Art and Design Commons^™

Mario Rufino Méndez Y La Caricatura Política En Nuestra Raza: Estudio Testimonial De Una Rica Producción Cultural De Los Afro-Uruguayos (1933-1948), María Cristina Burgueño

Modern Languages Faculty Research

This work is a one volume published by the National Library of Uruguay with a prologue by Dr. George Reid Andrews. It provides an in depth analysis of the corpus of caricatures made by Mario R. Mendez, an afro-Uruguayan artist, for the magazine “Our Race” during its second period 1933-1948. These editorial caricatures made a strong statement against the Fascism in Europe and the League of Nations’ attitude towards the invasion of Ethiopia ordered by Benito Mussolini. They also satirized the political and social reality in Uruguay. Both, the caricatures and the magazine provide a testimony of an extensive cultural …

The Atomic Bombings Of Hiroshima And Nagasaki, Jacob Poindexter, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

The Reveal, Michelle Dunbar, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Cultural Assimilation, Janice King, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Monument To Nothingness, Rebecca Leffell, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

1978, Gerta Skagerlind, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

1994, Nabil Gonzalez, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

1st PRIZE WINNER

1931-, Nayeon Michelle Woo, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Comics And Illustration From The Written; The Conversion Of A Story From Prose To Graphic Depiction., Kayla A. White Ms.

Undergraduate Honors Theses

This is a thesis that details the process of writing a short 30 page novel, and then converting the subsequent story into a graphic format via illustrations and into a comic book layout. The story itself deals in reworking our learned assumptions of good and evil, specifically in the supernatural and human possibility for both. The comic book format is an exploration of my reader’s different responses to the written and the graphic.

Utopia, Risd Museum, Neal Overstrom

Channel

A provocative artist associated with the YBAs (Young British Artists), Damien Hirst often employs unexpected materials that conflate art, science, and popular culture. The hundreds of butterflies mounted in paint in Utopia—with their intense colors and symmetrical, geometric composition—recall a mandala or kaleidoscope image. Butterflies are among Hirst’s most frequent motifs. With their delicacy and short life cycles, they are a metaphor for the fragility of existence that reflects the artist’s interest in fundamental questions about mortality. 2008

For The Voice, Risd Museum, Doug Scott

Channel

No abstract provided.

The Cycle Of Life - Circle, Zehua Wu, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Coccinellidae, Nahyeon Juliette Kim, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Spill, Jen Berry, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Accumulate: Along The Way, Alyssa Colon, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Modern Day Sisyphus, Scarlett Xin Meng, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

2nd PRIZE WINNER

The Land Scouts: Guide Book, Katie D. Ries

Faculty Creative and Scholarly Works

The Land Scouts promote modern land stewardship and are open to all. The Guide Book gives an overview of the scouts as well as information on getting started earning badges and hosting a troop.

Needlecraft Encyclopedia, Kyung Won Moon, Special Collections, Fleet Library

1st Student Artists' Book Contest 2015

Undregraduate student. Year of Graduation: 2016. Major: Sculpture. Class: Drawing All to Itself. Faculty: Simonette Quamina.

Needlecraft Encyclopedia, Kyung Won Moon, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Laurus: After Dark. Fall 2014, Daley Eldorado, Sarah Benal, Emily Burns, Kirsten Clawson, Eric Holt, Sam Greenfield, Sean Stewart, Lori Nevole, Kayla Punt, Alexa Horn, Nicole Mosby, Abie Rohde, Michael Page, Dizzy Roberson, Samuel Lee, Emily Tran, Leonardo Casabella, Scott Sampson, Katie Cooley, Alec Kaus, Hannah Eads, Madeline Cass, Nicholas Wilkinson, Haley Heesacker, Mina Holmes, Evan Pillle

Laurus: Undergraduate Literature Journal of the University of Nebraska-Lincoln

Contents

Dizzy Roberson
“The Devil Is Just Left of the Spleen”...6

Samuel Lee
“Sonnet - To Punk”.....9
“Sonnet, Again”......26
“Sea of Trees”......42

Emily Tran
“Bloody Eyeballs”.....10

Leonardo Casabella
“The Broken Frame”.....11

Scott Sampson
“Packed”.......18

Katie Cooley
“Shades”.......19

Alec Kaus
“Warrant”......20
“Waiting”......25
“When the Night”.....44

Hannah Eads
“Blessed Be!”......21

Madeline Cass
“Scrimshaw”......23

Nicholas Wilkinson
“The Hunt”......27

Haley Heesacker
“The Lonely Pink Flower”.....35

Mina Holmes
“Sugar and Spice”.....36

Evan Pille
“To the Desk of Edgar L. Brandbum”...45

Contributor Bios......59

Editor Bios......62

Color System For Eagles, Lee Pivnik, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Poetry & Prints: Impressions From Detroit & Brazil, Marion Jackson Ph.D., Thomas L. Pyrzewski

The Mid-America Print Council Conference

This panel presentation will discuss how one good idea developed into the blueprint for a high-quality arts program for Detroit area youth that can be used year after year.

Eight Detroit arts organizations are collaborating to offer a 9-week summer program of workshops presenting high-quality instruction in visual arts and poetry for Detroit youth – introducing students to a variety of media and techniques, focusing particularly on poetry, screen printing, and letterpress printing. As part of the summer program, students will learn about a fascinating artistic tradition of the Northeast of Brazil known as literatura de cordel (“stories on a …

Full Radius Brand Book, Samantha M. Bowersock, Akeem Mason, Anri Olivier, Alex Leon-Khan, Cherry Delrosario, Katina Dorsey

Alex Leon-Khan

No abstract provided.

“Recreating The Tinted Lithograph Using Stones And Photo-Plates”, Beauvais Lyons

The Mid-America Print Council Conference

This technical demonstration will present a simple and direct approach to combining stone and plate lithography to recreate tinted lithographs common to the first half of the 19^th century. My approach is an adaptation of methods described in Michael Twyman’s book The Techniques of Drawing on Stone in England and France and Their Application to Works of Typography (Oxford University Press, 1970). The tinted lithograph uses the same principles as the chiaroscuro woodcut, but is capable of achieving a significantly broad range of tones. It is also a very good method to introduce the principles of color lithography to …

Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins

The Mid-America Print Council Conference

This panel will explore the link between today’s small press movement and the formal aspects of commercial printing during the American 20th century. Panelists include Christine Medley , Philip Gattuso, and Nancy Bernardo.

Using as its primary example letterhead from defunct companies in Detroit, and secondarily, specimens of business and legal letterhead from other urban centers of the industrial United States, this panel will examine and discuss: What did letterhead represent to 20th century printers in local markets such as Detroit? What is the significance of printed letterhead, and stationery, to the art of small press printing in post-industrial cities …

Renoir To Remington: Impressionism To The American West, Anne M. Giangiulio

Anne M. Giangiulio

Catalog designed for the exhibition 'Renoir to Remington: Impressionism to the American West', on display from September 21, 2014 to February 1, 2015 at the Woody and Gayle Hunt Family Gallery of the El Paso Museum of Art. Organized by the El Paso Museum of Art in partnership with Tacoma Art Museum, Tacoma, Washington. 144 pages.

Impact Of Combining Traditional Printmaking With Contemporary Digital Print, Harumi Okoshi

Journal of Undergraduate Research at Minnesota State University, Mankato

For this project, I would like to combine the precision of computer-generated graphics with the warm-feel of traditional printmaking as a way to integrate traditional art practices with new technology. Graphic design is regarded as commercial art, such as designing packages or posters, and is separate from fine art. As a graphic designer, my goal is to develop meaningful visual solutions. Through the presentation of my project, I will demonstrate a way to introduce traditional printmaking into contemporary graphic art. There are a lot of preparations involved for traditional printmaking. You have to make several proofs before you actually print …

Under The Willow Tree, Talia Connelly, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

The Hat Lady Equation, Lauren Capone

University of New Orleans Theses and Dissertations

The Hat Lady Equation is a collection of poems by Lauren Capone. As influences she cites Elizabeth Bishop, John Berryman, among the exquisite minutiae of day-to-day living. The poems explore works of visual art by Alberto Giacometti, James Taylor Bonds, Chris Dennis, Blaine Capone (her brother), and creatures of the natural world including fish, the rhinoceros, a lettered olive shell. . . . Lauren shows a preoccupation with disassembling through the poems whether it's her identity, art, or happenings of everyday life.

Open Access: A Model For Sharing Published Conservation Research, Peter D. Verheyen, Priscilla Anderson, Whitney Baker, Beth Doyle

Peter D Verheyen

The conservation field has articulated the importance of publishing our research to disseminate information and further the aims of conservation. Article X of AIC’s Code of Ethics states that conservators should “contribute to the evolution and growth of the profession, a field of study that encompasses the liberal arts and the natural sciences” in part by “sharing of information and experience with colleagues, adding to the profession’s written body of knowledge.” Our Guidelines for Practice state “the conservation professional should recognize the importance of published information that has undergone formal peer review,” because, as Commentary 2.1 indicates, “publication in peer-reviewed …