Art and Design Commons^™

An Approach To Wire Using Textile Techniques, Toni Vallette-Satterfield

Masters Theses

Wire can be used in the same way as fiber in many textile processes. Wire is used to gain the same richness of texture that is exhibited in fibers and to capture the light reflective quality of the textile techniques.

The following processes are not for beginning students. Much experimentation went into the research for each technique. The first method is coiling. This technique is a single-element stitch process (without the needle), worked continuously over a core. The second technique is crochet, involving a single-element structure in which loops are interlocked in a continuous manner. The third technique is loom …

Two Sculptural Fabrications That Utilize Tension, David Robert Olson

Masters Theses

The problem chosen is one which utilizes the fabrication of parts to be constructed into a unified sculptural whole. The documentation of the fabrication of two sculptural statements is presented in this paper. A personal process of finalizing a finished piece will be presented. The works in the following pages are from similar ideas, yet different in their approach because of the two separate materials utilized--mild steel and quarter-sawed white oak. The first documented piece discussed is in steel; the second, in wood. What guides the approach to the works as sculptural ideas will first be encountered.

I am involved …

The Work Of Brian Sullan In Relation To Contemporary Non-Objective Painting, 1979-1980, Brian Sullan

Masters Theses

The purpose of this thesis is to explain my current body of work in terms of both personal interpretation and by means of relating it to ideas associated with a modern philosophy in painting that focuses on the relationships between the formal elements of line, space, color, and form, called "non-objective" painting. Painting becomes a statement about itself and the way in which paint is manipulated over a given surface. By disregarding traditional concepts of painting, the artist comes into contact with his emotions in a more direct way.

The first half of the paper is devoted to an explanation …

Photo Realism, Maureen A. Howe

Masters Theses

Photo Realism is the principal term used throughout this paper. I use this specific terminology, Photo Realism, so as not to confuse it with Super Realism, Sharp Focus Realism or Hard Edge Realism. True, many of these Realisms all mean the impecable clarity of subject matter, but, for my purpose, I am continually using Photo Realism to make it evident that a photograph was rendered to achieve an end result.

Using predominantly contemporary Photo Realists' beliefs and opinions as my main resource material, comparisons were made of their unique styles so as to present the various uses of the photograph …

Expressionism For Painting Sports, John T. Graves

Masters Theses

This thesis is an attempt to show that the Expressionistic style of painting lends itself to the Sports figure. The action and dynamic movement of the athlete can be easily portrayed by the slashing strokes and boldly suggested forms of Expressionism. By painting in this style the "feelings and emotions" of an event may be sensed. Sometimes the form is obviously exaggerated to emphasize this emotional quality or mood.

This paper discusses and illustrates the work of several sports artists who use Expressionism for their style of work. Leroy Neiman is probably the most famous of these, having worked for …

The Use Of The Blueprinting Process On Fiber, Lisa D. Larson

Masters Theses

This thesis is a summary of what one student has done with the process of blueprinting as applied to fiber. Persons interested in the dyeing or painting of warps for weaving may benefit in reading this paper as it introduces another facet of warp application.

The blueprinting process used is the same technique engineers use to reproduce plans and drawings. It is a nonsilver photographic technique that makes use of ferric salts which, when mixed with certain other chemicals and exposed to ultraviolet light, form a colored byproduct.

The research was begun with the study of the application of the …

Surface Treatment Of Metals, Dorothy Dunkirk-Bennett

Masters Theses

The purpose or this thesis is to relate to others my experimentation of various types of metals, and the methods employed to decorate the surfaces of these particular metals. The differences, and similarities in means of working with and decorating each type of metal used is also discussed.

The first part of the paper is devoted to a brief history of metal techniques. This gives a better understanding as to when the particular techniques were first employed and how many of them were almost lost with the arrival of nineteeth century industralization.

Techniques which I used, and the various means …

Exploration In Design, Graphic Communications And The Creative Process, Starla A. Stensaas

Masters Theses

In lieu of the traditional thesis, I have chosen to culminate the Master of Arts in Related Arts program with a creative project and a paper that describes and evaluates the completion of the project. The project involved a personal aesthetic and technical development of the aesthetic in graphic design and communications. Documentation of the creative arts project is presented in a portfolio which includes graphic designs, publications, and news feature stories. The project is interdisciplinary in that it involves skills in art (design) and English (writing) as well as effective interdisciplinary communication skills necessary to produce interdepartmental publications.

Included …

An Approach To Metalsmithing And Its Correlation To Specific Drawings, Susan Isabel Randall

Masters Theses

The paper is concerned with my approach to metalsmithing which is directly correlated to my drawings; developing the two-dimensional plane and evolving into three-dimensional metal pieces. The lines of my drawings have become stimulus for my metal work; resolving into strong, linear, textural elements. I discuss three pieces which I have created and some drawings relating the transitions from paper to metal and metal to paper.

My references for these creatures are usually drawn from specific areas which have captured my interest. I have been considerably influenced by Early Irish, Celtic art and the Medieval French Grotesque art. The Celtic …