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That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry Dec 2017

That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry

Clark Lunberry

The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …


A Phenomenology Of ‘The Other World’: On Irigaray’S ‘To Paint The Invisible', Helen A. Fielding Dec 2007

A Phenomenology Of ‘The Other World’: On Irigaray’S ‘To Paint The Invisible', Helen A. Fielding

Helen A Fielding


As we know, Merleau-Ponty was struggling with a dynamic shift in his thinking at the premature end of his life.  In those last notes he raises the question of how to elaborate a phenomenology of “’the other world’, as the limit of a phenomenology of the imaginary and the ‘hidden’”—a phenomenology that would open onto an invisible life, community, other and culture (VI, Jan. 1960).  In her essay on “Eye and Mind”, “To Paint the Invisible”, Luce Irigaray shows why Merleau-Ponty was not yet ready to address this question, why he was not yet ready to engage the limits of …