Art and Design Commons^™

In This Time And Place, Christy Aggens

School of Art, Art History, and Design: Theses and Student Creative Work

I seek out and spend time in relatively wild outdoor locations and create art based on my observations. The resulting work explores time and place, while the creation of the work increases my engagement with the environment. This process serves as a reminder that time is relative and life itself is continuous.

I start by finding time in locations where nature has been given a chance to thrive and where the sound of human activity is at a minimum. During these retreats, I use my senses to absorb information and document the experience by journaling, making recordings, taking photographs, drawing, …

Espacio, Edgar Perez Peña, Edgar Perez Peña

Electronic Theses, Projects, and Dissertations

Edgar Perez Peña (He, Him, His) is a Queer, Chicanx contemporary figurative painter, who lives and works in the Los Angeles County. A native of Los Angeles, California, his paintings, and assemblages are a strong combination of process, materials, and content that displays his fascination on how physical/psychological space (from where he resides), reflects on the Queer Brown body and its comfort/discomfort in relation to public and private space.

Peña looks at his artistic practice as an opportunity to explore the human condition from the Queer and Brown perspective as well the beginning of healing through the meditative process of …

No Canvas, No Rules, Francisca B. Ugalde

Proceedings from the Document Academy

This presentation activity is a creative exploration of the concept of DIS-EASE, as in the absence of ease, uneasiness, or discomfort.

Conceptually, I am exploring DIS-EASE in three ways:

1. As you can see, I am painting directly onto the gallery wall. As the keeper of these galleries, I can assure you that this is a big no-no. I mean how dare anyone disturb these pristine surfaces?! The rationale behind my discomfort is rooted in the idea that the gallery is a sacred space, and that these walls ought to be kept pristine so that the objects displayed against them …

Aeneid: A Depiction Of Dido In Dutch Golden Age Art, Rebecca R. Kaczmarek

Parnassus: Classical Journal

No abstract provided.

The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith

MFA in Visual Art

Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …

There Are Ghosts In The Machine, Jonathan Green

Graduate Theses and Dissertations

There are ghosts in the machine is a body of paintings that dare to dissolve the boundaries between my physical body, intimate desires, and paintings. Utilizing the aesthetics of leather lifestyles, the paintings express the transformational potential of desire and transgression. Oriented within my experience as a queer, transgender male, I call upon influences that range from the body horror classics by director David Cronenberg or the transgressive attitude of Nine Inch Nails, to theoretical works on the power of eroticism by Audre Lorde and Georges Bataille.Modified by hardware such as chains, zippers, and grommets, the paintings express the transformational …

The Artist's Diary, Anamae Gilroy

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Model Of Mural Painting In The Inpatient Room Of Fatmawati Hospital, Tri Aru Wiratno

International Review of Humanities Studies

The research model of mural painting in the children's ward of Fatmawati Hospital is interesting not only as a beauty but also the beauty it gives to patients. The model of mural painting as a form of instrumenta art works that aims and serves as the beauty of a child's inpatient room to further provide calm, coolness and peace to the pediatric inpatients. By using Terry Barrett's interpretation research method, the interpretation research method must include the contextualization of substantial creative work. And the development model of Borg and Gall, Dick and Carey. As a method that is integrated as …

Bubbles & Bought-Ins: Reevaluating Price Movements In The Art Market, Silas Wuerth

Honors Projects

Employs two tests for bubbles in the art market. First, a right-hand forward recursive augmented Dickey-Fuller test to identify explosive price movements. Second, a test for the statistical significance of hedonic regression price index coefficients after controlling for equity market performance. Finds strong evidence for a speculative bubble in the pre-Great Recession "Post-War & Contemporary" market. Evidence for this bubble diminishes but does not dissipate after accounting for the effect of failed sales on index returns.

Enmesh: The Art Of Trauma And Recovery, Joanna Pottle

Senior Honors Projects, 2010-2019

Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they accomplish …

Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway

Senior Honors Projects, 2010-2019

over certain undecidedness these heartstring intimations is the culmination of a two-year-long abstracted cycle of textured conversation, internal eye contact, and endless playlist-making. Hemingway’s work is based in process-oriented reflections on habitual behavior, manifestation of sentiment, and sense of self. Her paintings draw inspiration from the ways in which we approach and avoid our internal and external routines – how degrees of our subconscious considerations affect how we extend ourselves to others. Individual auditory preferences of different colliding souls have carved a space for her in a language of empathetic abstraction – attempting to elaborate the curious beauty and pain …

Liable To Change, Jody Travis Thompson

Graduate Theses and Dissertations

Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space are …

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.

For Wintonbury: An Expansion Of Narrative And Painting, Cassaundra Kayla Sanderson

Graduate Theses and Dissertations

In March 2017, I began planning the narratives of what would become my Thesis Exhibition. One year later marked my installation of the exhibit: For Wintonbury, located at the Fine Art Center Gallery at the University of Arkansas.

A merging of the visual arts and literary fiction, For Wintonbury offers a more immersive experience in storytelling. The painted scenes, drawings, three-dimensional compositions, and short stories each serve their own purposes in presenting partial glimpses into the longer narratives of Wintonbury. Through multiple media and entry points, the viewer is given the choice in which sequence and manner to take in …

Winter Birches At York Redoubt, Irene Oore

The Goose

This painting of Winter Birches at York Redoubt in Halifax, Nova Scotia reflects the grandeur and beauty of the historic site on which it sits and evacuates the fortification from it. York Redoubt, now a National Historic Park, was constructed in 1793 (just as war broke out between Britain and France) on a bluff at the narrowest point on the outer harbour. It overlooks the entrance to Halifax Harbour at Ferguson's Cove, Nova Scotia, Canada.

Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg

The STEAM Journal

One might wonder how intuitive art can connect to neuroscience and how this could be accomplished. In this descriptive article, research connecting art therapy and neuroscience has been collected and a workshop on Intuitive Painting has been described in detail. The connection was made by the author based on an article by Barker (2017), ‘4 Rituals to be more Happy,’ who writes a popular science blog. The rituals: gratefulness, expressing negative emotions, decision making and human touch were combined with Dr. Pinkie Feinstein’s method of Intuitive Painting in a small group setting. Although subjective, it would seem that at least …

Painting With Horses Towards Interspecies Response-Ability: Non-Human Charisma As Material Affect, Madeleine Boyd

Animal Studies Journal

Leading up to the 2014 Melbourne Cup three communication modes were employed by unrelated horse welfare activists to raise awareness of cruelty in the racing industry. The intention to increase empathy with horses ties together these efforts, which are characterised as written, visual and immersive. This paper uses the lens of Jamie Lorimer’s three types of non-human charisma to consider the potential for each communication mode to achieve the goal of change towards interspecies response-ability. Charisma is considered in this paper to be a form of material-affect within new materialism that offers a more complex tool for analysis than the …

Realizing Urban Water Pollution Impact In Melbourne, Australia Through Painting, Gregory Suplinskas

Independent Study Project (ISP) Collection

Throughout the month of November 2016, I undertook a creative environmental art project in Melbourne, Australia. I chose to create a water-soluble oil painting (dimensions 3 ft. x 4 ft.) that represents water pollution problems in the city of Melbourne, particularly in Port Phillip Bay. These problems include toxic stormwater runoff, plastics pollution and plastic nurdles, as well as nutrient buildup and algal overgrowth. The painting includes messages regarding sustainability; sustainable action limits the use of our natural resources so that humans can preserve the environment for future generations rather than degrade it. In the painting, I combine conceptual and …

Summoning The Body That Acts, Brendan M. Mccauley

Masters Theses

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.

Mimicry And Mimesis: Matrix Insect, Madeleine Kelly

Animal Studies Journal

Paintings and insects might seem like odd companions. In this paper I describe how a series of paintings I made depicting insects creates associations between mimesis and mimicry in order to flag a sort of protective self-referentiality – one where painting resists its proverbial ‘end’ and insects are presented as vital new orders. Drawing upon art historical references, such as Surrealism and the modernist grid, I argue that playing on these references and the compositional effects of camouflage enlivens our regard for the sensuous worlds of both insects and painting. I conclude by exploring how paintings of insects are powerful …

Place(Ment), Ashley Lynn Byers

Graduate Theses and Dissertations

Throughout her time at the University of Arkansas Master of Fine Arts program, Ashley Byers has been creating work about the folklore, landscape, and people of the Ozarks. Though she continues to create work with the Ozarks in mind, it became a motif used for a broader conversation about the ad hoc, holiness, painting, landscape, the figure, and intimacy.

In many ways, the concepts within her work are born out of the Ozarks.

When can remnants come together to become more than the sum of their parts? Derelict, easily dismissed objects, when set in the right context or viewed through …

Kentucky Folklife Program - Artists (Fa 743), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archive Project 743. This collection contains information relating to the various artists involved with the Kentucky Folklife Program. Many of the artists included in this collection participated in programs offered at, but not limited to, the Kentucky Folklife Festival, Made to be Played Exhibit, apprenticeship programs, and survey or fieldwork that was conducted by the Kentucky Folklife Program. Artists included musicians (gospel, blues, bluegrass, banjo, thumbpicking guitarists, and singing) to traditional artists (painting, quilting, storytelling, basketmaking, and instrument making). The collection also includes musical groups and places relating to artists and art forms. The collection …

Pressing: Where The Objective Meets The Subjective, Mariana Parisca

Undergraduate Theses—Unrestricted

Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …

Narsisme Sebagai Wujud Eksistensi Diri Dalam Novel “My Name Is Red” Karya Orhan Pamuk, Raden Dibi Irnawan

Paradigma: Jurnal Kajian Budaya

This paper discusses about socio-psychological dimension in paintings pictured in Orhan Pamuk’s novel My Name is Red. The novel shows us fi ne examples about how paintings can be a media of painters who lived in a repressive era of Sultan Murat III which established rigid rules adopted from Islamic principles of how a painting should be done. This idea manifested in the characters’ behaviour, especially Velijan Eff endi, who hold the Islamic or East principles, but dilemmatically fond of Western principles as an aesthetic way of painting. This kind of dilemma born from the presence of East and West …

The Quantified Self, Behind The Cover Art, Leslie Love Stone

The STEAM Journal

We lead quantified lives. The information we send and receive through our computers, CD players, and smart phones is coded in ones and zeroes. We exist as numerical accounts, license numbers, and login IDs. Anyone who has ever waited on hold for a live customer service representative understands the desire to be treated like a person, not a number. We each want acceptance for our inherent peculiarities and consideration for our circumstance—conditions we believe extrinsic to numbers.

Can We Own Art? Or Just Be Its Legal Guardian?, Carla Poindexter

UCF Forum

How can we effectively teach students to be professional artists at a time when some of society’s economic values are so unrealistic? It is true the high-end art market is thriving, but the contemporary art community is arguing whether such outrageous public auctions and private sales are good or bad for art.

Taft, Anne Celine (Fa 15), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 15. Interviews conducted by Anne Celine Taft with Zeleme (Brashear) Cottrell, about her weaving. Cottrell discusses the weaving process in depth and how it has affected her life.

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …

Pennsylvania Folklife Vol. 42, No. 2, Wendell R. Zercher, Charles Greg Kelley, Robert P. Stevenson, Henry J. Kauffman, John W. Parsons, Roy Christman, Elwood Christman, Greg Huber

Pennsylvania Folklife Magazine

• Charles E. Starry, Adams County Chair Maker
• Lewis Miller's Chronicle of York: A Picture of Life in Early America
• Family Anecdotes from a Georges Creek Home
• The Pennsylvania-German Schrank
• The Barns of Towamensing Township
• A Review of Robert F. Ensminger's The Pennsylvania Barn

Pennsylvania Folklife Vol. 17, No. 2, Earl F. Robacker, Ada Robacker, Don Yoder, Monroe H. Fabian, Phares H. Hertzog, William A. Reagan, Claude Unger, Lester O. Troyer, John Eby Pfautz

Pennsylvania Folklife Magazine

• The Far-From-Lonely Heart
• Almanac Album
• Some Moravian Paintings in London
• Snakelore in Pennsylvania German Folk Medicine
• The Blacksmith and his Tools
• "Shouting, Jumping Evangelicals"
• The Old Goschenhoppen Lutheran Burial Register, 1752-1772
• Personalia from the "Amerikanischer Correspondent"
• Regionalism Among the Holmes County Amish
• The Pennsylvania German Churches and Sects (1878)
• Notes and Documents: A Curious People (1877) ; Pokes and Tuts (1964)
• Feather Beds and Chaff Bags: Folk-Cultural Questionnaire No. 6