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Articles 1 - 6 of 6
Full-Text Articles in Art and Design
Photography Is All We Need - Photography Is Never Enough, Lex Thompson
Photography Is All We Need - Photography Is Never Enough, Lex Thompson
Art and Design Faculty Works
An essay about the exhibition Surface Tension, curated by Michelle Westmark-Wingard, at Bethel University’s Olson Gallery. Featuring four artists working with photography: Sophia Chai, Paula McCartney, Christine Nguyen and Letha Wilson.
Manuscript For Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Manuscript For Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Art and Design Faculty Works
This document is the manuscript version before graphic design and copyediting. Follow this link to see the final version.
The situation that inspired and drove these aesthetic guidelines for campus master planning were unique to the history Bethel University and Seminary. By the early 1960s, Bethel was outgrowing its site on Snelling Avenue in St. Paul. The opportunity to purchase 160 acres in Arden Hills arose and the leap of faith was taken to buy this land and relocate. But it was not that simple. More was involved than mere practical problems of too-little space solved by an abundance …
Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Art and Design Faculty Works
Table of Contents
Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
The Need for Aesthetic Guidelines for Campus Master Planning The Purpose and Use of this Document
Aesthetic Guidelines: “Suggestions Concerning the Character of the New Campus,” by Eugene Johnson (1963) (original version without annotations) . . . . . . . 5
Eugene Johnson’s, “Suggestions Concerning the Character of the New Campus” (with annotations, a history of interpretation and use) Annotations …
Images Of Suffering: An Investigation Of Francisco Goya's 'Disasters Of War' And William Blake's 'Illustrations For The Book Of Job', Chris Christenson
Images Of Suffering: An Investigation Of Francisco Goya's 'Disasters Of War' And William Blake's 'Illustrations For The Book Of Job', Chris Christenson
Library Research Prize Student Works
Francisco de Goya and William Blake, who we regard today as two of the greatest artists of the Romantic era, each produced a provocative set of engravings towards the end of his life. Goya's Los Desastres de la Guerra [The Disasters of War] and Blake's Illustrations for the Book of Job are both contemplations on human suffering, specifically unjust suffering, and our response to it. When placed in dialogue with one another, these sets of engravings unearth new dimensions in their interpretation and consequently in our own thinking about suffering. This paper will explore suffering and response through four themes …
The End(S) Of Art: Faith-Learning Integration Statement, Lex Thompson
The End(S) Of Art: Faith-Learning Integration Statement, Lex Thompson
Faith Learning Integration Papers
This essay demands something that is a little bit theology and a little bit art, and can only address a little bit of each. The material that follows does not presume to speak universally or systematically for either. Not only would such a thing be folly, but it would also be impossible. Systematic theology and systematic aesthetics are always a mess. Multiple volumes are written trying to sort out impossible situations gotten into by trying to systematize God, humanity, the world, the imagination, images and the complex of relationships that exist between them. We need to hold onto some of …
Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius
Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius
Library Research Prize Student Works
Raphael's paintings for the Stanza della Segnatura, Pope Julius II's personal library in the Vatican, are one of the great masterpieces of Renaissance art. My research project explored the rich meaning behind this innovative series of images, which project an expansive and holistic view of truth. I discovered that Raphael's message is relevant for Christians today who are trying to preserve a coherent view of truth in a complex, pluralistic culture.