Art and Design Commons^™

Flapper Fashion In The Context Of Cultural Changes Of America In The 1920s, Soo Hyun Park

Dissertations, Theses, and Capstone Projects

This study aimed to analyze the key characteristics of flapper fashion, which shaped the American fashion scene in the 1920s, and to review how this trend reflected the society at that time, which was changing fast in terms of the society, economy, and culture. Towards this end, comprehensive scanning of flapper-related images found in a variety of media at the time was done, and it was revealed that flapper fashion indeed reflected the prominent changes in women's role in the society in compliance with the early-20th-century modernity, which was a far cry from the traditions, while at the same time …

New York Fashion Industry Goes To The Fair, Luisina Silva

Dissertations, Theses, and Capstone Projects

At the beginning of the twentieth century New York City was the garment manufacturing capital of the United States of America, but it was not considered a fashion reference for the world. This study examines the role of the New York World's Fair of 1939/1940 as the first event where the New York fashion industry presented itself as a consolidated enterprise. To capture this important moment in fashion history, I examine the overlooked New York World's Fair archives from the New York Public Library and engage them with secondary research on American fashion history. With the use of digital tools …

Working Women: Contemporary Cinematic Costumes In "Desk Set" And "Working Girl", Karen Hummel Kinsley

Dissertations, Theses, and Capstone Projects

The contemporary cinematic costume designer is a visual storyteller. Through the dressing, or undressing of the actor's body, the costume designer narrates the cinematic character's physical and psychological journey from the first frame to the final credits. The costume designer creates the character's image by selecting specific garments and accessories that will inform the audience about the character's relationship with his cinematic environment.

The focus of this thesis is to examine how the contemporary cinematic costume designer unifies contemporary clothing with the actor's body to narrate a cinematic character's story. In order to understand how the costume designer creates a …