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"Am I Winning?", Diana J. Casanova

Graduate School of Art Theses

Mesmerized by horror, my artistic practice investigates traumatic stories of history, myth, personal narrative, and fiction. The serial narratives are imposed upon two decapitated historical queens, Marie Antoinette and Anne Boleyn. Represented through opposing sides, the women’s facial planes fracture and stretch and erupt in oral infestations. Stories of rage flood the compositions, fabricating an epic battle and argument. Through influences of Catholicism, I construct disputes over the feminine body. Monstrous forms are the effect of combining oppoisiton terms, formulating humanistic and sympathetic symbology. Mirror Theory and the myth of Medusa defend a destruction of self through reflection.

Influenced by …