Art and Design Commons^™

Expressionist Art And Drama Before, During, And After The Weimar Republic, Shane Michael Kennedy

Dissertations and Theses

Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist.

This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressionism began much earlier than scholars believe and …

Rational Design Of Materials For The Protection Of Outdoor Metalworks, Natasja Alexandria Swartz

Dissertations and Theses

Protective coatings are commonly used to protect culturally significant works, such as outdoor sculptures and architectural elements. Given the valuable nature of such metalworks, there is a surprising lack of environmentally sustainable coatings available for their conservation. High performance clear coatings are not developed or thoroughly tested for compatibility and longevity on outdoor sculptures. This can make the implementation of both methods and materials, no matter how promising in a lab, a significant hurdle for the conservation science community. This dissertation work initially aims to replace high-VOC formulations such as acrylic lacquers and waxes currently used as protective coatings for …

Disrupting The City: Using Urban Screens To Remediate Public Space, Jean Dubois, Dave Colangelo, Claude Fortin

School of Film Faculty Publications and Presentations

For over a decade, human-computer interaction (HCI) research placed a great deal of emphasis on studying interaction, engagement, and appropriative practices in online technology-mediated social environments. Moving forward, however, we see computing systems increasingly designed to support digitally-augmented face-to-face interactions in public settings. As far back as the nineteen seventies, new media artists anticipated this interactive potential of digital public displays to foster new forms of situated interactions in urban space, quite distinct from mobile computing in that they altogether exclude online connections or exchanges. Drawing on examples of practice, this paper discusses and show-cases some of the key creative …

Design Thinking And The Internal: A Case Study, Meredith James

School of Art + Design Faculty Publications and Presentations

‘Design Thinking’ commonly refers to a set of cognitive activities one engages in during a design process. These activities are regularly applied by design practitioners to external problems – often in the role of mediation between ourselves and our environments, objects, and information (‘material culture’). A designer’s efforts are intended to solve the problems of others, but this externalization is only one half of the equation. Rarely is such energy and focus turned inwards mastering the self first. Students from ART 111: Design Thinking (fall 2014 and winter 2015) at Portland State University investigated how specific tactics and tools of …

Curating Massive Media, Dave Colangelo

School of Film Faculty Publications and Presentations

The European Union’s media art initiative Connecting Cities and New York-based Streaming Museum are two recent examples of curatorial models that operate through large, networked, digital displays. This growing exhibition category combines expressive media architecture and telecommunication elements to engage ‘trans-local’ sites and diverse publics in complex media spaces. By investigating the confluence of exhibition making, public art and urban experience, this article explores the relationship between spectacle and criticality with respect to shifting notions of space, identity and ‘the common’.

Note: At the time of writing, Dave Colangelo was affiliated with Ryerson University.

A View To Women’S Networks In The Arts In Portland: Building And Engaging An Audience For The Artist Rosemarie Beck, Jenna Barganski

Lyric Truth: Rosemarie Beck

Essay on building an audience for the Rosemarie Beck art exhibit and multidisciplinary symposium.

Historicizing Subjectivities: Antigone, Rosemarie Beck And A Lesbian New Yorker, Jamie P. Ross

Lyric Truth: Rosemarie Beck

Presentation examines Rosemarie Beck's development, as a woman and artist as part of the larger social/body politic of the time. Her sense of self as an individual, her individual acts, whether or not she participated in consciousness raising sessions and equal rights marches, perhaps are not as important as her historicized experiences; the creation of her subjectivity.

A Painter And Her Poet: Rosemarie Beck And Marcia Nardi, Patricia A. Schechter

Lyric Truth: Rosemarie Beck

Presentation focuses on the relationship between Rosemarie Beck (1923-2003) and the poet Marcia Nardi (1901-1990).

"Lyric Truth" Exhibit Catalogue, Sue Taylor, Nora Beck, Prudence F. Roberts, Patricia A. Schechter, Namita Gupta Wiggers

Lyric Truth: Rosemarie Beck

Catalogue published in connection with the exhibition "Lyric Truth: Paintings, Drawings, and Embroideries by Rosemarie Beck".

An Expanded Perceptual Laboratory: Public Art And The Cinematic Techniques Of Superimposition, Montage And Apparatus/Dispositif, Dave Colangelo

School of Film Faculty Publications and Presentations

The use of the moving image in public space extends the techniques of cinema— namely superimposition, montage and apparatus/dispositif—threatening either to dehistoricize and distract or to provide new narrative and associative possibilities via public art. These techniques also serve as helpful tools for analysis drawn from cinema studies that can be applied to examples of the moving image in public space. Historical examples include the multi-screen experiments of Charles and Ray Eames; and contemporary public projections such as Krzysztof Wodiczko’s Abraham Lincoln: War Veteran Projection, Robert Lepage’s The Image Mill, my own project entitled Workers That Live in the Mirror, …

Livd: Issue 15.1: "Oh, Sherrie", Portland State University. School Of Art + Design

LIVD

Layout, imagery, and editing: Meredith James

Issue 15.1 includes contributions responding to the following prompt: Sherrie Levine. Contributors respond to the various ways Levine’s work has influenced our concept of art, design, self, and issues still central to the lives of women. Topically, the authors vary in their responses, some more direct – as in Nicole Dyar’s social criticism on the appropriation and replication of women’s identities (can an authentic woman exist in contemporary digital culture?) – while others remain more loosely / conceptually related. Sarah McCoy rectifies a noticeable gap in graphic design history, that of early colonial women …