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Full-Text Articles in Art and Design

The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson Jan 2017

The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson

Senior Projects Spring 2017

Halfway into my college career, I was asked if my attention and hearing impairments had ever benefitted me in any way. Although I refused to see it at the time, it is this exact dichotomy between hearing as passive reception and listening as active concentration that informs my musical work. From otoacoustic emissions to tinnitus frequencies, the ear is an active amplifier of its own sounds, acting as an instrument responding to sound information. To distinguish acoustic elements generated outside of the ear from those taking shape within it, we are required to internally perceive all acoustic information. But is …


It Takes A Long Time To Move, Issy Marie Cassou Jan 2017

It Takes A Long Time To Move, Issy Marie Cassou

Senior Projects Spring 2017

A doorway.

A grave.

A body.

A scar.

The hole was dug in my studio a month after I had moved in and the day after I burned my foot in the metal shop. A new navel sits on the top of my left foot and a raised scar marks an accidental grave in the ground of studio ten in Red Hook, New York. It came from water. A leaking pipe. Blueprints of the building did not point here as the source of the water main because there are no blueprints. Instead, a pipe in the corner and a shot …


Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams Jan 2017

Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams

Senior Projects Spring 2017

My subjects do not know I exist. They do not know who I am, and they do not know their lives are the center of my painting series. But I know them - at least, I think I do. My acrylic paintings depict people in domestic spaces in specific moments in time. The relationships of person-to-person, person to space, paint to canvas and voyeur to subject drives my obsession to watch and to paint what I see. What I am seeing are a collection of pixels that make up human forms, living rooms, and kitchens. These digital bodies move through …