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Full-Text Articles in Art and Design

Endless Yarns: Interdisciplinary Creative Work In Text And Textile, Louisa Owen Sonstroem Dec 2011

Endless Yarns: Interdisciplinary Creative Work In Text And Textile, Louisa Owen Sonstroem

Honors Scholar Theses

In this thesis I explore the relationship between text and textile. What is it that connects them? I engage this question from an aesthetic perspective, through process as much as through theory. The thesis project consists of three components: creative text pieces, creative textile pieces, and an essay that attempts to deal with the questions which arose during my creative process.


"Introduction" To Conjuring The Real: The Role Of Architecture In Eighteenth- And Nineteenth-Century Fiction, Rumiko Handa, James Potter Jan 2011

"Introduction" To Conjuring The Real: The Role Of Architecture In Eighteenth- And Nineteenth-Century Fiction, Rumiko Handa, James Potter

Architecture Program: Faculty Scholarly and Creative Activity

Buildings give an immediate presence to the historical or fictional world, which otherwise is unknown or unfamiliar to the audience. The portrayal of a building’s concrete and specific substance makes the world come alive, although the building itself is a mere segment of the world that it represents. This book will trace the genealogy of this representational role of architecture, going back through the history of film and then further in literature, art, and theater, and identify its pedigree in the nineteenth century, where authors, artists, and stage managers used thorough depictions of buildings to effectively feed the audience’s historical …


From Fury To Erasure: Shifting Representations Of Hiv/Aids In Queer Art And Politics, Wendy Mallette, Nick Derda Jan 2011

From Fury To Erasure: Shifting Representations Of Hiv/Aids In Queer Art And Politics, Wendy Mallette, Nick Derda

Symposium on Undergraduate Research and Creative Expression (SOURCE)

This paper traces the shifting representations of HIV/AIDS in queer art and politics from the late 1980s until the present. We identify a nonlinear trajectory with three major characteristics: 1) militant and explicit representations of HIV/AIDS and their relation to queer sexuality, 2) memorials that publicize the artists’ personal mourning of their HIV/AIDS-related losses, and 3) HIV/AIDS' near disappearance from queer art and politics. This transition throughout the AIDS crisis to contemporary times relates to an ongoing cultural understanding of sex as private issue, a notion that the works of David Wojnarowicz, the Gran Fury Artist Collective, and Robert Blanchon …