Art and Design Commons^™

“You Will Never Touch My Roots”, Zari Apodaca

Art & Art History Student Scholarship

Zari Apodaca ’23
Major: Studio Art
Faculty Mentor: Professor Judd Schiffman, Art and Art History

An Exhibition of ceramic objects reflecting on genocidal trauma and cultural bereavement in Armenian culture. Through her art, Zari asks questions about the intergenerational effects of exile and persecution. In Zari’s words: “Through multiple ceramic copies of face plaques and head sculptures, I work to understand who I see myself to be, despite feeling so disconnected. I communicate my inner thoughts concerning identity and society through text carved into clay and broken up pieces of faces to better understand the missing gaps in myself.”

P.W.I., Callie Chan

Art & Art History Student Scholarship

Callie Chan ’22
Major: Studio Art
Minor: Mathematics
Faculty Mentor: Professor Judd Schiffman, Art and Art History

In her work, Callie Chan explores her feelings as a Chinese American at a predominantly white institution. Chan creates a massive quantity of seemingly identical objects made one at a time. Her identity is physically stamped onto each individual piece of clay as she squeezes them within her palm. This act of repeatedly squeezing releases a frustration within herself : As one of very few Chinese Americans at Providence College, Chan lacks a sense of belonging, acceptance, and understanding. In carefully considering her …

Forgotten Lunchbox: Painting Thesis, Madigan Farrell

Art & Art History Student Scholarship

Madigan Farrell ’22
Major: Studio Art
Minor: Marketing
Faculty Mentor: Professor Heather McPherson, Art and Art History

Madigan Farrell's "Forgotten Lunchbox" is an exhibition of abstract painting exploring the ways in which painterly gestures can correspond to various cognitive activities. Integrating self-reflection and personal lessons, Farrell aims to compose a positive portrayal of her experience learning how to manage her ADHD during childhood.

Consumer, Catherine Romsey

Art & Art History Student Scholarship

Faculty Mentor: Professor James Janecek, Art and Art History

Race To The Finish: An Obstacle Course With A Biological Twist, Kayli Fagan

Art & Art History Student Scholarship

Major: Business Management and Studio Art
Faculty Mentor: Professor James Janecek, Art and Art History

The Button Bash: A Minigame, Miranda Balossi Ventre

Art & Art History Student Scholarship

Major: Psychology
Faculty Mentor: Professor James Janecek, Art and Art History

Digital Landscapes Of The Mind, Ashley M. Dicaro

Art & Art History Student Scholarship

Major: Health Policy and Management
Minor: Italian and Studio Art
Faculty Mentor: Professor James Janecek, Art & Art History

For my independent study, I used Photoshop extensively. The software allows me to use digital imagery to maintain a specific color palette that translates to the time of day. This color theme is extracted from my personal photographs of favored landscapes, after which I build in layers to create whimsical landscapes. They are whimsical for their non-uniform distortions of perspective and viewing angle, a combination that is amplified by the painterly application of color. Technology allows me to paint, cut, collage …

Mid 20th Century America Through The Words And Lens Of Allen Ginsberg, Lily M. Conover

Art & Art History Student Scholarship

Major: Art History and American Studies
Faculty Mentor: Dr. Deborah Johnson, Art and Art History

Allen Ginsberg began producing provocative poetry in 1955 when he first devoted his life to writing. There was even a court case in 1957 to decide whether or not his most famous piece, Howl, should be banned for its content. All of this press made Ginsberg a famous poet; however, he also had what he called an “amateur hobby,” his photography.

In the same way he wrote, Ginsberg photographed the world around him: members of the Beat Movement, his friends, lovers, etc. Most of the …

Seductive Sacrality: Questioning The Nature Of Seduction Through Golden Age Spanish Paintings Of The Virgin Mary, Nicole V. Jozwik

Art & Art History Student Scholarship

Major: Art History
Minor: Spanish, Latin American Studies, and Business and Innovation
Faculty Mentor: Dr. Deborah Johnson, Art and Art History

"Seduction is traditionally understood to have a sexual undertone, but this investigation aims to prove that the seduction of the female nude is not just a manifestation of carnal sexuality, but rather, can be ignited by the qualities of power, motherhood, and salvation.

Spanish Marian images by Zurbarán, Morales, and Machuca will be used to analyze how nudity allures the viewer, but allows the religious message to remain the central force. By referencing John Berger and Laura Mulvey and …

Odd Man Out: Two Self-Portraits Of Henri De Toulouse-Lautrec, Ava Pandiani

Art & Art History Student Scholarship

No abstract provided.

With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel, Sara Spirito

Art & Art History Student Scholarship

No abstract provided.

The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh, Jessica Caldarone

Art & Art History Student Scholarship

No abstract provided.

Henri Mattise's "The Red Studio": Art As Real/The World As Illusion, Alyssa Johnson

Art & Art History Student Scholarship

No abstract provided.

“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin, Lauren Cavalli

Art & Art History Student Scholarship

No abstract provided.

Paradigmatic Portraits From Weimar Germany: Martha Dix, Sylvia Von Harden, And Anita Berber According To Otto Dix, Althea Ruoppo

Art & Art History Student Scholarship

No abstract provided.

Review/Report Of The Conference On The History Of The Book In Venice For The Sharp Newsletter (Society For The History Of Authorship, Reading And Publishing), Alice H.R.H. Beckwith

Art & Art History Faculty Publications

A review of a two day conference at the Istituto Veneto di Scienze, Lettere ed Arti on March 9-10 concerning the fifteenth-sixteenth century book industry in Renaissance Venice and Europe.