Art and Design Commons^™

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

Accuracy Of Covid-19 Relevant Knowledge Among Youth: Number Of Information Sources Matters, Patricia Wonch Hill, Judy Diamond, Amy N. Spiegel, Elizabeth Vanwormer, Meghan Leadabrand, Julia Mcquillan

Department of Sociology: Faculty Publications

Can comics effectively convey scientific knowledge about COVID-19 to youth? What types and how many sources of information did youth have about COVID-19 during the pandemic? How are sources of information associated with accurate COVID-19 knowledge? To answer these questions, we surveyed youth in grades 5–9 in a Midwestern United States school district in the winter of 2020–2021. The online survey used measures of COVID-19 knowledge and sources, with an embedded experiment on COVID-19 relevant comics. Guided by an integrated science capital and just-in-time health and science information acquisition model, we also measured level of science capital, science identity, and …

The Ghosts Shed Tears, Sarah Jentsch

School of Art, Art History, and Design: Theses and Student Creative Work

Before I was taught what made us different, I thought my brother and I were the same. The only difference between a doe and a buck was the antlers. As I grew, I noticed differences—in the way people spoke to us, in what was expected of us, in the questions we were asked. In what our futures were supposed to look like. The difference between the doe and the buck was still the antlers, but those antlers made one a trophy and the other venison.

Many of my formative experiences I came to understand through animals. My family home, cradled …

Printed Repeat Pattern Development For Textiles: Design Theory And Process, Erin Kelly

Honors Theses

I created a collection of fifteen printed repeat patterns accompanied by a written description of the research and development process as a creative project to fulfill the requirements of a Senior Honors Project. Looking at this project from a traditional research standpoint, I sought out to answer several questions that would help me to develop as a textile artist. How do you find current, up-to-date, relevant trends, both ideological (macro) and material (micro)? How do you take these trends and communicate them visually, in an original fashion? How do you produce a collection of designs that is both diverse and …

Patronage And Portable Portraits: Early English Miniatures: 1520-1544, Ashley Owens

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis examines function and patronage of early sixteenth-century portrait miniatures by Lucas Horenbout (d. 1544) and Hans Holbein the Younger (1497/8-1543). Portrait miniatures, a unique form of portraiture emerging in the sixteenth century, have a long tradition in England, but hold an ambiguous place within art history because of their size, variety, and multifaceted function. Scholarship on the topic of early English portrait miniatures defines and discusses the tradition as it applies to the Elizabethan miniatures of Nicholas Hilliard (1547-1619), the first major English-born artist. Therefore, the miniatures prior to Hilliard have been studied as predecessors to his works …

Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee

Department of English: Dissertations, Theses, and Student Research

This thesis examines William Blake’s verbal and visual art from the perspective that disability is a physical and mental condition that is viewed by society as deviant. Prior to modern conceptions of disability in Britain, the deviation was labeled as “deformity.” This thesis demonstrates various ways in which Blake illustrates deformity, and through this, prefigures the modern sense of disability in his art. I argue that Blake’s representation of deformity in his poetry and drawings is intended to reveal the precariousness of the “normal” human body and inform the reader and viewer that normality is an illusion. The age of …

"Introduction" To Crossroads: Frankfurt Am Main As Market For Northern Art 1500–1800, Miriam Hall Kirch, Birgit Ulrike Münch, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Table of Contents Inhaltsverzeichnis

Simple curiosity has sparked many a book, and that is true of this book, too. We wanted to know what role Frankfurt am Main played in the rise of the commercial art market in general and in particular of painting and printmaking during the early modern period. We were surprised to find no ready answer to our question, for although the Frankfurt Book Fair remains a major publishing event, art historians have not yet focused sufficiently on its precursor, the Frankfurt fair, an important location for the trade in paintings and prints. Frankfurt's hub function as …

The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reasons to move to Frankfurt. That town's attraction as a printing center became one of the factors that resulted in Beham's settling permanently in the city on the Main in 1531, leaving behind his home town of Nuremberg, best known as the artistic center of the Renaissance master Albrecht Durer. Despite the high regard the Franconian town and Durer received, the authorities there did not treat other painters in Durer's circle particularlywell. The dubbing of Beham as 'godless painter' in 1525 constituted one of …

Time And Lines, Richard Pecos Pryor

School of Art, Art History, and Design: Theses and Student Creative Work

“How we spend our days is, of course, how we spend our lives.” -Annie Dillard

I want to make art that is worthwhile, that shares something important. This desire often overwhelms and hinders me from starting projects. I find myself questioning the purpose of art altogether. Yet, once I relinquish control into action—just simply start and keep going—the unforeseen meaning eventually presents itself.

Drawings begin with lines. Partnered with curiosity, I began this series by exploring the potential of drawing materials. How far and for how long can a single sharpened pencil last? What does a mile of lines look …

Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.

Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman

Department of English: Dissertations, Theses, and Student Research

When we think about American ornithology, John James Audubon is often the first name that comes to mind. As evidence to Audubon’s lasting ability to enrapture readers, it bears repeating that an original Double Elephant Folio of Birds of America sold for an astounding $11.5 million in 2010 (2). Yet, for a man who produced such stunning and memorable visual and literary work on the avifauna of North America, some of the important details of his life and origins have remained highly contested. Even though Gregory Nobles’s new biography is not explicitly tied to the study of the Great Plains, …

Victorian Counter-Worlds And The Uncanny: The Fantasy Illustrations Of Walter Crane And Arthur Rackham, Amzie A. Dunekacke

UCARE Research Products

I will prepare an in-depth examination of the different, often opposing ways illustrators Walter Crane and Arthur Rackham portray elements of fantasy in their fairy tale illustrations. Fantasy in fairy tales became very popular during the “Golden Age of Illustration” in Britain, which lasted from the mid nineteenth century until the First World War. Fantasy served as a form of escapism from the rigidity of Victorian society and the increasingly industrialized culture. In my examination, I will focus on how Crane and Rackham’s separate styles use or abandon elements of fantasy such as the horrific and grotesque, anthropomorphism of animals …

Fireworks For The Emperor. A New Hand-Colored Impression Of Sebald Beham’S “Military Display In Honor Of The Visit Of Emperor Charles V To Munich”, Alison Stewart, Nicole Roberts

School of Art, Art History, and Design: Faculty Publications and Creative Activity

A little studied Einblattdruck, or single-sheet woodcut, from the sixteenth century shows early incendiary devices used to honor the entry of the Holy Roman Emperor in 1530. The large woodcut displays the military honors given to the emperor: cannons firing on a castle constructed for the occasion and fireworks. Harnessing the potential of powders for both pyrotechnics and color added by hand to prints was among the many cultural developments of the sixteenth century. This article makes known a recently rediscovered impression of the print, unique with hand coloring, which serves as the focus of discussion for several aspects …

"My Paintings Would Be No Different Than A Picture In A Biology Textbook", Andi Kur

UReCA: The NCHC Journal of Undergraduate Research & Creative Activity

I find that there are innate balances in life, universal dichotomies that permeate our understanding of the world. My paintings are about a duality such as this that exists between art and science. We are told from youth that these subjects are poles in constant strain, as miscible as oil in water. I spent thirteen years in school believing that I must choose between the two, that it is unnecessary to carry both with me. Drawn between a distinct love of each, I realized how vehemently I disagreed. Everything: every rock to every tree to every person is suspended between …

Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of Samson and Delilah in northern Europe in the fifteenth and early sixteenth centuries. My research focuses primarily on Lucas Cranach’s painting, Samson and Delilah of 1528-30, in the Metropolitan Museum of Art, New York. By examining prints and decorative artworks that include the Samson and Delilah narrative, it is my goal to understand where Cranach’s painting fits into the larger art historical picture. Through examining the locations and suggested meanings of other works, I hope to establish that it is also possible to understand the intention and meaning behind Cranach’s painting. I analyze the work …

Serpentine Imagery In Nineteenth-Century Prints, Paula A. Rotschafer

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of sea serpents in nineteenth-century print culture that reflect an ongoing effort throughout the century to locate, capture, catalogue, and eventually poeticize the sea serpent. My research centers primarily on the sea serpent craze that occurred within the New England and Mid-Atlantic states between 1845 and 1880 and examines the following three prints: Albert Koch’s Hydrarchos, a fossil skeleton hoax, printed in an 1845 advertisement by Benjamin Owen, a book and job printer; an 1868 Harper’s Weekly illustration titled The Wonderful Fish; and Stephen Alonzo Schoff’s etching, The Sea Serpent from 1880, based on …

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

Thea 474: Digital Animation—A Peer Review Of Teaching Project Benchmark Portfolio, Steve Kolbe

UNL Faculty Course Portfolios

This portfolio provides an overview of student learning in my Digital Animation course - THEA 474. This report serves as documentation of my attempts to define and refine the course goals, activities, assignments, and assessment. Through this portfolio, I hope to more effectively see ways to make this course more impactful for the students, but also to lay the groundwork for additional courses within the major in order to open up a more realized and robust animation focus at the Johnny Carson School of Theatre & Film. A facet of student learning that I plan to document and improve upon …

The Birth Of Mass Media: Printmaking In Early Modern Europe, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

In the digital age, when images and films can be streamed with lightning speed onto computers at the press of a button, it is hard to fathom the society-altering impact the new printed image had when it first appeared in Europe around 1400. The introduction of printed images or repeatable pictorial statements irrevocably changed the practice of manually producing images one by one, by making them available in identical form, as multiple examples printed onto paper, a material that was newly available in Europe. Such multiples appeared first as independent images, then as book illustrations, but either way, this process …

Changsha: Photographs By Rian Dundon, Rian Dundon

China Beat Blog: Archive 2008-2012

Rian Dundon, whose photographs have previously appeared at China Beat, will soon be releasing a new book of photography on China, Changsha. Dundon’s book will feature a forward written by friend of the blog Gail Hershatter and includes his photos of and essays on the Hunan province city of Changsha. For more information, and to pre-order a copy of the book, see the book’s website (pre-sales of the book are part of a crowd-funding campaign raising funds for its first run with the publisher, Emphas.is). Below is a special teaser of Changsha material that Dundon has prepared for China Beat …

Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Isabella d'Este's activities as an art collector and patron are richly documented and have received a correspondingly large amount of art historical attention in the modern era. Yet Isabella--and the studiolo she had created and decorated in the Mantuan Palazzo Ducale--have gotten mixed reviews in this scholarship; the former has historically emerged as difficult, irrational, and acquisitive rather than discerning, while the paintings done for the latter by Andrea Mantegna, Perugino, Lorenzo Costa, and Correggio between 1497 and 1530 are often treated as curiosities-stilted in style and didactic in subject-within the larger scope of the artists' careers. The paintings have …

Paintings And Drawings In Willa Cather's Prose: A Catalogue Raisonné, Polly P. Duryea

Department of English: Dissertations, Theses, and Student Research

Paintings and Drawings in Willa Cather's Prose: A Catalogue Raisonné considers the specific artists and their visual art that greatly influenced Willa Cather's textual compositions. The Catalogue draws upon the author's research of Cather-related art from both American and European libraries and art museums. This art includes painting, drawing, illustration, and tapestry. A detailed and alphabetized list of selected artists and paintings that Cather preferred is provided. The artists are cross-referenced with Cather's own statements about their work or style. Included is biographical data for each artist, the named work of art, and often the date executed, the location then …

The Art Of Printmaking: Part 2. Master Prints From The Fifteenth Through The Eighteenth Centuries, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

SCHONGAUER, MARTIN
ALDEGREVER, HEINRICH
ALTDORFER, ALBRECHT
BALDUNG-GRIEN, HANS
BEHAM, BARTHEL
CRANACH, LUCAS
DURER, ALBRECHT
DUVET, JEAN
HOLBEIN, HANS
LAUTENSACK, HANS SEBALD
VAN LEYDEN, LUCAS
MANTEGNA, ANDREA
BOSSE, ABRAHAM
CALLOT, JACQUES
CARRACCI, AGOSTINO
GELLEE, CLAUDE (called Lorrain)
GOLTZIUS, HENDRIK
NANTEUIL, ROBERT
VAN RIJN, REMBRANDT HARMENSZ
CANAL, ANTONIO (called Canaletto)
HOGARTH, WILLIAM
MOREAU, JEAN-MICHEL (known as Moreau Ie Jeune)
PIRANESI, GIOVANNI BATTISTA

The Art Of Printmaking: Part 3. Master Prints From The Nineteenth And Twentieth Centuries, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

BONNARD, PIERRE
BOYS, THOMAS SHOTTER
CEZANNE, PAUL
DAUMIER, HONORE
DEGAS, EDGAR
DELACROIX, EUGENE
DORE, GUSTAVE
FANTIN~LATOUR, HENRI
GAUGUIN, PAUL
GOYA, FRANCISCO JOSE
GROS, BARON ANTOINE JEAN
ISABEY, EUGENE
MANET, EDOUARD
MILLET, JEAN-FRANCOIS
MERYON, CHARLES
PISSARRO, CAMILLE
REDON,ODILON
TOULOUSE-LAUTREC, HENRI DE
TURNER, JOSEPH MALLORD WILLIAM
BECKMANN, MAX
BRAQUE, GEORGES
KANDINSKY, WASSILI
KIRCHNER, ERNST LUDWIG
KOLLWITZ, KATHE
LIEBERMANN, MAX
MUNCH, EDVARD
MATISSE, HENRI
PECHSTEIN, MAX
PICASSO, PABLO RUIZ
ROUAULT, GEORGES

The Art Of Printmaking: Part 4. American Prints From The Eighteenth Century To The Present, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

PEALE, CHARLES WILSON
PELHAM, PETER
SAVAGE, EDWARD
CASSATT, MARY
CATLIN, GEORGE
DUVENECK, FRANK
HOMER, WINSLOW
HUNT, WILLIAM MORRIS
WHISTLER, JAMES McNEIL
WEIR, J. ALDEN
BELLOWS, GEORGE W.
CORNELL, THOMAS
CRAWFORD, RALSTON
FEININGER, LYONEL
HASSAM, CHILDE
HOPPER, EDWARD
JONES, JOHN PAUL
KUNIYOSHI, YASUO
LANDECK, ARMIN
LASANSKY, MAURICIO
SISTER MARY CORITA, I.H.M.
McGARRELL, JAMES
OROZCO, JOSE CLEMENTE
PEARSON, HENRY
PETERDI, GABOR
PONCE DE LEON, MICHAEL
POSADA, JOSE GUADALUPE
SLOAN, JOHN
SUMMERS, CAROL
WALD, SYLVIA

The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske

Sheldon Museum of Art: Catalogs and Publications

There are four major techniques for making original prints. A brief descriptlon of each of these -- relief processes, incised processes, planographic processes, and stencil processes -- is found in the following paragraphs.

Most art museums today seek the means of reaching a wider public than is actually counted through the turnstile and, as a result, art objects have come to be a commonplace in public places of all kinds, civic and commercial. Art has even taken to the road in circulating exhibitions, art-mobiles and the like. The present series of exhibitions has been organized as an effort in this …

History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Gallery In The Department Of War, At Washington. Volume Iii., Thomas L. M'Kenney, James Hall

Electronic Texts in American Studies

CONTENTS OF VOL. III.

History of the Indian Tribes of North America [44 pp]

An Essay on the History of the North American Indians by James Hall, Parts I-IV

The Genuineness of the Portrait of Pocahontas, by D. M. Randolph

Localities of all the Indian Tribes of North America in 1833

Statement showing the number of each tribe of Indians, whether natives of, or emigrants to, the country west of the Mississippi, with items of emigration and subsistence. 1842 & 1843.

Present Localities of the Indian Tribes west of the Mississippi.

Signatures (of subscribers)

Plates:

Encampment of Piekann Indians near …