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Full-Text Articles in Art and Design
The Branch On Which The Blossom Hangs, Thomas Sterling Coffey
The Branch On Which The Blossom Hangs, Thomas Sterling Coffey
Graduate Theses and Dissertations
The Branch on Which the Blossom Hangs is a body of paintings which address the relationship between landscape or physical presence and the primary experiences of emotion and perception. Through this examination of phenomenology and the malleability of the perceptual apparatus, the paintings express my feeling of dislocation caused by a cycle between depression, dissociation, and mental well-being. They question how an individual relates to their environment. The paintings seek to elicit the allusive and embodied qualities of poetry, framing and evoking a broader experience without defining it. By using the recognizable visual language of landscape, abstracted to the point …
Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape, Erin A. Cox
Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape, Erin A. Cox
Landscape Architecture Undergraduate Honors Theses
This capstone investigates the unique relationship between Vincent Van Gogh and planting designer Piet Oudolf's vibrant use of color and contrast in their work as it relates to their perception of the landscape. The project is mainly a comparison of the two artists, exploring Van Gogh's use of complementary colors and brushstroke techniques to create vivid contrast in his renderings of agrarian landscapes, and Oudolf's parallel approach to creating painterly meadows and prairie gardens. The project focuses on Van Gogh’s study of wheat field landscapes, which are essentially the same in structure and composition but can be used to compare …
Modified Landscapes, Esther Nooner
Modified Landscapes, Esther Nooner
Graduate Theses and Dissertations
Modified Landscapes is a body of work that reflects serious thought regarding Nature and its future. My personal experience and beliefs are at the core of why I believe this subject to be of great importance and why it will sustain many artists’ investigations for the time to come. The influences that informed this process are explored through experiences I had traveling, reading and exploring the photograph as a material object. The manipulation of the photograph is meant to question the beautiful, untouched scene and break the Romantic gaze that is historically tied to representations of Nature and insist upon …