Art and Design Commons^™

International Terrorism:Role ,Responsibility And Operation Of Media Channles, Ratnesh Dwivedi Mr

Ratnesh Dwivedi

"Terrorism" is a term that cannot be given a stable defintion. Or rather, it can, but to do so forstalls any attempt to examine the major feature of its relation to television in the contemporary world. As the central public arena for organising ways of picturing and talking about social and political life, TV plays a pivotal role in the contest between competing defintions, accounts and explanations of terrorism. Which term is used in any particular context is inextricably tied to judgemements about the legitimacy of the action in question and of the political system against which it is directed. …

Kimbrough, Mary Alice (Sexton), 1907-1991 (Sc 1749), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 1749. Duplicate of Easter postcard made by Mary Alice (Sexton) Kimbrough and sent to President Franklin Delano Roosevelt, 4 April 1944. The design consists of tiny hand-cut pieces of postage stamps.

John Williams Daniels' Paintings Of North Anson, Holly Hurd-Forsyth

Maine History

Five small oil paintings of the village of North Anson were given to the Maine Historical Society in 1999. They meticulously illustrate a rural Maine village in the last quarter of the nineteenth century and as such are important additions to our painting collection, which is comprised predominately of marine subjects and portraits. The paintings are attributed to John Williams Daniels (1845-1933), who married North Anson native Alice Steward (1846-1921), in 1876.

Interview Of Caroline Wistar, Caroline Wistar, Meredith Valts

All Oral Histories

Caroline Wistar was the La Salle Art Museum curator since 1976. The La Salle Art Museum is located in the basement of the Olney building at the main campus of La Salle.

Volume 01, Jessica Fields, Stephanie Neeley, Derek W. Hambright, Mary E. Lehman, Andrew R. Grzankowski, Zachary Johnson, Boone M. Prentice, Ashley M. Swandby, Victoria Morgan, Katie Williamson, Kristine G. Bender, Katelyn N. Romaine, D. Nicole Swann, Jessica Fox, Mike Mcateer, Alex Grabiec, Laura Nodtvedt, Nick Costa, Rachel Wolfe, Zack Dalton

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Three Decades of Digging: Undergraduate Archeology at Longwood by Jessica Fields and Stephanie Neeley

Interactions of Allelopathy and Heat Stress in Plants by Derek W. Hambright and Mary E. Lehman

Inertial Electrostatic Confinement D-D Fusion Device: Construction and Simulation by Andrew R. Grzankowski

Shackled Nim by Zachary Johnson

Development of GC-MS and Chemometric Methods for the Analysis of Accelerants in Arson Cases by Boone M. Prentice

A Comparison of Image Analysis Methods in cDNA Microarrays by Ashley M. Swandby

Perceived Sexual Activity of Short and Long-Term Relationships by Victoria Morgan and Katie Williamson

Elderly …

A Portrait Of Portsmouth: Expressing Cultural Identity Through Art, Kristina Griffin

Inquiry Journal 2008

No abstract provided.

Eliza Buffington And The Early Years Of The Library, Carol Terry

Infinite Radius: Founding Rhode Island School of Design

No abstract provided.

A History Of Risd's Histories: Happy Indeed Is The Audience That Has No Random Historian, Andrew Martinez

Infinite Radius: Founding Rhode Island School of Design

No abstract provided.

Preface, Dawn Barrett, Andrew Martinez

Infinite Radius: Founding Rhode Island School of Design

No abstract provided.

Image’Nation : The Search For A Folk Image Of Ireland In Art And Popular Culture, 1849 To 1949., Ciarán Walsh

Theses

This study considers how visual images became central to the folk imagination of Irishness between 1849 and 1949. It begins with contrasting representations in photography of the Irish in the 1890s. The political/cultural contexts of images of Irishness is established and developed with reference to the juxtaposition of contemporary visual arts, folk song and nationalism in Kilmainham Gaol in 1991. It considers whether distinct cultural systems have historically competed for legitimacy and whether, specifically, art and tradition are incompatible in terms of a nationalist construction of Irishness. The Irishness of Irish art in the nineteenth century, the role of the …