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Full-Text Articles in Art and Design

Pestilence And Prayer Saints And The Art Of The Plague In Italy From 1370 - 1600, Jessica Ortega Dec 2012

Pestilence And Prayer Saints And The Art Of The Plague In Italy From 1370 - 1600, Jessica Ortega

HIM 1990-2015

Stemming from a lack of scholarship on minor plague saints, this study focuses on the saints that were invoked against the plague but did not receive the honorary title of plague patron. Patron saints are believed to transcend geographic limitations and are charged as the sole reliever of a human aliment or worry. Modern scholarship focuses on St. Sebastian and St. Roch, the two universal plague saints, but neglects other important saints invoked during the late Medieval and early Renaissance periods. After analyzing the reasons why St. Sebastian and St. Roch became the primary plague saints I noticed that other …


The Pastel Medium Communicating Sexuality And Promiscuity In Late Nineteenth-Century Paris, Adee S. Benartzy May 2012

The Pastel Medium Communicating Sexuality And Promiscuity In Late Nineteenth-Century Paris, Adee S. Benartzy

HIM 1990-2015

Throughout the history of art, the pastel medium has been considered a medium of secondary interest. Despite its pulsating textures, vibrant colors, and unique receptivity to touch, this medium has been recognized above all for its swiftness in stroke and subsequent ability of the artist to record images of fleeting moments and ideas almost instantaneously. The focus on the advantageous rapidity of the pastel, however, hindered the pastel medium's potential as a mere preliminary technique to working with grander mediums, such as oil paint, thus failing to recognize the prominence of pastel in capturing character. This research endeavor focuses on …


A Crack In Everything, Jeffrey Hoffman Jan 2012

A Crack In Everything, Jeffrey Hoffman

Electronic Theses and Dissertations

Contained herein is a close examination of self-awareness and self-portraiture as it applies to the works of artist Jeffrey Hoffman. Water, frozen into various forms and combined with natural elements of wood, slowly melt over an indeterminable amount of time, each droplet documented as the process transforms the elements. Through this process, we see change. We see time. We see truth. This documentation of change and time through natural elements is where the artwork comes full circle. Working with new media to explore man's interconnectivity to life, energy, and the cosmos, he produces time based installations, photographs, videos, and sculptures …


The Immaculate Condemnation, Corey Robertson Jan 2012

The Immaculate Condemnation, Corey Robertson

Electronic Theses and Dissertations

My work is a continuously evolving self portrait formulated by a combination of past experiences and influences. The Immaculate Condemnation body of work is a cathartic reaction that confronts Catholic Sin and rebels against gender conformity. As both a confirmed Catholic and transgender woman, I speak from an authentic voice that seeks open conversation regarding these topics. I also hope to demystify the transsexual body for the non-transgendered viewer. Additionally, I use allegoric imagery to communicate my interpretation of beauty, power, horror, and sex. I combine performance, photography, sculpture, video, audio, and graphic design to execute my installations. I intentionally …


Perceptions Of Life And Death Through The Metaphor Of Paint: Construction And Deconstruction Of Form, Nannette Cherry Jan 2012

Perceptions Of Life And Death Through The Metaphor Of Paint: Construction And Deconstruction Of Form, Nannette Cherry

Electronic Theses and Dissertations

This paper will explore classical and contemporary methods of painting applied to the portrait. It will emphasize the metaphor of paint as flesh and the connotations of the breakdown of the painted form that stands in for flesh as it relates to our preoccupations with our own mortality. Borrowing from influences like Lucian Freud, Jenny Saville, and Francis Bacon, the artwork explores the creation of a form that is physical and confrontational, and is intended to provoke a psychological response in the viewer. This series of figuration bases its processes on traditional methods, while borrowing from modern art devices to …