Art and Design Commons^™

Behind The Lens, Jolie M. Adams Miss

Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Wearing Memories: Clothing And The Global Lives Of Mourning In Swaziland, Casey Golomski

Anthropology

This article situates a cultural phenomenon of women’s memory work through clothing in Swaziland. It explores clothing as both action and object of everyday, personalized practice that constitutes psychosocial well-being and material proximities between the living and the dead, namely, in how clothing of the deceased is privately possessed and ritually manipulated by the bereaved. While human and spiritual self-other relations are produced through clothing and its material efficacy, current global ideologies of immaterial mortuary ritual associated with Pentecostalism have emerged as contraries to this local, intersubjective grief work. This article describes how such contrarian ideologies paper over existing global …

"Lord Keep Us Safe This Night": Religious Imagery In Depression-Era Rural Quilts, Kelsey N. Mattingly

Mahurin Honors College Capstone Experience/Thesis Projects

This thesis investigates specific quilts from rural areas during the Depression era in relation to their religious imagery. Databases from the Kentucky Historical Society, International Quilt Study Center and Museum and the Quilt Index provide records of assessment. This analysis focuses on religious imagery in quilts, but I will look at the religious communities that collectively created them with a specific attention to the roles that church groups and the practice of group quilting played in their productions. I will present the resulting analysis drawn from my written work to uncover why certain quilts exhibited religious imagery where others did …