Art and Design Commons^™

Defining Montréal: An Exploration On The Evolution Of Montréal’S Brand And Cultural Representations Since 1930, Liliane Lai

Masters Theses

Spaces contain and create meanings through the interplay of their surrounding physical and mental landscape i.e., geography, social activity, and representation. Like many defined spaces, Montréal is not only a social and spatial manifestation of a singular community, but an ideal conceived and constructed through interpretation, objectives, and media portrayal— a mosaic or assemblage. Conceptualising Montréal as a brand being one of the cultural capitals of Canada is deeply tied to an assemblage of its diverse roots and identity beyond its history. This thesis explores the notion of city branding to understand how a city’s image and reputation evolves in …

Web Trauma And Haunting Images : Experimentations On Materiality, Installation, And Operation Of Screens, June Yoon

Masters Theses

This thesis seeks to compose dynamics among the screens, images, and space for viewers to confront what we easily ignore: the haunting ghosts of mistreated humanity in this age of web-trauma.

Float I;, Zihan Iris Li

Masters Theses

The digital world is just another reality, alongside all the other parallel universes. It is similar to dreams, reflect- ing our fear and desire. When we are not conscious, the particles from our mind will travel freely and construct dreams. While in virtual space, digits are those wandering particles which form the world and are partially controlled by our minds. What is interesting is that no one in those realities will question the logic and behaviours, even though some of them are ridiculous, if you think carefully when you are awake in this physical world. We do find things go …

Silence Is A Luxury, Elise Stephens

Masters Theses

We are beings with at once fragile and resilient senses. Each of us have a threshold that is tested by auditory and visual stimuli that are seemingly constant.

This can lead to discord driving poor choices in resource allotment on a global and for some, a personal scale.

On a global scale, frenzied and misguided journeys to capitalize on the earth’s riches has led to exploitation of both nature and in some cases, societies. At the time of writing, the negative effects of these choices are at the forefront of policy makers’ agendas. In the United States, there are areas …

Tension In The Curve, S.K. O'Brien

Masters Theses

This artist’s book is a meditative narrative on my making and exploration of materiality.

It’s the best way to allow you entry and understanding into how I see.

Finding the tension in the curve and the lines and shadow and light that are created,

These new forms that appear when stress occurs help me understand…

With Eyes Unclouded, Tiffany Tang

Masters Theses

Tiffany is interested in creating purposeful connections and direct relationships through this vehicle of functional work. The scale of the work is made for the tabletop, asking to be handled and enjoyed. Her work takes a lot of time. Everything she does to the piece has a purpose. There are many stages in the process, and each informs what the next step will be, leading to the work existing as an accumulation of experiences. The use of colors and patterns are a form of inviting joy into the work. Blue greens, dark teals, serenity blues, pastel pinks, rosy quartz, palest …

To Make Atmosphere, Gonzalo Galetto

Masters Theses

My artistic practice explores the possibility of shifting anthropocentric perspectives through media installations. These perspectives exist in the positions we hold in relation to the environment: they continue to exteriorize and distance humans from the environment. To reorient our attention in its direction, and the other-than-human life forms that sustain it, is a social imperative of our times. Reevaluating our engagement with the other, meaning other beings or selves, including other-than-human selves and landscapes, is to readjust our relationship with the environment. It is a way to reposition how to be and to act in the world, but to do …

Under / Over Looked, Kopal Seth

Masters Theses

Across the stages of migration, I have confronted emotional and social complexities. The farther I am from my roots, the more I want to strengthen my connection to India. Through a process of observation and reflection on every day, grows the desire to house a cultural identity within my work. Here, encounters between past, present and future layer atop history and memories.

To reclaim the kindred character of the craft culture of my country, I rediscover those values that resonate within me through recontextualised forms, clay acts as my drawing tool to outline social structures, psychology, traditions and nostalgia.

In The Flesh, Courtney Sierra Johnson

Masters Theses

This thesis is written in two parts:

Part one discusses the history of artistic swimming and its correlation to understanding the fluidity of gender. I adapt the analysis to interpret the underlying theme of critical theory. Tying to my work, I use the notion of the fountain to justify the theory of abjection towards the body and the suppression of natural bodily behaviors within society. Furthermore, the fountain explores water as a symbolic place of equality and gathering.

Part two was written during quarantine of the Coronavirus pandemic. It describes my inability to complete my original thesis and how my …

, Nevertheless,, Ji Yoon Chung

Masters Theses

Derived from transitions, my artistic practice is an act of condolence for the transient presence that takes time and indulges every process as an acceptance of loss.

Over the years, I have moved between distinctive regions and cultures, only to be disoriented by mementos that are residues of a seemingly in- accessible past. What remains is to witness the vanished moments that evoke associated memories. I tend to solidify the volatile condition of transition by carving a temporary fragment on a permanent surface to make the ephemeral, eternal. The attempt to preserve a transitory phenomenon through archives by utilizing digital …

Finding Identity In Memories, Hyejun Youn

Masters Theses

What are the ways in which we form and build our identities and habits in both physical and digital spaces? How can our different uses of the digital expression which evolved from analog forms reveal traits and memories that we have forgotten or overlooked?

The way I define my identity through the analog media I collect correlates with the quality of the memories within my current schema, knowledge structures that represent typical instances of categories.

We interact with an infinity of objects from birth to death. Our collection of objects resonates more and more with memory and nostalgia as the …

Bug Chaser, Peter Rogers

Masters Theses

The veins of the leaves were bustling roadways, complex interactions that occurred at such a distance from my own anthropocentric understanding, they may as well have inhabited their own universe.

Dwelling within the infinite wonder of these microcosms, I coined myself a nickname that I abode within intimately: Bug Chaser. Perhaps I had heard the term on the news, or caught one of the teachers use it in passing, but as far as I was concerned, the term was entirely of my own creation.

“I’m a bug chaser!” I announced triumphantly to my kindergarten class.

“You mustn’t use that word,” …

Expanded Skin, Jihoo Kim

Masters Theses

Our digital interfaces have been degrading human sensory intelligence by limiting our body to only vision and the first two fingers. Despite the high level of available technologies, we do not fully utilize them due to our lack of awareness of its applicability in more various aspects than just media being consumed. It is also because of its inaccessibility in terms of human–computer interaction (HCI) beyond our sense of sight and touch screens. Those technologies have been key elements in all of my works, since my ultimate position is to redirect the technology in a way that could enhance human …

The Things Of Mind, Yini Luo

Masters Theses

My thesis research shows my thinking and reflection on environmental changes around me in the past and especially the past two years. Through the experience between the city and nature, my research has clarified my different perspectives and explored the expression and reproduction through the print media and glass media.

Smoke And Mirrors, Kiernan Pazdar

Masters Theses

The impulse to make work from the residue of real life has been called many things throughout art history. In my thesis, I use some of these methods to discuss generative modes of creating work. I talk about Lucy Lippard’s proposal for a “way of making,” Disidentification, Camp, Appropriation, Termite Art, and Hito Steyerl’s call to create art that addresses the present in imaginative ways. Each process relies on a commitment to being in the world and building something on its uneven ground.

In Liary I discuss the relationship between my drawing practice and fiction writing. Since subjectivity is dependent …

Hain't, Jarrett Key

Masters Theses

Jarrett Key’s thesis book examines their journey towards understanding their freedom through three lenses: Survival, Transformation and Celebration. Through pointed excavation of the oral histories and lost stories of their upbringing in rural Alabama, their work presents critiques of the historical conditions that sowed the seeds of their contemporary personhood, while simultaneously creating spaces to celebrate beauty, joy, and survival. The objects Key builds perform their freedom and are crafted from materials that reference pieces of their own personal narrative. Highlighting works from Leaving the City (oil paintings on cement), the Hot Comb (forged black steel sculptures), and Slave Ship/ESP …

How To Be Simultaneously Precise And Nondescript, Mckinzie Trotta

Masters Theses

As I stood by my car, I kept coming back to the phrase. It is more difficult to hit a moving target. This time, it was not just a passing platitude. I thought more. Just as it is more difficult to intentionally hit a moving target, a moving target is simultaneously more difficult to intentionally miss. It might be easier to hit a moving target if what one is really trying to do is miss it. Isn’t this why car accidents happen? People hit the thing they are by all means trying to avoid. Everyone is in motion and despite …

Strata : Lessons In Latency, Mukul Chakravarthi

Masters Theses

Every visual artifact, from a street sign to advertising commercials, is an event of culture, a cross-section of time. Crucial to my work as a designer is to build an interpretive understanding of these images as more than surface, more than banal. Embedded in their construction are dense, unseen contextual latencies— social, economic, and political forces — that combine to define a cultural moment.

This thesis offers a series of lessons in making visible visual infrastructure. It emphasizes design’s semiotic potential to examine and leverage a view on what these visual signs represent as ideological constructions. Through a conscious un-layering …

Binge [Fantasy Reality], Elena Foraker

Masters Theses

[My appreciation for mainstream pop culture is genuine, but I am not a passive consumer.]

[Drawing from embodied experience and contemporary feminist theory, I design as a participant, cultural surveyor, and critic.]

[From these vantage points, I binge-watch to discern the tropes of media such as reality TV romance and dead girl shows.]

[My data bingeing leads to a process of archiving, de/recoding, and making visible the algorithm structuring pop culture.]

[“Fantasy” is derived from the Greek phantazein, meaning “to make visible.”]

[In this thesis, I demonstrate that the reality-fantasy relationship is not an either/or.]

[Reality TV challenges this notion …

How To Do Things With Things, Emily Guez

Masters Theses

Humans have always done things with things. It’s at the very origin of who we are as a species: we’ve gone from being bipedal homonins to people who live in complex societies by making rocks into tools. Things can serve a practical function, but they also carry cultural and symbolic meaning: they can tell our personal stories, allow us to connect with each other, and be the outer manifestations of our inner lives. The things we use in our every day lives, by implying a set of actions we can take when interacting with them, participate in shaping our reality: …

Ethnographemes, Vaishnavi Mahendran

Masters Theses

Spoken and written languages are living processes. As with our own natural systems, they are born, evolve in stages, yet also face the eventuality of death. Current research indicates that there are 7,111 spoken languages in the world. UNESCO lists a total of 577 languages as critically endangered.

This thesis examines the role of graphic design and its potential contribution to the preservation of endangered languages and writing systems of indigenous communities. My interest lies in exploring possibilities of the script serving as a vessel to share and celebrate deeper stories of each of these communities’ heritage.

Through my practice, …

Bluenessless, Yuxin Long

Masters Theses

Jewelry has a long history of functioning as wearable objects with memories. A small piece of jewelry on our body can become the bridge between one person and another.

My work is a memorial for the avifauna. It serves as a place that allows me to find the balance between myself and nature. The ritualized actions from the making process help me mourn for the loss of the kingfishers, who are hunted for the bright blue feathers used in traditional jewelry. Sometimes, people put a photograph in their jewelry to keep the memory of the one they love. I use …

Beautiful Dirt : Exploring The American Taboo Of Death Through The Things We Leave Behind, Jake Dangstorp

Masters Theses

‘Beautiful Dirt’ is a project meant to help people think about death as a way to learn and grow, rather than a ‘never happening’ taboo. Contemporary research into western dialogues around death show a consistent anxiety towards being forgotten, as well as a fear of being a burden when passing away. The abject nature of the topic leaves people diminishing the weight of the things they leave behind, and the things they forget to. This perpetuates a cycle of denial in order to avoid stress, emburdening loved ones with an unplanned mass of personal items and piecemeal stories to assemble, …

Repairer's Recipe : Volume 0, Joyce Chang

Masters Theses

Why?

Technology is accelerating; so is the amount of e-waste. Proliferating new purchases is a shortcut to economic gain, yet proliferation sacrifices social and ecological well being. Activating repair benefits systems— by decelerating the waste stream, and serving as a regenerative module for ethical material collection. Repair literacy encourages an individual’s engagement with materials while challenging corporations to acknowledge repair in the design process. Therefore, electronics users should have the opportunity to learn about repair before the need arises. A sustainable product ecosystem asks for the collaborative effort of public and private sectors and most importantly, the repair practices of …

Through The Labyrinth, Rebeca Gonzalez Morales

Masters Theses

After many turns, I made my way through. Making connections between different paths, paths I thought I had forgotten, abandoned, discarded. My goal is to understand how the environment around us affects our emotional state, our behaviour, our mental health. I seek a destigmatized idea of mental health, a way to show that it is a factor of everybody’s health meant to be prioritized as much as physical health, to expose the burden of frivolousness that it carries. I seek ways to burst the bubble that mental health lives in the world of design, to show that mental health should …

Storytelling In Arts, Lindi Shi

Masters Theses

People and narratives are the core of my art practice. Compared with only exploring the subject matter, I am more excited about the characters and narratives around it. My media gradually shifts from flat drawings or prints to installation, performance, and even explosions. Perhaps as a human myself, I like people a lot. There are always interesting stories where people go. The thesis discusses four stories, including an oral tale from my grandma, my personal experience, stories about bodies, and a story in the imagination. This writing reflects my research on the relationship between types of storytelling and various art …

The Line, Hannah Oatman

Masters Theses

The Line is a series of exaggerated contemporary jewelry “products” that engage the audience through collecting, marketing, and nostalgia. It grew from a dissatisfaction with the world of “contemporary jewelry,” or “art jewelry,” or “author jewelry,” or whatever people are calling the field now (assuming they’re calling it anything).

The Line pushes against the rarely questioned conventions of contemporary jewelry by playing along with them (sometimes even playing a little rough).

This work intentionally walks on the lines between jewelry and art, and between art and product: lines that exist whether we want them to or not, but which can …

He Makes The Figs Our Mouths To Meet And Throws The Melons At Our Feet, Josh Meier

Masters Theses

He Makes the Figs Our Mouths to Meet and Throws the Melons at Our Feet investigates the relationship between the painted image and the cast subject. By compressing the visual contradictions of pictorial and physical space, my work argues for a simultaneity of conditions and emotions. I am interested in how two material realities can hybridize to produce a new, unanticipated, re-imagined self-portraiture. This thesis contextualizes my recent works within historical frameworks and discourses including other artists’ writings and artworks, philosophies of abjection, feminist and queer theories of embodiment, poetry, film, and stream-of-consciousness memoir.

Recycle Bin (Trashure), Eunhyung Chung

Masters Theses

I am inspired by painful and exhausting situations, fragile or impermanent things that break easily and do not last long, so most of my works are installation or performance which changes as time goes by. I think a lot about the sense of loss and there are two kinds of loss in my work. One is the loss of precious moments and emotions of the past. Since I have so many blissful memories of my childhood related to art, they are the driving force of my artwork and they form the core of my identity. The loss of direction and …

Watermarks : The Catalogue For Home Enthusiasts, Susana Oliveros Amaya

Masters Theses

Not just when tricks are revealed as tricks, but also when they become something else and materials still push one direction but then take a different turn. The wardrobe does not quite fit in your Ford Ka, the shelves are not exactly straight, the bed does not fit the mattress and the cabinets do not line up. The tension between ideals and use opens a space for re-appropriation, one that can reveal and turn its socioeconomic codes against themselves. Perhaps these are precisely the moments of friction when these ideological watermarks can be disrupted.