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Articles 1 - 15 of 15

Full-Text Articles in Art and Design

A Personal Approach To Landscape: Empathy, Sentiment, And The Environment's Representation In Tumultuous Times, Lauren Hensens Jan 2018

A Personal Approach To Landscape: Empathy, Sentiment, And The Environment's Representation In Tumultuous Times, Lauren Hensens

Theses and Dissertations

My work approaches the multitude of personal experience within the landscape, considering its cultural representation, aiming to give the environment agency within these tumultuous times. The following text is a personal narrative, realizing the many lenses through which a landscape can be experienced, including analyses of artists, writers, and musicians who have represented landscape through their own individuality.


Through My Window, Haiyin Liang Jan 2018

Through My Window, Haiyin Liang

Theses and Dissertations

I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments that display jewelry off the body in order to construct a picturesque landscape. The …


Polyanthroponemia: A Pursuit Of Mystery, Magdolene Dykstra Jan 2018

Polyanthroponemia: A Pursuit Of Mystery, Magdolene Dykstra

Theses and Dissertations

I wish I could believe in something. Having grown up in a religious household, I have continually teetered between faith and doubt. Landscapes seen and unseen are my last source of awe; here my doubt is suspended – for a moment. Using unfired clay, I create alternate landscapes inspired by sublime philosophy. The sublime experience is born in a sense of amazement linked to fear of something beyond our understanding or control. The amazing intricacy of microbiology, a whole universe existing alongside and inside us, fascinates me. The abundance of unfamiliar life in my work triggers a cautious curiosity. My …


Climbing Mt. Rainier, Kathleen O'Connor Jan 2016

Climbing Mt. Rainier, Kathleen O'Connor

Theses and Dissertations

My work addresses notions of the American landscape through image, memory, and experience. Using found images, video, and a variety of materials to make objects I investigate the intersection of external representations of landscape in American culture and internalized desires of landscapes.


Literary Landscapes: Mapping Emergent American Identity In Transatlantic Narratives Of Women's Travel Of The Long Eighteenth Century, Leah Thomas Apr 2014

Literary Landscapes: Mapping Emergent American Identity In Transatlantic Narratives Of Women's Travel Of The Long Eighteenth Century, Leah Thomas

Theses and Dissertations

This dissertation examines intersections of the development of maps from the Native American-European encounter to the establishment of the New Republic and transatlantic British and American narratives of women’s travel of the long eighteenth century. Early European and American maps that depict the Americas analyzed as parallel “texts” to canonical and lesser-known women’s narratives ranging from 1688 to 1801 reveal further insights into both maps and these narratives otherwise not apparent. I argue that as mapping of the New World developed, this mapping influenced representations of women’s geographic and social mobility and emergent “American” identity in transatlantic narratives. These narratives, …


Like Alike, Jill Zevenbergen Jan 2009

Like Alike, Jill Zevenbergen

Theses and Dissertations

Like Alike explores notions of pleasure and beauty through an examination of mundane activity. Pleasure is simple, uncomplicated niceness. Pleasure is forgettable and related to the norm. Beauty is complicated and hardly predicted. Finding beauty in the banal provides an escape from mundane life. The banal, then becomes unforgettable. The nondescript, everyday experience becomes important and gains meaning. Like Alike's electronic format is adapted from the original format of an artist book.


A Key To All Mythologies, Theresa Frances Marchetta Jan 2008

A Key To All Mythologies, Theresa Frances Marchetta

Theses and Dissertations

Over the last two years(August 2006-June 2008) I have been engaged in landscape painting that takes an experimental approach to material. My use of acrylic, the plastic paint, combines landscape with distortion and artificiality. Plastic has lost the futuristic and hopeful appeal it had in the past but it might still be an apt material to employ for a truly American artwork.


Bounded Surface, Emilie Sayward Brown Jan 2008

Bounded Surface, Emilie Sayward Brown

Theses and Dissertations

The relationship between surface, perception, and structure has occupied my graduate studies. Locating, transforming, and transcending the surface requires play with perceptive abilities not only of vision, but of touch, hearing, and the other senses as well. How do the interactions of sense with the qualities of a surface determine our perception of the world? What role does the extension of the senses play in one's ability to perceive surface and structure? Using sense information gleaned from surfaces, the tectonics of our world are made visible. Might this relationship be played backwards as well? Composed structures produce surfaces upon which …


In An Expression Of The Inexpressible: Even This Title Is Stolen, But I Chose It, Carmen Alis Mcleod Jan 2008

In An Expression Of The Inexpressible: Even This Title Is Stolen, But I Chose It, Carmen Alis Mcleod

Theses and Dissertations

This thesis provides a tour through an imaginary building that contains the work I have completed in the last two years at Virginia Commonwealth University. The body of the text provides a discussion of specific paintings as well as more general themes related to painting and art. The discussion includes thoughts on futility, desire, schism, the leap, collage, photography, materiality, painting, image, and landscape. The second part of the text is an abstract statement about the paintings included in the thesis show, Splinter Paintings.


Toward A New Kinship Constellation, Nellie Helen Frances Appleby Jan 2007

Toward A New Kinship Constellation, Nellie Helen Frances Appleby

Theses and Dissertations

This thesis attempts to elaborate on my artwork during my graduate studies, while contextualizing it within the framework of the art world and the works of other artists. A main project during this time was to minimize the singular interpretation and framing of a fine art photographic print, while expanding its possibilities of meaning through the addition of important ephemera and objects such as plants, drawings, moving imagery, conversation and the unknown.


Invisible Green, Amanda Sauer Jan 2007

Invisible Green, Amanda Sauer

Theses and Dissertations

How is nature conceived today, a generation into the environmental movement? Many contemporary artists grapple with how to reconcile our inheritance of both a precarious natural world and the culture that created it. My work investigates the subtle intricacies of our relationship with nature. I use photography to develop a way of seeing that points to the often-unnoticed nature in front of us. In particular, my work recognizes and re-imagines nature's deep connections in the context of our ecologically changed world.


The Oldest Well, Saul Benjamin Becker Jan 2006

The Oldest Well, Saul Benjamin Becker

Theses and Dissertations

This body of work, representing the past two years, is focused on the idea of the composite landscape. This reconfiguring of the elements from the external world combined with invented places is a way for me to articulate the subtle transactions between the interior psyche and the external world. The way this new conglomerate space is represented is a result of my inquiry into the relationship between nature, culture, and the sublime. The place where the private acts of the studio meet the shared exterior world is where I find my intellect, fantasy, and sense of reality collaborating in chorus.


Magic Mountain, Diana Al-Hadid Jan 2005

Magic Mountain, Diana Al-Hadid

Theses and Dissertations

My installations are propositions for an imaginary world that relies on its own internal logic, a world of believability without recognition. While the work references landscape it also emphasizes its contrivance, as it is automatically estranged in an "unnatural" gallery setting. I subvert or de-familiarize the materials and processes that I use in the service of creating a fictitious environment. My places are impossible places. They are irregular, illogical, and unstable. Our imagination can be one of most dangerous things to psychological stability as it is an inventory of all things possible, no matter how irrational or improbable. The irrational …


Escape Artist, Charles F. Gustina Jan 2005

Escape Artist, Charles F. Gustina

Theses and Dissertations

This thesis reviews the background, influences, and evolution of the body of work entitled Folia, which forms the basis for the candidate's thesis exhibition. It traces the development of the candidate's artistic inclinations from drawing to photography. Directorial and Pictorialist photography are discussed as forebears in the Influences chapter. Evolution of the Body of Work details how the current work grew from both the candidate's background and influences. A Brief Anthology of Quotations references Susan Sontag's influential work, On Photography, with quotations that have either influenced the candidate's work or reflect his perceptions of art and life. The balance of …


Landescape, Dragana Crnjak Jan 2004

Landescape, Dragana Crnjak

Theses and Dissertations

Shape, color and line are three basic elements I use to explore the possibilities of visual language. The process in itself is important since what is left on the paper are simply records of moments from which a work is constructed. These moments are mixtures of my memory, my everyday observation, my struggles and hopes. The starting point is always in between known and unknown, and it is always a new attempt for clarity. Rather than expressing what I already understand and know, I have a need to change my working methods quite often in order to expand my own …