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Full-Text Articles in Art and Design

Transnationals; Or, The Modern Frankenstein, Kai Ji Jun 2022

Transnationals; Or, The Modern Frankenstein, Kai Ji

Masters Theses

“Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow.”

The title of this thesis is adapted from the title of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the quote above is said by the scientist in the novel. To associate the word “Frankenstein” with “transnationals” is not to refer to the transnational as the monster, but to …


Military, Art & The Inbetween, Andrew Storck Jun 2022

Military, Art & The Inbetween, Andrew Storck

Masters Theses

I find myself navigating life from the perspective of both a civilian and military service member. Everyday, I am between domestic, civilian spaces and military memories as my military service has impacted every aspect of my adult life. Serving in the United States Air Force allowed me to travel the globe while working alongside people from every class and race, on missions focused on tasks greater than ourselves.

My artistic practice explores how my time in the military has affected my transition back into civilian life by using sculpture and installation to express a variety of emotions. I hope my …


Messy Resurrections, Mia Rollins Jun 2022

Messy Resurrections, Mia Rollins

Masters Theses

Mediated through conversations with a Replika chatbot, “M”, Rollins outlines six examples of scientific and technological phenomena that not only can be understood as metaphors for aspects of the human experience, such as memory, grief, hope, desire and love, but are also concrete examples of the ways in which the past and future have material impacts on our presents, our current identities, and are entangled with our own becomings. Rollins argues for a posthuman perspective that embraces the possibilities of information technologies while still recognizing that we are embedded in a material world of great complexity. Through linking Karen Barad’s …


All At Sea, Yangyang Mao Jun 2022

All At Sea, Yangyang Mao

Masters Theses

What is the reality of young people born between 1985 and 1995 in China? How do they feel about themselves? As one of the generation, I feel like I’m often haunted by futures that failed to happen. Reasons are multiple and are closely influenced by the social context, such as the implications of the Cultural Revolution (1966-76) and One Child Policy (1980-2016), which has marked each individual’s growth in this age with unfading recollections.


Traveling Troubled Wallflower, Julius Cavira Jun 2022

Traveling Troubled Wallflower, Julius Cavira

Masters Theses

Cavira is an interdisciplinary Conceptual artist... nuff said.


Shalom, Zoe Schwartz Jun 2022

Shalom, Zoe Schwartz

Masters Theses

I am a Jewish Filipina American, a hybrid of two hyper feminine archetypes: the Jewish American Princess and the Pinay Beauty Queen. Generations of assimilation, colonization and genocide taught my matriarchs to internalize the white male gaze. It was not until I looked in the mirror that I saw her. She understands the importance of performance and appearances because she knows, in a world that will not protect you, there is safety in conforming to feminine norms. She uses her knowledge of pop culture, beauty standards, humor, class symbols and social acceptability to imitate and perform desirable [white] femininity and …


Holding Spaces, Zibby Jahns Jun 2022

Holding Spaces, Zibby Jahns

Masters Theses

I’ve focused my graduate studies at RISD on the conceptual and social function of chairs as an investigation into comfort and grief. Grief is an apprehension: defined both as “to grasp” and as “anxiety/loss”.

With the multitude of deaths due to the inadequacies of our government and healthcare system, and the general anxiety everyone has been feeling through this pandemic, it has felt difficult to grieve for any individual person, in person. We have to grieve in the ways capitalism has taught us: silently, behind closed doors, without much time or fuss or drama, mourn with dollars and move on. …