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University of Nebraska - Lincoln

School of Art, Art History, and Design: Theses and Student Creative Work

1998

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Into The Landscape, Gegory S. Walter Jan 1998

Into The Landscape, Gegory S. Walter

School of Art, Art History, and Design: Theses and Student Creative Work

"I walked into the landscape as with a Bible in my hand." -John Constable

This thesis project is, in its simplest terms, a study of the landscape. More specifically, it is a study of the spring and summer landscape of certain parts of the Northern Central United States. I have long held a personal fondness for this region, and this study has allowed me to delve deeper into the visual aspects of these places. The vivid, brilliant colors of the Northern landscape which come alive in the weeks following the long and often harsh winter are the constant reminder of …


Painting And Being: A Meditation On Perception, Myron N. Moore Jan 1998

Painting And Being: A Meditation On Perception, Myron N. Moore

School of Art, Art History, and Design: Theses and Student Creative Work

The art of painting, as I practice it, is analogous to reevaluating tradition: the purpose being not to determine what is new but to determine anew what is truly relevant. The history of art affects my perception and that which I see celebrates what I find relevant to the present. I have always worked from direct observation. In an art climate that has moved toward conceptual concerns, my response is to explore the perceptual paradigm of western art, without invalidating its tradition. My paintings are a direct response to my environment. In making such work I communicate the significance of …


The Landscape In Transition, Tim Klunder Jan 1998

The Landscape In Transition, Tim Klunder

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis exhibition consists of a series of urban landscape paintings. These paintings attempt to explore the issues of transition and flux within the modern environment on the edge of Lincoln as the city expands into rural areas. The paintings were all executed in acrylic and comprise a broad range of sizes on both hardboard and wooden panels. The process by which they were conceived was an evolutionary one that began with the analysis of a specific site that is not far from my home and which I see on a daily basis. Initially, the most engaging aspect of this …