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Washington University in St. Louis

Theses/Dissertations

Graduate School of Art Theses

Art and Materials Conservation

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Wish You Were Here, Janie Stamm, Janie I. Stamm May 2019

Wish You Were Here, Janie Stamm, Janie I. Stamm

Graduate School of Art Theses

The State of Florida is under threat from the effects of climate change. Rising sea levels are creeping up on to Florida’s coast, eroding the beaches and encroaching on heavily populated cities. Over my lifetime I will watch the water spill over the streets of my home town. I will watch the water flood the Everglades, pushing saltwater into freshwater habitats. I will watch the water begin to drown the state, taking Florida’s many little known histories along with it. This thesis serves as a document of Floridian life during the Anthropocene.

Within this thesis, I tell the story of …


Strange Woods, Song Park May 2018

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …


Thrills, Spills, And Unacknowledgments, Caitlin Aasen May 2016

Thrills, Spills, And Unacknowledgments, Caitlin Aasen

Graduate School of Art Theses

Through the use of stains, resulting from a process of water and pigments, I showcase the metaphorical importance of stains within our lives. Nature, the everyday, and our bodies have always been an inspiration to my process. Instances such as looking through car windows at the colors rushing past, becoming one, as I travel 60 miles per hour. These moments of moving colors that blur the line between object and pigment are where I find inspiration formally and conceptually. These instances of blurs happen constantly in our lives. Not just because we are moving so fast, but because we can …


Mr. Jonathan P. Berger: Gentle Conflations, Jonathan Patrick Berger, Mr. Jonathan P. Berger May 2016

Mr. Jonathan P. Berger: Gentle Conflations, Jonathan Patrick Berger, Mr. Jonathan P. Berger

Graduate School of Art Theses

Sentimentality is a critical aspect of human existence because it is human-natural, agendered, and provides ground for gentle conflation of the domestic sphere and the roles within it. As an artist, I am able to utilize sentimentality to open possibilities and welcome, instead of molest, viewers into contemplation with the assumed norms of domesticity.

With its origins founded in the Age of Enlightenment, sentimentality was a praiseworthy endeavor, one based on intelligence and contemplation. I define sentimentality as the emotional intellect’s way of encoding or decoding the soft emotions surrounding and within objects, people, times or ideas. Soft emotions are …


Remixing Remix Remixed, Joshua Cornelis May 2014

Remixing Remix Remixed, Joshua Cornelis

Graduate School of Art Theses

Remix culture plays an important role in the expression and communication of visual art. It is a discourse by which I strive to directly engage culture by cutting and pasting together already existing visual information. By doing so, I strive to promote an exchange of ideas and feelings between juxtaposed pieces. In this age of post-digital era collage, I am interested in the meaning and propaganda associated with collage and assemblage and the modes of disseminating messages via cut-and-paste.

By juxtaposing images that differ in style, content, and meaning, I am able to build panoramas of fractured identities that manifest …