Art and Design Commons^™

With Every Fiber, Catherine Megan Calloway

Senior Projects Spring 2016

Displaying and covering the human form, fiber inherently refers to the body. It wraps, protects, and conveys stories about us. This accumulation of work uses strands of fiber to define space, create structures, and manipulate the human form. Considering the process of craft in which bodies manipulate fiber, this work explores the way in which fiber manipulates bodies. As sculptures that envelope a human form, each garment mandates how a body may move both within and outside of it, engendering a performance in which both entities assert limits and capabilities. Each knot, stitch, and weave, is an expression of time, …

Romantic Nationalism And The Image Of The Bird-Human In Russian Art Of The 19th And Early 20th Century, Kathleen Diane Keating

Senior Projects Spring 2016

Senior Project submitted to The Division of Languages and Literature of Bard College.

Bard College Bell Tower Architectural Lighting Project, David Douglas John Bull

Senior Projects Spring 2016

The Bard Bell Tower is located in front of the Fisher Studio Arts Building, between the Bertelsmann Campus Center and the Anna Jones Memorial Garden. Until recently, the tower structure, built by students in the spring and summer of 1965, existed in a slow state of decay due to natural aging and disuse. It is an important piece of Bard’s history that has been ignored in recent years, which is something I set out to change. My Senior Project in Studio Arts is focused on restoring the Bell Tower by stabilizing the structure and implementing a permanent light installation of …

A Looking Of Another, Grace Anne Caiazza

Senior Projects Spring 2016

A woman walks from one portrait to another. Meditations on grief, portraiture, and the female body.

Recognizing The Parallels Between Fashion And Art: The Designs Of Elsa Schiaparelli, Yves Saint Laurent And Rei Kawakubo, Alexa S. Runsdorf

Senior Projects Spring 2016

My project explores the parallels and overlaps between the worlds of fashion and art through surveying the designs of Elsa Schiaparelli, Yves Saint Laurent and Rei Kawakubo.

C Reverse For Care, José Luis Chardiet

Senior Projects Spring 2016

José Chardiet

April 2016

C Reverse for Care is organized in a five part care cycle: Wash, Rinse, Spin, Dry, and Wear. The piece is a study in reversibility. It is an effort to learn, to understand what it means to care, and an effort to try to achieve reciprocal balance in any relationship, whether it is with a family member, a partner, or a friend.

The staging is designed for circular movement, suggesting a cycle that is repeated after completion. The spacial structure of the piece is based on the shape of the white ginger lily, the national flower …

Childhood Home, Kira Marie Buckel

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.

Marginalia, Scott Edward Vander Veen

Senior Projects Spring 2016

To explain, in a phrase, Marginalia is a space of queer esotericism. These terms may be evocative at best; rational understanding, through careful language, is inherently at odds with Marginalia itself.

Queerness, esotericism— both are nebulous terms because they invoke rejection and subversion as a means of orientation. They are always antitheses. They reject canon where it comfortably stands: the canon of contemporary aesthetics, of rationality, of identity, sexuality and body. Marginalia, as much as it is able, exists explicitly and intentionally outside the narratives that we are most familiar with.

Estranging itself from normative structures, Marginalia is given …

Branching Boogaloo: Botanical Adventures In Multi-Mediated Morphologies, Diana Marie Ruggiero

Senior Projects Spring 2016

FormaLeaf is a software interface for exploring leaf morphology using parallel string rewriting grammars called L-systems. Scanned images of dicotyledonous angiosperm leaves removed from plants around Bard’s campus are displayed on the left and analyzed using the computer vision library OpenCV. Morphometrical information and terminological labels are reported in a side-panel. “Slider mode” allows the user to control the structural template and growth parameters of the generated L-system leaf displayed on the right. “Vision mode” shows the input and generated leaves as the computer ‘sees’ them. “Search mode” attempts to automatically produce a formally defined graphical representation of the input …

Even The Smallest Movement, Elizabeth Tomasine Chiappini

Senior Projects Spring 2016

In the laboratory I allow a specimen to undergo change. That change advances my understanding of the material and I move forward in light of the information I have gained. I expect change and use it as a tool. This project grew out of a year of experimentation –I built sculptures in order to watch them fall apart. During this process I realized that slow movements over time cause visible change and I chose to implement this understanding on materials that I had been studying: a slowly shrinking lemon, baking soda disintegrated by vinegar and the resulting sodium deposits. I …

Incompleteness, Christopher Andrew Freund

Senior Projects Spring 2016

“Incompleteness” is a series of photographs of sculptural tableaux constructed for the camera and lit with a flashlight for long exposures. I use largely cheap materials and intend for their rough particularities be made evident. I have found that this lighting technique allows me the greatest control possible over how light renders the constructed objects.

The Effects Of Affective Arousal On Color Perception And Memory, Nicole Elizabeth Lang

Senior Projects Spring 2016

The link between affective arousal, color perception, and color memory was explored by inducing fear, sadness, or embarrassment in 158 participants who them completed a color perception and memory task. It was predicted that participants experiencing fear or embarrassment would more often correctly identify and remember red and green than a neutral condition whereas experiencing sadness would lead to less correct identification and memory for blue and yellow than neutral. There was only a marginally significant effect of fear on color memory for red. In the low arousal condition, there was an effect of fear on color memory for green …

Unspinning And A Constant Whirring, Laura Marina Salgarolo

Senior Projects Spring 2016

My senior thesis project is a living workspace and reading environment, housing a library of books and ephemera. This collection includes a series of books I made by hand, the foremost of which is a picture book I have written and illustrated. The books are “guarded” by several small librarian characters I invented and sculpted, and are shelved alongside classified and labeled ephemera and found objects. My aim has been to construct an environment for this library with a lamp-lit reading space and a work desk covered in process work and sketches. The exhibit will represent the merging and hybridization …

Mapped: Intersections Of Cartography And Painting, Brian Robert Neils Strigel

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.

Mapped: Intersections of Cartography and Painting explores the role of representation in art and how we, as people, communicate through visual language. More fundamentally, my paintings ask at what point does an abstract painting become a map, and what structures and conventions do we use in cartography that appear in abstract painting? Is a map a painting or is it a functional object? The map is a fundamentally flat, abstract object to which we assign practical meaning. Details are only considered if they are necessary for travel or displaying …

The Evolution And Influence Of Art In Scientific Illustration, Ahsiya Rebecca Zurita

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.