Art and Design Commons^™

Inhabiting Folk Portraits, Candice Smith Corby

Candice Smith Corby

No abstract provided.

That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry

Clark Lunberry

The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …

Depth Of The Surface, Marianne Rogoff

Marianne Rogoff

"Painter Melinda Cootsona chose the title 'A Sense of Place' for her September 2013 show at The Studio Shop long before “Richard Diebenkorn: The Berkeley Years” opened at San Francisco’s DeYoung Museum and art historians launched a series of lectures on his sense of place, though perhaps this is no coincidence. Cootsona expresses a clear love for the work of Diebenkorn and shares his figurative/abstract aesthetic and love of color. The paintings in Cootsona’s newest body of works offer similarly sensuous appreciation for the particular pleasures of California sunlight, but the “sense of place” she depicts may reflect a more …

"A Defect In Their Education": Blake, Haydon, And The Misguided British Audience.Pdf, Stephen C. Behrendt

Stephen C Behrendt

A Phenomenology Of ‘The Other World’: On Irigaray’S ‘To Paint The Invisible', Helen A. Fielding

Helen A Fielding