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Full-Text Articles in Art and Design

Japanese Fashion Legacies, Emily C. Guerry, Patricia B. Metcalf Mar 2024

Japanese Fashion Legacies, Emily C. Guerry, Patricia B. Metcalf

Belmont University Research Symposium (BURS)

Exploration of Japan's contributions to fashion is highlighted in our research presentation. Silhouettes, textiles, and accessories that originated in ancient Japanese culture are analyzed throughout their evolution. From these findings, a 10-piece capsule collection was made to bring these ideas further into the modern day. We displayed them from traditional to modern to highlight this evolution through the culture. Popular garments such as the Kimono were used as inspiration for details such as thick belts, ties, and wrap-style shirts. Additionally, the textile stitching technique, Sashiko, is a main source of inspiration in the collection. Sashiko started as a mending technique …


Multimodality Of Japanese Backchannel In Beauty Vlog, Filia Filia Dr., Nilam Husna Muthia Jan 2024

Multimodality Of Japanese Backchannel In Beauty Vlog, Filia Filia Dr., Nilam Husna Muthia

International Review of Humanities Studies

A backchannel is generally known as a response in a conversation that serves as a sign that the interlocutor is paying attention. In conversation, verbal backchannel speech can simultaneously occur with nonverbal gestures. Backchannel in conversations in digital content is often found. Beauty content from Hiro Beauty Channel shows that backchannel in beauty vlogs often occurs through verbal and nonverbal . Previous studies have researched the behaviour of backchannel usage (Cutrone, 2011; Nurjaleka, 2019; Bodur et al., 2022; Ramadhani, 2023) and the behaviour of gazing gestures (Walker, 2010). However, there has yet to be research about the multimodality of backchannels …


The Seasons Of Genji, Elizabeth Mudry Jan 2021

The Seasons Of Genji, Elizabeth Mudry

Senior Projects Spring 2021

Artist Statement

The Seasons of Genji

The Tale of Genji was written for Empress Fujiwara no Shoshi by Murasaki Shikibu, a fellow court noblewoman, during the Heian Period of Japan (794 AD to 1185 AD). One could dismiss The Tale of Genji as a romantic tale of a prince and his lovers, a story full of beauty, poetry, and women named after flowers. While Genji is a shining prince with poetic affairs, the focus of the tale never lingers too long on the sweetness of love. Rather, the tale explores the cycles that grip Genji’s life and the control they …


Programming Proletarian Literature: Kobayashi Takiji’S "Kani Kôsen" And Gaming As Reading, Jacob Philip Fisher Jan 2019

Programming Proletarian Literature: Kobayashi Takiji’S "Kani Kôsen" And Gaming As Reading, Jacob Philip Fisher

Senior Projects Spring 2019

Abstract

This project translates a novel, Kobayashi Takiji’s, Kani Kôsen (The Crab Cannery Ship, 1929) into a video game. As a joint project between Computer Science and Japanese, its focus is to develop a game for the original Game Boy (1989) narratively based on a work of Japanese proletarian literature. Specific tools used in development were the Game Boy emulator: bgb, the Game Boy Developers Kit (gbdk), the Game Boy CPU manual, as well as a foundation in the C programming language, and some lower level systems experience. Being based on a novel, the play style utilizes text …


Migiwa Orimo Interview, Jessica Ruiz Jul 2018

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally; …


Mitsu Salmon Interview, David Yonamine Jun 2018

Mitsu Salmon Interview, David Yonamine

Asian American Art Oral History Project

Artist Bio:
Mitsu Salmon creates original performance and visual works, which fuse multiple disciplines. She was born in the melting pot of Los Angeles to a Japanese mother and American father. Her creation in different mediums, the translation of one medium to another, is connected to the translation of differing cultures and languages.

Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater, studying theater and visual arts. She has lived in India, England, Germany, Amsterdam, Japan, and Bali.

She has performed solo …


Mie Kongo Interview, Mimonna Aljaber Mar 2017

Mie Kongo Interview, Mimonna Aljaber

Asian American Art Oral History Project

Bio: Mie Kongo grew up in the outskirts of Tokyo, Japan and now lives and works in Evanston IL, where she makes multidisciplinary work: ceramic sculptures & installations, 2D work and porcelain designed objects. Her work has been exhibited nationally and internationally, including recent exhibitions, “Unknown game series” at Dan Devening Projects + editions, Chicago, IL "Beyond Function" Arts and Literature Laboratory, Madison, WI, "Reformat: Digital Fabrication in Clay" Lillstreet Art Gallery, Chicago, IL, “Circle in a Square” Hyde Park Art Center, Chicago, IL. She has been showing her porcelain products at Paul Kotula Projects, Ferndale MI and Room 406, …


A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin Jan 2017

A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin

Oswald Research and Creativity Competition

Japanese contemporary artist Yayoi Kusama has developed her career through the continued use of the infinitely repeated polka-dot motif, an element that has not only persisted throughout the entirety of her work, but has also become a fundamental aspect of her self-presentation. Kusama has long suffered from a mental affliction called cenesthopathy, which results in intense hallucinations and anxiety attacks. Her use of the polka dot is not only a way for her to visualize her hallucinations, but also an example of the physical commitment (identified by Kusama as self-obliteration) she has to her work—her repeated application of small motifs …


Ichigo, Ichie, Meredith Matia Jan 2017

Ichigo, Ichie, Meredith Matia

Oswald Research and Creativity Competition

This body of work explores how the mundane can provoke a sense of gratefulness for what is already around us. In researching the Japanese Tea Ceremony, as well as contemporary artists such as Jen Mann, David Hockey, Wayne Thiebaud, and artists from the Dutch Golden Age, this series of paintings is seeking to anchor these works in relation to these on going dialogs.

In this series of paintings titled ‘Ichigo, Ichie’ translates to “one time, one meeting” which represents one of the philosophies of the Japanese Tea Ceremony. ‘Chanoyu’ is the art of everyday life and …


Sign Of The Times Oct 2016

Sign Of The Times

SIGNED: The Magazine of The Hong Kong Design Institute

Japanese poster art deploys a unique arsenal of aesthetics to question the traditions of visual communications. The Japanese Poster Artists -- Cherry Blossom and Asceticism exhibition at HKDI immerses viewers in the subtle story of the artform.


Jave Yoshimoto Interview, Serina Mancha Mar 2016

Jave Yoshimoto Interview, Serina Mancha

Asian American Art Oral History Project

Artist Bio:
Jave Yoshimoto is an artist and educator of multicultural background. He was born in Japan to Chinese parents and immigrated to United States at a young age. He has since traveled and lived in various parts of the country, which influenced his artistic practice. Yoshimoto received his Bachelors from University of California Santa Barbara in Studio Art, his Post-Baccalaureate Certificate in Painting and Drawing and Masters of Art in Art Therapy at the School of the Art Institute of Chicago, and his Masters of Fine Arts in Painting at Syracuse University. He has worked as an art therapist/mental …


Akemi Nakano Cohn Interview, Allisan Tate Mar 2016

Akemi Nakano Cohn Interview, Allisan Tate

Asian American Art Oral History Project

Artist Bio:

Akemi Nakano Cohn studied traditional Japanese dyeing/printing techniques for ten years under the master Haru Izumi in Yokohama, Japan. She received an MFA in Fiber Arts from Cranbrook Academy of Art (Bloomfield, MI) and a BFA from Tama Art University, Tokyo, Japan. Cohn has taught at the School of the Art Institute of Chicago, the Int'l Surface Design Conference, Haystack, and others. She was visiting artist at the Museum of the Art Institute of Chicago, University of Nebraska, Zijdelings (Netherlands), and artist-in-residence at Anderson Ranch and Ragdale Foundation. She has been in many exhibits, including solo exhibits; Urban …


Blue Yodo Waltz, Kyoko Matsunaga, Special Collections, Fleet Library Jan 2015

Blue Yodo Waltz, Kyoko Matsunaga, Special Collections, Fleet Library

Artists' Books

1 scroll. "Rivers are the source of all development, and civilizations are made up of individuals. The original of this scroll was a collage on a QRS player piano roll of Blue Danube Waltz (Strauss) which I happened to find at an antique shop. When I lived in Osaka, I took pictures of ordinary local people while walking along the city's iconic Yodo river all the way to the bay as a collection of slice-of-life scenes of people in the limited area and time that I could experience at first hand, and laid them on the stream of the elegant …


Deepening Scholarly Access To Geppō: Toward A Collectively Contributed Article Citation Database, Michael P. Williams Sep 2013

Deepening Scholarly Access To Geppō: Toward A Collectively Contributed Article Citation Database, Michael P. Williams

Michael P Williams

Geppō 月報, journal‐like pamphlets issued within monographic sets, are important resources containing material that complements the volumes with which they are issued.1 Typical contents for geppō include: brief academic articles, chronologies, bibliographies, reminiscences‐as‐biographies, editorial notes, biographical sketches of contributors to the series, errata and corrigenda, tables of contents, indexes, and information about other volumes in the series. Despite their wealth of contents—much of which can be found only in these publications—geppō traditionally have been overlooked and underappreciated. In many libraries, they have been lost or discarded. Based on an assessment of the current situation of geppō at the University of …


Michiko Itatani Interview, Liza Rush Feb 2010

Michiko Itatani Interview, Liza Rush

Asian American Art Oral History Project

2010 interview with painter and School of the Art Institute of Chicago professor Michiko itatani by Liza Rush


Fuji Sukiyaki Business Identity, Adriana Ngau Dec 2009

Fuji Sukiyaki Business Identity, Adriana Ngau

Art and Design

This paper documents the research and procedures that went into the creation of a business identity that includes a logotype, menu, business card, letterhead, envelope, monthly sales report sheet, gift certificate, drinks list and posters for Fuji Sukiyaki. The paper describes the final outcome and general conclusions about the project, and concludes by offering recommendations for further study that could result from this project.