Art and Design Commons^™

Cliffhanger, Micah Mickles

MFA in Visual Art

I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …

Endo/Exo, Delaney Rogers

Electronic Theses and Dissertations

The artist, Delaney Shae Rogers, discusses her Master of Fine Arts exhibition, Endo / Exo, held at the Tipton Gallery in downtown Johnson City, TN. The exhibition dates are from March 25th through April 5th, 2024, with a public reception held April 5th, 2024. The author provides insight into the concept behind the work in the exhibition and shares how the making process and specific materials impact the work. This body of work explores coping with grief, anxiety, and the state of the world through the process of making and communicating otherwise difficult topics through visually digestible symbolic language.

Where Will I Be From, Melissa Loney

Graduate Theses and Dissertations

Where Will I Be From is an exhibition and film centered around the intersections of generational grief and technology. I documented domestic locations connected to my family across the Great Plains. This on-site photo documentation was then used to create photogrammetric renderings of these locations and their structures, recorded in the open-source CAD software Blender. Together, these familial places, separated by hundreds of miles, were digitally compiled to make one collective world. The aesthetic of this project connects the visual languages of Southern Gothic and Low-Poly Video games. The Gothic nature exposes an isolated decaying presence within a rural landscape. …

Vanitas, Sae Jung Oh

Masters Theses

Vanitas is a tribute to the missing pieces within the reconstruction of human memory, places, and data. It is a cartography of words, including home, apartment complex, reconstruction, mourning, archive, memory, memorialization, a god within, collective memory, photogrammetry, cyberspace, omnipresence, meandering, heterotopia, alleyway, construction site, and mirror. I invite readers to meander in the map of relations and be lost in the topography. What can you discover when you meander? What happens when you renounce being a subject and become an object seamlessly blended into the topography?

A Room Full Of Pigeons And Three Spectators, Dina Khorchid, Dina Nazmi Khorchid

Masters Theses

My work explores themes of identity politics, domesticity, land and memory access - in relation to my own lived experiences as a Palestinian refugee, a daughter of a missing war casualty and an artist.

In this thesis book, I present a cumulation of thoughts, emotions and findings, along with a selection of works from the last two years.

During my time at the Rhode Island School of Design, messenger pigeons took over my studio, channeling physical and mental realms of grief and remembrance. By looking closely at the bird’s aesthetics and behaviorisms in my first semester, their resting deceased bodies …

Sad Socks Without Sole Mates, Shaelee Comettant

Bachelor of Fine Arts Senior Papers

Portrait of A Hundred Heartbreaks is a series that uses the unmatched sock as a symbol to speak about the experience of losing and grieving a relationship. Positioned as a series of memorials, the project facilitates spaces for viewers to bring their own life experiences to the project as well as empathize with those presented in the series. The use of the unmatched sock, an inanimate object, allows for it to be projected onto and melded into the specific and individualized narratives that viewers bring to the works. In its ability to access a level of specificity for each viewer, …

Continuing, Shauna Le Ann Smith

MSU Graduate Theses

Taking something whole, breaking it apart, and making it into another form of wholeness is the essence of both papermaking and grief. The papermaking process involves separation, maceration, and forming of new life; the grieving process involves a similar evolution. Creating this body of work has been a pursuit of continuation—a part of me forming new life. Using papermaking processes, I create work that is visually quiet. The details are only noticeable through sustained attention and close proximity. The quiet visual qualities are intended to create a viewing experience that is meditative and slow. The lack of details of the …

A Part From You, Kenneth Rick Briggenhorst Jr.

MSU Graduate Theses

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …

Spectrum Of Shit, Hannah Hiaasen

Theses and Dissertations

Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …

The Clothing Left Behind: A Collection Of Stories, Grace Coleman

Dissertations, Theses, and Capstone Projects

Beyond its material use, clothing can have powerful emotional effects such as easing grief from personal loss or serving as a memory recall aid for individuals with dementia. It was during my graduate program that I became interested in exploring the idea that clothing can be powerful beyond its aesthetic. Peter Stallybrass’s essay Worn Worlds: Clothes, Mourning and the Life of Things highlighting clothing’s ability to evoke memories and emotions was influential in setting me on my path to research clothing’s connection to memories. Whether it was embodied identity, grief, dementia, mourning rituals, or collective mourning, I was looking at …

Hello Again يا اهلا A Study Of Grief, Diana Abouchacra

LSU Master's Theses

Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process …

Coping With Burdens, Jennifer Rose Wolken

MSU Graduate Theses

How to carry and cope with burdensome circumstances beyond my control is the main theme I am currently exploring in my artistic practice. I create art objects and experiences that can elicit an empathetic connection to the realities of living with burdens like grief and chronic illness, or help you to process your own relationship to a wide variety of burdens. Individual pieces explore aspects of how I or close family members cope. My practice is multi-disciplinary and the forms focus on reinterpretation of the book as a sculptural art object or artists’ book. The processes I use are overwhelmingly …

For|Rest, Jes Klass

College of Computing and Digital Media Dissertations

In for/rest, players navigate a world built around an interpretation of the liminal space of grief. Glitching, blinking roots are all around an otherwise grey, empty space and as players destroy these roots they gradually resaturate the landscape. Each time a root is destroyed, the player will watch it disintegrate in front of them while some form of animal or plant spawns in the root’s stead. On rare occasions, instead of a plant or animal, a human will phase into the world as a root disintegrates. This human, Charlie, roams around the forest and offers the player a chance to …

Cumulative Grief, Xuan Pham

Masters Theses

A written thesis to accompany the M.F.A. Exhibition Cumulative Grief, in which the artist's personal and familial narrative explores the complexity and nuances of racial grief.

A Little More Like Water, Jacqueline Scott

Masters Theses

“The waves broke on the shore.” These are the final words of Virginia Woolf’s 1931 novel, The Waves, which follows the passage of a day at the ocean’s shore. The book serves as a backdrop for the life of six characters: Bernard, Susan, Neville, Rhoda, Louis and Jinny. Interludes are interjected between the chorus of these characters, depicting the arc of life from early childhood to old age and death. The relentlessness of the rhythm of the tide, at first pulsing and hard to ignore, becomes ceaseless white noise that eventually falls to the background. The day’s initial drama—a spectacular …

Good Grief, Madeleine Pearl Buzbee

Senior Projects Spring 2020

“Good Grief” is a memorial project that began with the loss of my childhood best friend, Camille Sdao (1998-2019). She was a light.

Grief is a thing that is carried, compartmentalized, expanded, forgotten, and remembered. Grief is nothing and everything at the same time. Grief explodes, lingers, leaves and returns again. Grief is blue. I know this because Louise Bourgeois, Maggie Nelson, Taryn Simon, the Pacific Ocean, my tears, the sky, my mother, and my grandmother have taught me this. Loss means wading in deep waters for a long time and you must build a boat to stay afloat.

Consumed …

Mourning Wave: Grieving The Loss Of The Natural Environment, Kayla Stewart

MAIS Projects and Theses

Informed and inspired by the sudden passing of my uncle, Mourning Wave is a physical manifestation of my own experience with grief as it relates to the natural environment. My own personal grief opened the door to experiencing collective grief. Constructed as a wave-shaped altar composed of discarded plastic, Mourning Wave aims to highlight the role of oceanic plastic debris in relation to the damage being done to the environment by humans. The wave is painted black, a traditional color of mourning. Colorful discarded plastic lies within the crest of the wave. This debris was collected several times as a …

Unmonumental Moment, Amy Holbein

Graduate Theses

This thesis statement investigates the coexistence of joy with grief, light alongside darkness, and the intersection of the divine with the ordinary, as they express themselves in my thesis “Unmonumental Moment.” In it, painting merges with sculptural forms to create a three-dimensional work that addresses the idea of duality. The exhibit is marked by the on going common elements in my work, namely the use of a saturated color palette, the incorporation of papier-maché with everyday detritus, dream imagery, and portals alluding to a parallel spiritual world. This statement analyzes the thesis components and examines them in light of art …