Art and Design Commons^™

Ceramics And Life In Tandem, Katharine Lee Robbins

LSU Master's Theses

From the ground up, my work emerges slowly. As each coil is added, I am conscious of how my body is interacting with the rich red clay body. Each time I press clay between my hands, the material reacts and changes. It gives me comfort to feel a tangible response as I push my body into the clay. The cyclical process of art making becomes my daily ritual. Each step is repeated over and over again until it becomes ingrained in my body’s existence.

As I add coils to my work, particularly the large sculptures, I continuously circle around each …

Growthlines, Alexandra Saunders

LSU Master's Theses

The work in Growthlines is a collection of ceramic objects that are characterized by floral pattern and their potential for use. I make ceramic work that is functional and designed to be in the home. I think that the way something looks is an integral part of function and I seek to make objects that function well. The surface of my pottery is rich with images of flowers and I hope that the surface both draws in the user and highlights flowers and how important they are for the preservation of the natural world. My work functions as a surrogate …

Future Colors, Jessi Maddocks

LSU Master's Theses

Future Colors considers everyday personal stories and those held in functional objects as they leave the studio to find new homes. This work considers daily transitional moments, everyday occurrences that present an opportunity to witness shifts from one state of being to another. Utilizing digital fabrication tools and handworking techniques, Future Colors brings a synthesis of design methods to create this exhibition of functional vessels and porcelain tiles.

Day Gone, Matthew D. Zorn

LSU Master's Theses

As an exploration of the natural world and the otherworldly, Day Gone seeks to define the relationships between disparate places. Through the use of ceramic and supporting materials, the objects serve as a portal to a terra incognita of color, texture, and language. The installation is a catalog of experiences and feelings I hold consciously or unconsciously.

Home Is, Jodie Masterman

LSU Master's Theses

As an exploration of family and personal history, Home is. aims not only to chronicle my own experiences and memories, but to touch upon the innumerable definitions of the word “home”. The objects are rooted in personal reflection, but each one refers to an aspect of play, identity, love, loss, or regret, inherent within any family. Although they do serve as a blueprint of my life, they are meant to stand as moments shared by all.

Dearest, Grace Tessein

LSU Master's Theses

Dearest is the examination of what remains of a person, looking to the objects they cherished most while contemplating the inevitability of their certain absence. The work questions the futility of preservation in the measure of time, the failure of memories held in fragile containers, and the decay of the physical body. The materials that compose Dearest are chosen for their innate longevity and their ability to evoke remembrance.