Art and Design Commons^™

Dissociation, Chaimae Oualid

be Still

"Dissociation," is a reflection of the world's struggle against the COVID-19 pandemic, and how it has affected us all in ways we never could have imagined.

Through this painting, I wanted to capture the gradual, yet drastic change in emotions, lifestyles, and perception of reality that we experienced during this time. The crowd of people depicted in the painting represents the collective struggle we faced, all facing towards the unknown and moving towards it. The different facial expressions convey the range of emotions we felt during this time, from fear and worry to resilience and hope.

For me, the pandemic …

The Artist's Diary, Anamae Gilroy

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen

Theses and Dissertations

This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.

Visiting The Garden By Ryan Guptil, Ryan Guptil

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Visiting the Garden

Winter is gone
The sun is out

I open right up
I come right out.

My bright red complexion
My powerful aroma

Creatures come to see me,
Without a doubt.

They know my smell
They know my name

They know what I am
Not ever a doubt.

Every year I am the same,
But they always change.

Till next year my friends
Please stay the same.

I feel you looking
I never move, always still
Frozen like a rock.

I am as bright as a flame
And catch the shining sun.

You’re drawn to me
Like a …

Dandy/Robin/Gardener By Sadie Pressman, Sadie Pressman

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Dandy

I’ll be so direct by saying, if I may, that here is simply, absolutely, the best place to be. Here,
where the rolling hill plunges towards the ocean. Here, where the sight of the Bavarian blue sky
makes my insides feel endless. Here, where, watching as I so often do, as the white cotton
shape-shifts before my eyes, summer-time in suspense. The sun’s rays suspend from the sky,
dangling like the hands of time. They caress me. A pocket watch in the sky, the sky's the best
accessory. Here, where I am more popular than I could ever have …

A Short Stay By Rachel Milne, Rachel Milne

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

A Short Stay

Gracefully, she leaps over the fence.
Slowly, she walks through the yard,
Plucking low-hanging leaves for breakfast.
She lingers, as she eats
And suddenly –
Nails skittering on wood, a rush of air through the grass,
Her visit is cut short
She sends herself back into the woods
Just as the dog reaches the top of the hill

Their nest may be elsewhere,
But the pair frequently visit this place.
His little, crimson body darts over the yard,
Her subtle, tawny feathers hide away in a tree.
A constant in the garden,
They are a pleasant sight …

Floral Beauty By Sophia Squire, Sophia Squire

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Floral Beauty

An appreciation for chrysanthemum
Took bloom within her soul during
Her early years of life and began
To flourish as time went on

Passing slowly, the years whisked
By and things would grow all around
Her as her hair drifted down past
Her slim shoulders – long brown

“I wish to grow my roots, soon,
In one place where I can stay
Becoming stronger within myself
Until it is time for me to wither away

I’ll make this body a lovely space
For my spirit of flora to grow and
Thrive, with windows all around to
Let sunshine …

We, Three By Ginny Majka, Ginny Majka

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

We, Three

I am the soil, the mountains and oceans of life.
Mycellium colonies beneath my surface plunge up
up, up through the peat and the moss, the decaying leaves. They pray for the rain, the fruit of my earth.
Plantae nestle in, fragile and comfortable,
seeds sprout to eagerly gulp rain,
animalia flourish, consuming what I provide
only to come home, at the end, to me
to rejoin my earth;
we are one
I am the atmosphere, the sunny clouds and storms producing bounty to those below
I am the chaos in the lightning
I am the rainbow after …

Admirers Of The Garden By Tabitha Burgess, Tabitha Burgess

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Admirers of the Garden

I fly in as the sun rises
Fluttering to the beaming light
Of golden and red velvety petals
I touch down on the layers of the lilies
Admiring their similar colors
Breaking my concentration
A chirping sound in the distance

I feel the wind beneath my wings
As I fly to an area I’m familiar with
I land on the nearby fence post
My black and white feathers
Illuminated by sunlight
I look down at the nearby botany
The rows of greens growing from the soil
I seek out my next destination and take flight
As …

Visitors By Lindsey Bosk, Lindsey Bosk

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Visitors

There is a need within us all,
just like this garden,
for water to replenish what is dry and wilted.
One drop falls from the grey-blue sky onto a leaf.
Another hits my brow, I smile.
Like me, the rain does not stay forever,
we are both visitors here.

The droplets of water pick up speed,
as if sensing urgency.
Thirsty plants lap up water,
the rain is welcome.

Unlike the rain, I serve no purpose.
I quench no one’s thirst.
Nonetheless, I sit in the center of it all,
as If I matter most.

Three Garden Visitors By Vivien Russe, Vivien Russe

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Three Garden Visitors

Beside a cup of tea, I am a spotted leopard on pajamas.
Outside in the garden, this early summer morning,
Staying sly, quiet, not wanting to draw any attention from the neighbors.

A birdie is hidden in the Emerald Green Arborvitae,
After lunch, Owen comes over, asking politely if he can come into the yard to find it.
I reply, “Certainly, you can retrieve anything that lands in the yard without asking”.

Coming unannounced, no matter when, full of presumption
It comes with the lightest, gentle touch or the hardest hit, knocking flowers off center.
Below the …

To The Studio, In The Studio, Home, Miquel R. Veldkamp

Theses and Dissertations

A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.

Metamorphosis: An Exploration Of Transformation In Artmaking, Scarlet Sevits

Honors Projects

My creative project begins with wanting to know how the art making process relates to the process of metamorphosis and the extent to which this process can achieve realism. To explore this question, I chose related subject matter that is the female mythological figures of Ovid’s epic poem Metamorphoses who undergo transformation of the human body. I also chose a methodology that relates to my question. The acts of painting and writing can be explored as processes of transformation and both processes attempt to convince the viewer or reader of reality: the reality of a living figure or the emotional …

The Branch On Which The Blossom Hangs, Thomas Sterling Coffey

Graduate Theses and Dissertations

The Branch on Which the Blossom Hangs is a body of paintings which address the relationship between landscape or physical presence and the primary experiences of emotion and perception. Through this examination of phenomenology and the malleability of the perceptual apparatus, the paintings express my feeling of dislocation caused by a cycle between depression, dissociation, and mental well-being. They question how an individual relates to their environment. The paintings seek to elicit the allusive and embodied qualities of poetry, framing and evoking a broader experience without defining it. By using the recognizable visual language of landscape, abstracted to the point …

The Cliffs Of Moher, Megan M. Mishler

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.

Entire Issue, Kyra E. Blair, Rachel Sedgwick

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.

Coffee Break, Reeya Gandhi

Diamond Line Undergraduate Literary Magazine

Reeya Gandhi is a freshman at the University of Arkansas double majoring in social work and English (Creative Writing).

Permeable Figure, Justice Henderson

Diamond Line Undergraduate Literary Magazine

Justice Henderson is a senior at the University of Aranksas recieving a BFA in painting, a BA in journalism and a minor in art history. Engaging with the abstraction of perception, Henderson uses painting and drawing techniques to investigate the concept of ephemerality and reconfigures shapes and colors to create a visual experience based on the illusion of three-dimensional space. Henderson lives on her homewtown of Morrilton, AR, where she continues to create paintings, drawings and installations.

In The Shadows And Folds, Julia Mueller

Senior Projects Spring 2020

In the shadows and folds is the result of a mental scavenger hunt that I began this past year, to uncover myself and find what is hidden in my crevices. It was spurred by my fear of memory loss which had grown to such a size that it sat visible in the back of my mind unaddressed for some time. The reason for this fear is not large but it feels monumental. I have been existing in various states of sadness and disconnect, which have acted like a thick blanket over my mind. This blanket is simultaneously protective and damaging, …

Cempasuchitl, Jennifer Lopez

I2

No abstract provided.

For Wintonbury: An Expansion Of Narrative And Painting, Cassaundra Kayla Sanderson

Graduate Theses and Dissertations

In March 2017, I began planning the narratives of what would become my Thesis Exhibition. One year later marked my installation of the exhibit: For Wintonbury, located at the Fine Art Center Gallery at the University of Arkansas.

A merging of the visual arts and literary fiction, For Wintonbury offers a more immersive experience in storytelling. The painted scenes, drawings, three-dimensional compositions, and short stories each serve their own purposes in presenting partial glimpses into the longer narratives of Wintonbury. Through multiple media and entry points, the viewer is given the choice in which sequence and manner to take in …

Finding Aid To The Collection Of Lilla Cabot Perry Materials., Lilla Cabot Perry, Colby College Special Collections

Finding Aids

The Collection of Lilla Cabot Perry Materials contains clippings, correspondence, two diaries, published and unpublished manuscripts, a memorial exhibit document, two portrait paintings (William Dean Howells, Edwin Arlington Robinson) and photograph items.

Lilla Cabot Perry (1848-1933) was born in Boston, a member of the prominent Cabot family. She married Thomas Sargeant Perry, a literature professor at Harvard, and through him became friends with writers such as Henry James and William Dean Howells. Perry wrote several volumes of poetry: "Heart of the Weed" (1886), "From the Garden of Hellas" (1891), "Impressions" (1898), and "Jar of Dreams" (1923). Primarily known as an …

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee

Theses and Dissertations

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined …

That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry

Clark Lunberry

The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …

Painting With Horses Towards Interspecies Response-Ability: Non-Human Charisma As Material Affect, Madeleine Boyd

Animal Studies Journal

Leading up to the 2014 Melbourne Cup three communication modes were employed by unrelated horse welfare activists to raise awareness of cruelty in the racing industry. The intention to increase empathy with horses ties together these efforts, which are characterised as written, visual and immersive. This paper uses the lens of Jamie Lorimer’s three types of non-human charisma to consider the potential for each communication mode to achieve the goal of change towards interspecies response-ability. Charisma is considered in this paper to be a form of material-affect within new materialism that offers a more complex tool for analysis than the …

Mimicry And Mimesis: Matrix Insect, Madeleine Kelly

Animal Studies Journal

Paintings and insects might seem like odd companions. In this paper I describe how a series of paintings I made depicting insects creates associations between mimesis and mimicry in order to flag a sort of protective self-referentiality – one where painting resists its proverbial ‘end’ and insects are presented as vital new orders. Drawing upon art historical references, such as Surrealism and the modernist grid, I argue that playing on these references and the compositional effects of camouflage enlivens our regard for the sensuous worlds of both insects and painting. I conclude by exploring how paintings of insects are powerful …

Please Read, Joseph W. Anthony-Brown

Theses and Dissertations

This is a semi-fictional story told through a series of fake found documents. It describes my work and thoughts through metaphor. Machines have the potential to gain self-consciousness through accumulation of errors. Creativity can be confused with randomly generated variety. The acceptance of chaos and loss of control can provide a path to enlightenment.

Studying Light And Color In Tuscany, Marissa Stanton

Honors Scholar Theses

I will conduct research about color, light, and atmosphere in a series of realistic landscape paintings. I will also write poetry and prose to narrate how I respond to my environment, and to reflect upon my work and how it is developing in that atmosphere. I will visit both Renaissance and contemporary museums and galleries. This will help me to learn more about the pluralistic culture in Italy, and how the dialogue between the old masters and new thinkers might function in my own work. Afterward, I will continue to develop my research by creating a final series of paintings …

That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry

English Faculty Research and Scholarship

The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …

Angels And Demons: Christina Rossetti’S Goblin Market As A Social Critique Of The Victorian Ideal Of The “Angel In The House” And The Pre-Raphaelites’ Response To That Ideal, Melissa Adams

Theses and Dissertations

Christina Rossetti’s poem Goblin Market presents a subversive critique on the socially constructed dichotomy of Angel versus Demon as depicted in Pre-Raphaelite artwork, Dante Gabriele Rossetti’s poetry, and Coventry Patmore’s poem Angel in the House. An analysis of Goblin Market in relation to Patmore’s poem and the Pre-Raphaelite paintings The Annunciation, Ophelia, Lady Lilith, Circe Offering the Cup to Ulysses, and Sibylla Palmifera and Dante Gabriele Rossetti’s poems “Soul’s Beauty” and “Body’s Beauty” illustrate the ways in which Rossetti presents a counter-image that breaks down this socially constructed dichotomy. This is additionally supported by an exploration …