Art and Design Commons^™

Multiple And Moving, Maia Chao

Masters Theses

This document maps my negotiation of the art practice as experienced in school. It is a record of development, evaluation, narration, articulation, reflection, argumentation, and continual redefinition. I consider the physical and social realities of the studio practice as they relate to my needs, values, and desires on a personal and global scale. Flitting between the mundane and the fundamental, the center and the margins, this thesis reflects my mental topography as a series of parts whose relations to each other are multiple and moving.

How Long Can You Hold Your Breath?, Felicia Leroy

Masters Theses

I began freediving, a sport in which one dives as deep as possible on single breath hold, as a way to approach the inaccessible space of the deep, to expand my understanding of the unobtainable.

This space (the deep) seemed to me to be representative of something that is totally unknown, its power existing in its inaccessibility, in its un-know-ability.

Through training/experiential data collection and using human physiology at depth as a framework, this thesis work book explores a single breath hold to the other side.

Work made in support of this exploration touches on darkness, depth, the edge, the …

Perceptual Alchemy, Evan Voelbel

Masters Theses

The farther we peer into the depths of human consciousness, the subatomic realm of quantum physics or the vast expanse of the observable universe, the more our notion of an objective physical reality or a predetermined, public, external world is challenged. With each new door we open, an entirely new set of questions is revealed. The world we perceive is never a direct representation, but even knowing how constructed our perception of an external reality is, are we capable of letting go of it? Through perceptual alchemy, my work probes the threshold between our constructed reality and the ‘external world’, …