Art and Design Commons^™

Living In Nature & Design With Nature, Yuya Zhou

Masters Theses

“Each material has its own personality. What we need to do, as a co-worker, is to understand the material characteristics, negotiate with these materials and find a common space to create a beautiful design along with the materials.”------ Yuya Zhou

From the flexible use of biodegradable materials by the Yanomami people, to the brief introduction of the concept of biodesign, and to the organic combination of biodesign and furniture design, it is clear to see that furniture not only undertakes the functionalities as a product, but also plays an important role in constructing a harmonious environment and improving people’s mental …

A Study Of Dwelling, Julia Mcarthur

Masters Theses

In teasing out natural phenomena in the unbuilt environment, through admiring beauty, and emphasizing the ordinary, meaningful moments can be brought about that can cause you to be more present with yourself and the world we live in. It is important to qualify that these spaces that encompass “ordinary” moments are not intended to be “idealized spaces,” but a domain that reconciles the chaos from the peaceful and the stress from the calm that is ever apparent in our daily lives. My thesis asks: Through critiquing the modernist condition of a prescriptive ideal space, how can we better understand how …

Step 10, Jinhong Cai

Masters Theses

Step 10 is an experiment on provoking empathy through

abstracted elements within my studio practice. I am

proposing to craft an emotional piece without leaning

on my identity. This written thesis consists of two parts:

narrative prose and an explanation of my studio practice.

While the installation is entirely devoid of cultural or

personal references, this text-based thesis is full of them

because it is intended to inform whoever is interested in

learning more about the motive behind this creation.

The questions I bought into the thought and creation

process are: Can a piece of art still successfully bring

out …

Half In Dream: The Tangle In The Grid, Abbey L. Paccia

Masters Theses

Half in Dream: The Tangle in the Grid discusses the form and content of a physical art installation by the same name. The site-specific installation is a large three-dimensional collage of natural ephemera collected from the area around Amherst, Massachusetts, which interacts with natural lighting conditions to illuminate a gallery-facing image of ever-moving light and shadow. The written work elaborates some of the many details within the structure of the artwork, and reveals the philosophies, embodied practices, and methodologies that informed the visual work's creation. Woven throughout are reflections on phenomenology, walking practice, General Systems Theory, collective making, narrative arts, …

Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit

Masters Theses

As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …

Listening To The Unhearable, Ollie Rosario

Masters Theses

My work lives in the world of trees, lakes, oceans, sunrises, starlight, hurricanes, and mountains, the world centered on the rumbling sounds of the earth and water, the quiet roars of silence in the air, in space, in the depths beneath, and all that lives in between. In approaching this world, I have found myself unable to hear everything it shares. The hard to perceive, often soundless parts of environments — those facets of climate, the ground we stand on, the subtle changes in noise - are often unobserved, or under-observed, and underappreciated. I have cultivated a practice of seeking …

Out Of Bounds, Luciana Iwamoto

Masters Theses

Humans have an inescapable desire for rationality, structure, and order. We seek efficiency and certainty in our individual and communal lives. We have been encouraged to believe that most things are under our control until something strikes us and brings to consciousness the limits of our knowledge. It’s usually nature’s wild power that overwhelms our faculty of reason and reminds us of our limits. Philosophers called this sensation of overwhelm in the face of nature the sublime experience. In modern cities, surrounded by skyscrapers, we are reminded of our own technological achievements, while nature feels disconnected and distant. Yet, if …

Like Water Taught By Thirst, Emily Wilker

Masters Theses

I am interested in the practice of painting as a way to deepen one’s relationship with nature and its many ecosystems. To me, art not only illustrates these experiences of entanglement, but also is a realm for a sensorial engagement that surpasses representation. During my time at RISD, I have learned that painting can act as a generative tool, a therapeutic ritual, a release of energy, and a place to bridge connections to other facets of my life. It is through the conception, envelopment, and evolution of materials and their relationship to an anthropocentric society that I continue to investigate …

Awe-Struck, Emily Robertson

Masters Theses

Awe-struck is an exploration at the intersection of embodied and situated cognition, sight, sense-making and nature with an additional layer of artistic interpretation and emotional response. Adapting elements of Terrapin Bright Green’s biophilic design principles, this work pushes past the well researched benefits of incorporating nature into a designed space, to uncover an individual’s personal connection to an environment. The connection is multi-faceted—layered with observations of space, color and location, filtered through a lense of physical, philosophical and psychological reactions and then translated into an individual personal history. With a specific focus on wild spaces, where humans have designed and …

Untitled, Ting Tan

Masters Theses

This is a collection of things I am interested in. Through these things I attempt an understanding of myself. They are unpredictable and often difficult to capture like clouds, trees, water, winds. This book is my journey of self discovery.

I walk in my memories. I walk in the city. There, I capture and record fleeting moments of things I love. Through this process, I give myself a chance to understand the reasons for this attraction. It also gives me an opportunity to understand why I want to find myself, and why I always want an exact answer to this …

Eulogy, Luci Jockel

Masters Theses

My work is a eulogy for all fauna. It involves a ritual act of suture— a ceremonial process of mending and healing— one that functions as a curative process for myself as well as others. While wandering in the woods, or gleaning from animal specimen collections and negotiating with hunters and beekeepers, I gather the remains of fauna in order to make jewelry. I long to restore the fragmented ruins into wholeness. I long to heal what has been broken. From their death comes rebirth, new life. Quietly, these relics reflect the porosity between all things. Jewelry has a history …

Interior Mountains & Distant Clouds, Ping Zheng

Masters Theses

Painting allows infinite scope for imaginative freedom beyond the ambiguity of the inner landscape. Painting connects the natural world outside to the inner natural world, allowing me to exist in the present while also reconciling childhood meanings. It brings me alive, allowing me to find a new identity. No longer trapped within the repressive structures of family, rigid schooling, and culture, the language of sky, land, mountain, and water become living metaphors of limitless possibilities with forms and color. My paintings are abstract, but they also present me as a character, independent and emerging from the environment. The work explores …