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Full-Text Articles in Art and Design
Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow
Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow
Masters Theses, 2010-2019
I use a small wedge of wood as a tool to pick out food scraps that find themselves lodged between my teeth. I also use a small wedge of wood as a tool to keep a straight door from swinging freely on a crooked house. The small wedge of wood I stuff in between the floor and door as a tool is a controlling apparatus, much like landowners who use fencing to keep people from walking repeatedly through their land and inadvertently creating a path where they shouldn’t. A wooden door stopper will come to adorn a perpendicular-patterned patina across …
Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild
Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild
Masters Theses, 2010-2019
The outpost installations I create reveal my choice to be inventive with mostly found materials that I discover on my walks. Calling myself an artist-archeologist, I write down field notes as I collect my art-bound specimens and make a descriptive inventory for each of the works. I often surprise my viewers (and myself) by creating something fabulously strange and compelling with things that were cast aside. I hope to increase my viewers’ abilities to find beauty in these forgotten and trashed items and to generate an innovative dialogue and an outside-of-the-box way of thinking.
Fixing Belief: Artificial Preservatives, James Walker Tufts Iv
Fixing Belief: Artificial Preservatives, James Walker Tufts Iv
Masters Theses, 2010-2019
Research opened with inquiries into the state space of the self and various modalities of the construction of the self. Flawed research design led towards a loss of original focus, spaces opened accordingly. Early sculptural work looked towards a semantic flattening through flushing out and digitally manipulated photographic and video work investigated avenues of ocular-centric landscape construction. Photoshop CS5 and its Content Aware Fill tool were engaged as collaborator and animations ensued. Hesitant time-based sketches were developed to suggest work incomplete and instead took their place. Space-based sketches followed, using the multiple to thwart focus on parts and draw it …