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Articles 1 - 5 of 5
Full-Text Articles in Art and Design
"Perhaps," She Said, "Looking Itself Could Be An Antidote.", Sarah Moore
"Perhaps," She Said, "Looking Itself Could Be An Antidote.", Sarah Moore
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
The Prescribed West, Evan M. Hauser
The Prescribed West, Evan M. Hauser
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Median, Amy Petit
Median, Amy Petit
Graduate Student Theses, Dissertations, & Professional Papers
Median reflects my observation of changing forms of communication in the digital age and how that affects personal interaction, expression, and the value that we assign to objects. The sculptural objects in this exhibit stem from my formative experiences of frequent relocation, as well as a professional background in the fast-paced technological world. These factors, combined with contemplative and repetitive sculptural practices, help illustrate the anxiety and discomfort that can accompany rapid advances in communication practices. My research situates my work within contemporary art by drawing on the relevance of indexical signs, reliquaries, current discussions of communication in the digital …
Pushzoompantilt, A Letter To Grandmother, Karl Y. Schwiesow
Pushzoompantilt, A Letter To Grandmother, Karl Y. Schwiesow
Graduate Student Theses, Dissertations, & Professional Papers
pushzoompantilt is an ongoing body of work that considers the relationship of handmade art objects with found and altered objects of utility and leisure. Addressed herein is an explanation of this relationship between clay form and altered objects seen through the lens of open and closed systems and fixedness.
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard
Graduate Student Theses, Dissertations, & Professional Papers
This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.
The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …