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A Series Of Paintings Which Investigate And Present Volume Experience As An Aspect Of Spatial Tension With Hue Variations As A Prime Agent, Carl B. Clapp

Dissertations and Theses

This work is concerned with volume as presented in a painting. The investigation begins with a painting of drawn geometric shapes. Each successive painting problem explores additional facets of variations from this basic problem.

There is a total of six painting problems. The general intent of these problems is to investigate the following in regard to volume of experience:

1. color contrast in hue, value, intensity, proportion and complement
2. pattern variations
3. the color phenomenon of simultaneous contrast

The medium is acrylic polymer emulsion applied with brush on stretch canvas.

An Exploration Into Aspects Of Broken Color As Exemplified In The Works Of The Impressionists And Neo-Impressionists And The Application Of These Theories Within Painting Experiences Of The Adolescent Student, Frank Edwin Handy

Dissertations and Theses

I. Statement of Research Problem.

The research was an exploration into the broken color technique within the paintings of the Impressionists and Neo-Impressionists and the application of their techniques within the painting experiences of the adolescent student.

II. Resume of the Data.

The application of pure pigment directly, without blending, constitutes one of the major aims of the Impressionists and Neo-Impressionists. The breaking of color was done in many methods by juxtaposition of hues and values in various combinations to give the desired effect; it was applied through a wide range of brush techniques such as comma-shaped, spots, hatchings, and …