Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

PDF

Dissertations and Theses

Theses/Dissertations

1998

Modern -- 20th century

Discipline

Articles 1 - 3 of 3

Full-Text Articles in Art and Design

Opus Caementicium: My Work In Concrete, Thomas J. Botkin Jun 1998

Opus Caementicium: My Work In Concrete, Thomas J. Botkin

Dissertations and Theses

I developed an interest in concrete by working in the building trades. How could such a base material be so fascinating? It had the fluidity of a lava flow, the ugliness of scat and the power of gravity. The last two years have been spent using concrete as a sculptural material. The results of my research "Flips," "Fills," and "Plops," are inquiries into the nature of concrete.


Spira Mirabilis, Kim D. Ray Jan 1998

Spira Mirabilis, Kim D. Ray

Dissertations and Theses

My graduate work, culminating in Spira Mirabilis, my final thesis project, has been about a search for simplicity. What I have discovered along the way is complexity. In searching for a fundamental principle that generates a complex form, I discovered an apparently simple form that is, rather, a consequence of complex relationships. By creating a work that is grounded on a fundamental, universal principle, I hoped to evoke a subliminal or other-than-conscious response that would effect a transformation in the viewer. Ultimately, I found my own transformation through the creative process, and acquired a new viewpoint through a minimal expression …


The Theory Of Nothing, Adam Wieslaw Rupniewski Jan 1998

The Theory Of Nothing, Adam Wieslaw Rupniewski

Dissertations and Theses

My work was presented in the form of an installation. Using three and two-dimensional objects, as well as sound and light, I created a site specific type of installation. Materials involved in this project were hydrostone, plaster, steel and copper. The sound I recorded on my steel sculptures in an acoustic space and then mixed to create sound compositions to amplify the feeling for the space. This installation reflects my pursuits in painting and sculpture, as well as my interest in music and light effects. Its philosophical and spiritual content were expressed through visual language, symbolic use of elements and …