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Theses/Dissertations

Honors Papers

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Full-Text Articles in Art and Design

The Realness Or, Liquid Smoke Or, This Is What The F••K Boutta Happen, Octavia M. Burgel Jan 2019

The Realness Or, Liquid Smoke Or, This Is What The F••K Boutta Happen, Octavia M. Burgel

Honors Papers

This research uses personal and theoretical frameworks to unpack paradoxical notions of Blackness in both it’s political and chromatic understandings as related to my studio practice. Jared Sexton posits the color Black as simultaneously all-consuming and incomprehensible; a necessarily contradictory state. I utilize this concept in addition to material histories that span from Pompeii to modern day New York City and art historical references as foundational explanations of my work. Written in both formal and intimate voices, this text is an extension of my studio practice, situated at the nexus of the realization and subversion of binary states of existence.


A Child Could Do That: Communicating Fragmented Memories Outside Of Their Context, Rachel Weinstein Jan 2019

A Child Could Do That: Communicating Fragmented Memories Outside Of Their Context, Rachel Weinstein

Honors Papers

Undergraduate Honors Thesis exploring the relationship between memory and language, and their visual expression.


A Thesis Is Not A Diary And Other Myths, Erin Irene Wolf Jan 2019

A Thesis Is Not A Diary And Other Myths, Erin Irene Wolf

Honors Papers

How do you write about a feeling you do not understand? How do you organize what is purposefully messy? How can you name a ghost of something that you push into the world with your hands? In this thesis, I will explain my practice, form, and material as a way to illuminate my art, along with various readings and philosophies that I use to guide the work.


Circular Inspirations: Medieval Mediterranean Influence In The Treasury Of San Marco, Claire Rasmussen Jan 2019

Circular Inspirations: Medieval Mediterranean Influence In The Treasury Of San Marco, Claire Rasmussen

Honors Papers

San Marco’s composite objects combine art of contrasting style and origin, resulting in a united piece made out of two or three discrete parts. These objects defy easy categorization; they were made into composite objects by the Venetians, far from where much of the source material was from, with specific intent. I argue that the composite objects should be viewed as translations, which requires repositioning the object's exact origin point as only one component of its identity, rather than its defining aspect. Rather than classify the objects by their "first life", I will instead organize them based on the different …


Official Rebrand And The Importance Of Queer Adornment, Mi Leggett Jan 2017

Official Rebrand And The Importance Of Queer Adornment, Mi Leggett

Honors Papers

In altering and regenerating, I strip clothes from gendered confines. This reuse explores the value of originality and reinterpretation. This action is also one of empowerment in its disregard for the typical sanctity of consumer products. Furthermore, renewing old clothing references the psychological, political, and environmental consequences of excessive accumulation and consumption.

The parallel practices of art and fashion in my work inform each other in both their material and the contemplation of fashion's function. My fascination with the meaning behind personal style derives from how what we wear signifies, particularly within the queer communities of which I am a …


Sound And Silence In The Forge: Work, Space, And Communication In Early Cistercian Monasticism, Jacob Bradley Roosa Jan 2017

Sound And Silence In The Forge: Work, Space, And Communication In Early Cistercian Monasticism, Jacob Bradley Roosa

Honors Papers

This research considers the place of artisans and manual labor, specifically blacksmiths and metalworking, within Cistercian monasticism in 12th and 13th century Europe. Stressing the dual importance of daily prayer and manual labor in strict silence, the Cistercian order of monks sought to reform traditional monastic practices they saw as excessive and far removed from their guiding set of regulations, the Rule of St. Benedict. Their growing numbers in the 12th century led them to establish a second class of monks, known as lay brothers, who provided the majority of each monasteries’ manual labor and who were largely prevented from …


The Feasibility Of Using Thermography To Detect Subsurface Voids In Painted Wooden Panels, Bruce Frederick Miller Jan 1976

The Feasibility Of Using Thermography To Detect Subsurface Voids In Painted Wooden Panels, Bruce Frederick Miller

Honors Papers

Thermography is a technique whereby the structure or condition of an object is studied by means of precisely measuring temperature variations over the surfaces of the object. The research which is described in this thesis was undertaken to determine whether thermographic techniques could be applied to the field of art conservation to detect subsurface voids within painted wooden panels. It must be stressed, however, that this research was carried out as a feasibility study with no attempt being made to establish or refine a technique that could be immediately applied to the examination of works of art.

The text of …


Contemporary Chinese Painting In Taiwan, Linda Margaret Graves Jan 1965

Contemporary Chinese Painting In Taiwan, Linda Margaret Graves

Honors Papers

This study is based on interviews with the painters, the limited literature which has been published in English or Chinese on art topics in Taiwan, and mainly on the study of the works in the painters' studios and at exhibitions.

Basic to such an investigation are certain questions regarding the relation of these young artists to traditional Chinese painting: on what basis can these painters be aligned with Chinese tradition; is it not possible that they are so influenced by the western 'isms' that they should simply be called Chinese who paint western style pictures; is it necessary to make …


Saint Sebastian Attended By Irene: An Iconographic Study, Carolyn Kinder Carr Jan 1964

Saint Sebastian Attended By Irene: An Iconographic Study, Carolyn Kinder Carr

Honors Papers

The artists of the Baroque, rejecting the traditional conception of Sebastian, portray the formerly invincible saint as wounded, suffering, no longer victoriously partaking of the fruits of his glorious martyrdom, but being found and cared for by Irene, the widow of the Christian martyr Castulus.

Such a change in iconography involves both a shift of the outward and visible as well as the intrinsic content of the pictorial matter. the significance of this thematic revolution has often been overlooked because it parallels the stylistic developments of the age, which, until recently, have captured more fully the imagination of art historians. …


A Study Of Depth Representation In Pictorial Art: The Psychology Of Development As Basis For A Theory Of Art Instruction, Patricia Tool Mchugh Jan 1962

A Study Of Depth Representation In Pictorial Art: The Psychology Of Development As Basis For A Theory Of Art Instruction, Patricia Tool Mchugh

Honors Papers

The main objective of the study is to propose a provisional plan for an improved teaching program aimed at the development and application of "spatial" relationships in the graphic arts. In the previous section, we have mentioned the role of past experience in building up the perceptual level. However, teaching requires that we make the best possible use of student's existing level of experience, and build upon that in planning the optimum use of the present experience. By the proper use of the immediate learning situation, we may assist students to become more aware of and project their understanding of …


The Design And Execution Of A Mural, Patricia Finley Jan 1949

The Design And Execution Of A Mural, Patricia Finley

Honors Papers

This paper is the description of the artist's process in planning, designing, and execution of a mural for the Boys' and Girls' Room in the Oberlin Public Library. The whole purpose of this paper is that of viewing the creative process as precisely as possible. However, it may be wise to make a few remarks which touch upon the more general nature of the mental and emotional process of creativity to the extent that I have been able to generalize from my experience in plastic organization.