Art and Design Commons^™

New Craft: Craft Practices In The Digital Era, Paulina Bereza

Masters Theses

Advancements in technology point to a thriving future through the allure of new tools and the promise of enhanced performance. With the current environmental crisis, military invasions and broader global conflicts, how can we utilize new digital media in a way that dismantles oppressive positions of power? Looking towards the future, I explore the potential of materiality and new methods of making, to reshape our relationship with the environment and each other. I collaborate with newly adopted forms of intelligence, artificial and automated, to express and reconcile the accelerated cultural shift. From ancient fibres to digital circuits, what will the …

One Stitch At A Time: Examining The Self-Care Of Art Therapists And The Potential Of Fiber Arts For Wellbeing, Elaine Chippero

Expressive Therapies Capstone Theses

The goal of this thesis was to understand why art therapists are particularly at risk for burnout, why it is essential for art therapists to engage artmaking for their own self-care, and why fiber crafts are particularly suited for self-care. The literature was collected and organized using reflective journaling and visual–tactile coding and then presented in the following review. The first two sections of the literature review include comprehensive definitions of burnout and self-care and how both concepts have been discussed in literature relating to the helping professions and specifically art therapists. The third section covers the historical context of …

Words With God, Krista Fassett

Electronic Theses, Projects, and Dissertations

As a studio artist using multiple media, I investigate subjectivity of the female body as depicted within the context of evangelical doctrines and traditions. I explore misogyny and the absence of bodily autonomy in the bible, which designates women as property to be owned, purchased, and sold. Some overlapping themes include religious trauma, domestication, submission, and virginity. The intertwining of topics allows me to share my lived experience, and ignite conversation into certain religious doctrines that simultaneously live among cultural and political lines.

Emphasizing ‘holy’ scripture, my art varies through domestic materiality and includes crocheted textiles, oil paintings, installation with …

A Community Of Knots, Katherine Mahler

MFA in Visual Arts Theses

In her 1965 essay On Weaving, the artist Anni Albers stated, “As it is possible to go from any place to any other, so also, starting from a defined and specialized field, can one arrive at a realization of ever-extending relationships. Thus tangential subjects come into view. The thoughts, however, can, I believe, be traced back to the event of a thread” (Albers XI). A thread is the beginning of coming into being. In this paper, I will discuss the lines of my work from the beginning of the program, exploring mapping to how my work as a teacher …

You Are What You Wear: A Vital Materialism Of Textiles, Walter J. Greenleaf Iv

Electronic Theses and Dissertations

Intermedial artworks are deemed effective when they draw from the roots of the most basic, universal elements of materiality, concept, sensation, and/or experience, melding disparate elements into an inextricable novelty. As hybrid artifacts, they take up an unusual degree of substance in one dimension or another, and can at times be difficult to categorize, describe, or document. Nonetheless, the potential for intermedial expressions to resonate with their viewership is strengthened by the depths to which the artist ventures, and through such a process the most far-reaching and complexly interconnected issues of our time can be made approachable on the personal …

A Room Full Of Pigeons And Three Spectators, Dina Khorchid, Dina Nazmi Khorchid

Masters Theses

My work explores themes of identity politics, domesticity, land and memory access - in relation to my own lived experiences as a Palestinian refugee, a daughter of a missing war casualty and an artist.

In this thesis book, I present a cumulation of thoughts, emotions and findings, along with a selection of works from the last two years.

During my time at the Rhode Island School of Design, messenger pigeons took over my studio, channeling physical and mental realms of grief and remembrance. By looking closely at the bird’s aesthetics and behaviorisms in my first semester, their resting deceased bodies …

Eve Leaving The Garden, Norma L. Colby Ms.

LSU Master's Theses

This body of work serves as an investigation into the concepts and burdens that, as a female millennial, impact me regularly. As the door to my education closes, I turn to a much bigger world with endless possibilities and responsibilities. With these overwhelming prospects, I find myself reflecting on how our society has progressed and worsened to arrive here today. I continue to question the passing down of systemic burdens, politics, and gender roles of women in the 21^st century. Eve Leaving the Garden is a collection of textile works, photographs, and sculptures that serve as an exploration of …

This Side Of Silver, Bennett Wood

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

World Settings, Elizabeth Meiklejohn

Masters Theses

Acoustical building materials, with their ability to absorb and diffuse sound, can reshape the character of interior spaces in profound ways. Woven textiles often perform as acoustical materials, whether by coincidence or by design; strategic use of textile structure and dimensionality can yield specific experiential qualities in homes, offices and shared spaces. The way certain materials manipulate sound can feel otherworldly, as if they break the laws of physics or the familiar parameters of one’s surroundings. The same properties can be found in emergent visual patterns and illusory lighting conditions, which provoke an investigative, deliberate way of looking.

In this …

What Do We Stand For?, Lauren Koven

Masters Theses

I am exploring constructed realities and dismantling binaries and dualities. Much of this work is investigated through, but not limited to, language, gender, sexuality, race, and performativity.

Di•As•Po•Ra: Displaced, Not Erased., Betty Álvarez

Electronic Theses and Dissertations

This thesis is based on my artistic endeavors and research founded in my culture, family, the history of the United States government’s intervention in El Salvador, and the current political climate Latin Americans face today in the United States. I work within multiple mediums to resurrect pieces of my culture that are being forgotten or left behind due to assimilation. I accomplish this through revisiting and reinterpreting traditions. I aim to bring awareness of the Latin experience in a racially divided United States through artistic expression and my own personal experiences. My works are made to feel whimsical and playful, …

An Exploration Of Bengali Identity With Material And Visual Artifacts Through Painting, Farah Billah

University of New Orleans Theses and Dissertations

Painting is and always has been, at its root, an exploration of identity for me. My current collection of work explores the stripping of Eurocentric beauty standards and presentation of the divine of the Brown Body to reveal my version of the human spirit. My drawings, paintings, and a hand-tufted rug all made with a surreal, colorful representation of the coming together of body and mind.

Barking With The Dog, Cameron Orr

Senior Projects Spring 2022

Artist Statement

“Barking With The Dog” got its’ title from a poem by Leonard Cohen:

I never really understood

what he said

but every now and then

I find myself

barking with the dog

or bending with the irises

or helping out

in other little ways

“Barking With The Dog” is a series of illustrative collages, linocut prints, an upcycled bench containing personal artifacts, drawings and collage on the walls and floor. These pieces are connected through visual content, physical medium, and artistic intention. The collages are made using upcycled prints and drawings. These pieces represent the early stages of …

Spectrum Of Shit, Hannah Hiaasen

Theses and Dissertations

Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …

The Embroidered Tablecloth: How Locale Influences Eastern European Jewish Textile Production, Elena Solomon

Electronic Thesis and Dissertation Repository

Recent scholarship frames craft as distinct from art and as an encapsulation of cultural expression at a given moment. Building on that framework, this thesis analyzes the shifting attitudes towards the production of handmade textiles among Eastern European Jews in the US in the twentieth century, as influenced by their migration. To demonstrate the textile environment at that time, this thesis examines pre- and post-migration primary sources and autobiographical writing, including Mary Antin’s The Promised Land, supplemented with interviews of first- and second-generation immigrants to Chicago. In contrast with stereotypes about craft as historically stable, defining craft as regional …

Embroidering Mexico: Feminine Spaces, Dechados And The National Space, Regina Perez Kamel

Theses and Dissertations

Mexican dechados consisted of pieces of cloth were women and girls would practice and record needlework. It was a practice rooted in western tradition where they were known as samplers. Given that dechados were objects that were made within feminine spaces they illuminate how gender is constructed through space, and how those gendered spaces generate different ways of knowing.

As the majority of Mexican dechados correspond to the nineteenth century, a period of national construction, this study questions the role that the domestic space played in the establishment of the Mexican nation. It proposes that although displaced and subservient to …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman

MA Theses

In recent decades, attention to textile art has flourished. The growth of contemporary studies committed to revising fiber’s hierarchical categorization represents a discursive turn heavily weighted within feminist inquiry. The interrelation between textile techniques and constructs of femininity and domesticity was at the base of a robust interdisciplinary field of feminist theory developing around the 1970s in the US. Often referred to as the second wave of feminism, this era experienced scholars and artists proposing the medium’s capacity to counter the elusive genre’s marginalization and, by extension, presenting textile’s ability to subvert notions of gender difference. This analysis aims to …

A Little More Like Water, Jacqueline Scott

Masters Theses

“The waves broke on the shore.” These are the final words of Virginia Woolf’s 1931 novel, The Waves, which follows the passage of a day at the ocean’s shore. The book serves as a backdrop for the life of six characters: Bernard, Susan, Neville, Rhoda, Louis and Jinny. Interludes are interjected between the chorus of these characters, depicting the arc of life from early childhood to old age and death. The relentlessness of the rhythm of the tide, at first pulsing and hard to ignore, becomes ceaseless white noise that eventually falls to the background. The day’s initial drama—a spectacular …

Here And There: A Continuous Narrative, Hye Young Kim

Masters Theses

How can we transcend our literal place by connecting with natural space?

As industrialization and globalization have increasingly shaped our society, we have become more and more disconnected from nature, ourselves, and our memories. Furthermore, living busy lives, we have lost the ability to appreciate and be grateful for our surroundings. Nonetheless, we can reconnect with what has been lost—nature, ourselves, and our memories— with a small shift in our mindset and a habitual practice of walking, which pulls our footsteps not toward a certain place but toward an understanding of the passage of time, the resonance of longing, and …

Unbound, Changrui He

Masters Theses

For many years, I have been repeatedly trying to understand what the term “trauma” means to me. While invisible, my trauma is ever-present, and I have not been able to understand how it has trapped me and my inner feelings. At the same time, more recently I don’t feel helpless or abandoned. I have been trying to tap the potential of connecting with the world outside, thereby piecing together the broken bits and pieces and reconciling with my family, past sorrows and myself.

In my thesis collection, I pay homage to a garden I often visited as a child. The …

Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur

Scripps Senior Theses

In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …

Threaded, Madeline Arnault

CGU MFA Theses

This group of works is taken from my drawing practice. I have always been fascinated by the variety of line and color you can play with on fabric. For that reason each piece in this exhibition is image and line centric. I love the way a fabric can blend from color to color in the weave and yet contrast so sharply with a line placed on top. These works are a testament to that love.

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

Weaving In The Third-Dimension, Jill Gottschalk

Graduate Theses

This thesis statement, along with my final exhibition of sculpture, is the culmination of my graduate studies at Winthrop University. My reflections upon my sculpture, as well as connections to other artists within the art-historical canon, have provided me with a foundation which will remain fast in the years ahead. Throughout my studies, my work has evolved and changed, yet commonalities remain. It is these commonalities, aspects of my own style that remain constant, that are explored: ambiguity, transparency, use of textile materials and repetitive units. My recent body of work, and the subject of my thesis Weaving in the …

Li Remembered, Meredith (Yue) Du

Masters Theses

This thesis work arose from my interest and concern in the ongoing transformation happening in China socially, culturally, and environmentally. As a child of hydro engineers, I grew up on the construction site of Lishui Hydro project. In my experience, the hydroelectric plant was a poetic place, a huge geometric structure surrounded by beautiful water and views of mountains. In my research, I found that many people argue against hydro projects, especially Three Gorges Dam, and the main focus of their objections has to do with demolition and the displacement of people from their homes. Through publications, documentary films, and …

With Every Fiber, Catherine Megan Calloway

Senior Projects Spring 2016

Displaying and covering the human form, fiber inherently refers to the body. It wraps, protects, and conveys stories about us. This accumulation of work uses strands of fiber to define space, create structures, and manipulate the human form. Considering the process of craft in which bodies manipulate fiber, this work explores the way in which fiber manipulates bodies. As sculptures that envelope a human form, each garment mandates how a body may move both within and outside of it, engendering a performance in which both entities assert limits and capabilities. Each knot, stitch, and weave, is an expression of time, …

Chere, Wilson Andres Borja

Graduate Theses and Dissertations

Chere is research project and a thesis exhibition installation composed of a series of drawing/paintings and short animations that explores the phenomenon of migration and the African diaspora. This exploration was originated by contrasting aspects of forced and voluntary migration in addition to Kvasnyand and Hales' idea, that "Belonging everywhere or not belonging anywhere" describes the situation among people of the African diaspora.

Through research I intersperse layers of personal history with that of my ancestors and their descendants in the Americas. As a biracial person, a self-identified Afro-descendant from Colombia, South America, I am interested in the process of …

Panoramic Sham, Andrea Vail

Theses and Dissertations

Panoramic Sham is sunset and sunrise, a walk through a field of wildflowers or a day in the forest. It is that moment when a light breeze tousles your hair and chirping birds reaffirm vitality. Panoramic Sham is also a heap of outdated home goods that once transformed our living rooms into artificial habitats. I reimagine decommissioned domestic goods as a way to confront trends of mass-production, habits of consumption and to explore systems of artifice, authenticity, and the consumer haze perpetuated by contemporary American society. Comprised of synthetic materials and manufactured to impersonate nature, these 20th century cast-offs provide …

English King And German Commoner: An Exploration Of Sixteenth Century Clothing And Identity, Bradley Dale Moore

Graduate Theses and Dissertations

This paper will explore the connections of clothing and identity in the sixteenth century. The fit and construction of clothing can be directly related to how a person is perceived, or indeed, how one perceives one's self. Henry VIII (1491-1547) of England will be compared and contrasted with Matthäus Schwarz (1496-1574), a commoner from Augsburg, Germany. Tudor will represent how identity can be created for others, particularly through legislation and courtly life; while Schwarz' own words will assist in the exploration of the identity of the individual.