conversations I've had with my peers, parents, visiting artists, and professors. These collection of stories take place in Wisconsin, Philadelphia, and Nepal, ranging in small moments to a span of seven years. I've been writing down words and clues that could lead me to find the thesis-worthy definition of my work and practice. As if someone or something else other than myself holds the knowledge I'm incapable of locating. …

Art Beside A Single Handshake : Can You Believe It?, Tongji Qian

Masters Theses

Although I was familiar with works by both McKinzie and Phil, their prints still caught my attention during the Printmaking Graduate Biennial at Rhode Island School of Design in January 2019. In contrast to the numerous talented artists who employed strategies to affirm the relevancy of printmaking in a contemporary discourse, McKinzie and Phil seemed to desire something different. Their collaboration series of Ten Identical Prints was predictably “printerly” and perilously unexciting, betraying a fraught and commonplace relationship between an expressive artist and a scrupulous master printer. How could these two artists showcase such mundanity? What was the stake of …

Recycle Bin (Trashure), Eunhyung Chung

Masters Theses

I am inspired by painful and exhausting situations, fragile or impermanent things that break easily and do not last long, so most of my works are installation or performance which changes as time goes by. I think a lot about the sense of loss and there are two kinds of loss in my work. One is the loss of precious moments and emotions of the past. Since I have so many blissful memories of my childhood related to art, they are the driving force of my artwork and they form the core of my identity. The loss of direction and …

Unbound, Changrui He

Masters Theses

For many years, I have been repeatedly trying to understand what the term “trauma” means to me. While invisible, my trauma is ever-present, and I have not been able to understand how it has trapped me and my inner feelings. At the same time, more recently I don’t feel helpless or abandoned. I have been trying to tap the potential of connecting with the world outside, thereby piecing together the broken bits and pieces and reconciling with my family, past sorrows and myself.

In my thesis collection, I pay homage to a garden I often visited as a child. The …

I - 0, Sanghyun Koh

Masters Theses

This pack of cards is a provisional collection of encyclopedic thoughts and knowledge selectively hoarded for the artist’s comprehension of the world. These cumulative writings, packaged in a distributive form for intellectual play, cover the artist’s past workings, current studies and dormant plans, amassed in the responsible attitude of selection as well as in the irresponsible method of organization. The content of this 144-card deck is basically oriented to the oscillating status of a self seeking the ‘Grasping Totality’ as a human desire and of the ‘Improbability of Reach’ as a human limitation, whether true or false, proven or unproven, …

Slice Of Life : Theater Of The Dinner Table, Kate Pincus-Whitney

Masters Theses

Through re-imagining the radical emotional, psychological, political, poetic, and story telling power of food, I use the theater of life to set the stage of the table. Conjuring discussion with Chronos and Kairos, the meal is placed within the liminal; where all bodies are simultaneously present and absent. The painting is as much about life as they are about death. Investigating contemporary life and myth making, I explore the mapping of culture through the objects we consume. I view the tablescape as a place of narrative portraiture. Sometimes the table acts as a shrine, other times a commons or a …

Madrepora, Elizabeth Burmann Littin

Masters Theses

Exploring materiality and how we’re inextricably entangled with it, this thesis dive into bodily, aqueous, and political engagements for dissolving the human project of separating nature from culture and bodies from environments. This dematerialization practice driven by discursive means has served as an excuse for the industrial exploitation and abuse of the less seen.

Infused by the material turn in feminist theory, I propose to think with materiality in all its wet, slimy, and dusty ongoingness as a way to craft from the living and dying processes that we embody as current wanderers among contamination, scarcity, and ruins.

Proposing a …

A Little More Like Water, Jacqueline Scott

Masters Theses

“The waves broke on the shore.” These are the final words of Virginia Woolf’s 1931 novel, The Waves, which follows the passage of a day at the ocean’s shore. The book serves as a backdrop for the life of six characters: Bernard, Susan, Neville, Rhoda, Louis and Jinny. Interludes are interjected between the chorus of these characters, depicting the arc of life from early childhood to old age and death. The relentlessness of the rhythm of the tide, at first pulsing and hard to ignore, becomes ceaseless white noise that eventually falls to the background. The day’s initial drama—a spectacular …