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Articles 1 - 18 of 18
Full-Text Articles in Art and Design
Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay
Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay
Other resources
This paper will consider the temporal implications for drawing in the light of conservation and restoration treatments to paintings by the Seventeenth Century Dutch painter Johannes Vermeer.
Using three critical frameworks: Norman Bryson’s becoming model for drawing and the relationship of liminality to a painting during conservation/restoration, George Didi Huberman’s anti-chronological reading of the detail and the pan in painting, and Walter Benjamin’s definitions of drawing the paper will seek to address some implications for a drawing practice that responds to a pre-existing museum artworks.
The paper will present some findings from my own drawing practice that responds to Vermeer’s …
Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell
Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell
Architecture Undergraduate Honors Theses
This thesis project was motivated by the premise that a drawing could take on architectural meaning beyond its initial performance as a re-presentation of an architectural idea. Initially, there existed the goal to create a drawing that was architecture. In the creation of a process wherein the drawing is the research, however, there comes an understanding that a drawing may never be literal architecture; although, the means by which the drawing is created might be architectural, or at the very least, speak to ideals which are fundamental to the creation, to the process, of architecture itself.
All That We See(M), Alison H. Vanvolkenburgh
All That We See(M), Alison H. Vanvolkenburgh
School of Art, Art History, and Design: Theses and Student Creative Work
Born open-eyed, ready to take stock of our surroundings from the first breath, no other sense so largely informs our understanding of the world as sight. The ability to visually process our environment may seem extremely straightforward to those long accustomed to its instinctive use. However, there is more to seeing than the pure mechanics of visual perception. Since we live, not in a static environment, but one of constant change and motion, our knowledge of the world around us comes in fragments, shifting flashes of color, shape, and movement that coalesce through the active process of vision. In these …
Untitled, Carmen Berenguer
Lush, Jaime Margary
Pinkfish, Doug Mcnamara
From Excess Exhibit, Zach Kleyn, Amaranth Borsuk, Kate Durbin
From Excess Exhibit, Zach Kleyn, Amaranth Borsuk, Kate Durbin
SPECS journal of art and culture
No abstract provided.
Daughters Of Dust, Dmitry Borshch
Daughters Of Dust, Dmitry Borshch
SPECS journal of art and culture
No abstract provided.
Betrothal Of The Virgins, Dmitry Borshch
Betrothal Of The Virgins, Dmitry Borshch
SPECS journal of art and culture
No abstract provided.
Baa Baa Black Sheep, Olan Quattro
Baa Baa Black Sheep, Olan Quattro
SPECS journal of art and culture
No abstract provided.
8-Bit Classics, Heather Gordon
Untitled, Jesse Glass
Lexical Sand, Jesse Glass
Graphic Score, Jesse Glass
The Forming, Barb Bondy
Simple Post Hoc Architecture, Jorgen Nicholas Trygved
Simple Post Hoc Architecture, Jorgen Nicholas Trygved
SPECS journal of art and culture
No abstract provided.
Image From The Animated Film Passing, Eliza Fernbach
Image From The Animated Film Passing, Eliza Fernbach
SPECS journal of art and culture
No abstract provided.
Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham
Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:
- A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
- Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
- Surveys, or on-the-ground …