Art and Design Commons^™

Community Collaboration Using A Unique Gallery As A Literacy Resource (Features The Ruth E. Engle Memorial Collection Of Children's Book Illustration), Anita N. Voelker

Friends of Murray Library

A classroom of fourth graders, a group of preservice teachers, and a professor become an ecological literacy community when they tap into a unique local resource: a gallery of original illustrations from children's books.

Features the Ruth E. Engle Memorial Collection of Children's Book Illustration at Messiah College's Murray Library. All are welcome to visit this collection during library hours. Free.

Design Concept: My Amalgamation Of Eastern And Western Cultures, Yuting Dong

Electronic Theses and Dissertations

While exploring various subjects in multiple techniques in multiple mediums, I create abstract images that illustrate high technology, urban life, and personal feelings. My work is influenced by Eastern and Western culture. Media, publication, and fashion are derived from Western culture, and design elements are derived from Eastern culture. In doing this, my goal is to achieve more opportunities, greater depth, and a wider audience for my work by cross-utilizing these diverse culture aspects.

Fantastic Covers, Ellen K. Corrigan

Ellen K. Corrigan

Introductory and caption text from “Fantastic Covers,” an independently curated exhibit on display at Booth Library, Eastern Illinois University, October-December 2008. The exhibit featured cover art from a collection of pulp science fiction paperbacks and magazines dating from the 1950s to the early 1970s, housed in the library's Special Collections. Text reformatted from original presentation.

Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard

English Faculty Publications

Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."

Self-Portrait, Thomas C. Hanvey

The Mercury

No abstract provided.

War And "Equality", Brian P. Menna

The Mercury

No abstract provided.

Multiple Mac Perspectives, Victoria L. West

The Mercury

No abstract provided.

Fantastic Covers, Ellen Kathryn Corrigan

Faculty Research & Creative Activity

Introductory and caption text from “Fantastic Covers,” an independently curated exhibit on display at Booth Library, Eastern Illinois University, October-December 2008. Featured cover art from a collection of pulp science fiction paperbacks and magazines dating from the 1950s to the early 1970s, housed in the library's Special Collections. Reformatted from original presentation.

Fantastic Covers, Ellen Corrigan

Faculty Research & Creative Activity

Introductory and caption text from “Fantastic Covers,” an independently curated exhibit on display at Booth Library, Eastern Illinois University, October-December 2008. The exhibit featured cover art from a collection of pulp science fiction paperbacks and magazines dating from the 1950s to the early 1970s, housed in the library's Special Collections. Text reformatted from original presentation.

Dylan In A Gesture, Chelsea R. Kasten

The Mercury

No abstract provided.

Pitiful Creatures, Shaun Wightman

Electronic Theses and Dissertations

By focusing on character, humor, and loose narrative, I create a world full of quirky, pitiful creatures that blur the lines between illustration and "Fine Art". Inspired by golden age cartoons, Pop-Surrealism, and late 50's commercial art, I make work that speaks of the awkwardness of human emotion while keeping a "tongue in cheek" attitude about everyday life. This work is expressed through illustration, animation, sculpture, and a lot of sarcasm.