Art and Design Commons^™

Botanical Illustrations, Emily N. Roush

Wonders of Nature and Artifice

Botanical illustrations were an integral facet of botany in the Renaissance era. Many naturalists and physicians studied plants in collections to observe and record the naturalia. In many collections, specimens were displayed for visitors to draw and then create illustrations or prints. With an illustration, detail in plants could be captured and visually understood instead of learning through text. The great feature of illustrations was the fact that the specimens could be exotic yet still studied. Kusukawa says, “Pictures enabled scholars to access unobtainable objects, build knowledge of rare objects over time, and study them long after the live specimens …

Butterflies And Rebirth, Meredith E. Brown

Wonders of Nature and Artifice

During the Renaissance, collectors saw Morpho butterflies as beautiful, elegant, and rare creatures. Their exotic origin and sophistication made these fascinating creatures the subjects of scientific observation, decoration, and symbolism. Butterflies of the Morpho genus include a wide variety of marvelous, striking, and beautiful species. Home to South and Central America, Morpho butterflies thrive in the rainforests of Nicaragua, Colombia, and Venezuela. When Renaissance Europeans began exploring American rainforests, they were quickly captivated by these butterflies. Morphos feature vivid blue coloration and iridescence on the dorsal side of their wings as well as a yellow-brown coloration on the other side. …

Crocodiles - The Singular Beast In The Renaissance Cabinet, Peter Zhang

Wonders of Nature and Artifice

Stuffed crocodiles often predominated many famous cabinets, hanging in the center of the ceiling. Crocodilians are the largest reptiles and the largest predator that spends time on land. They have existed for about 240 million years, and today there are 23 species of crocodilians in total, categorized in three families: 13 species of crocodiles, two species of alligators, and six species of caimans. Archaeologists found a “Supercroc” fossil as long as 40 feet (12 meters) and weighting 17,500 pounds in Niger. They believe that the crocodile lived alongside dinosaurs about 100 million years ago. [excerpt]

The History And Influence Of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images And The Production Of Natural Knowledge, Kay Etheridge

Biology Faculty Publications

Chapter Summary: A 2009 exhibition at the Fitzwilliam Museum on the confluence of science and the visual arts included a plate from a nineteenth-century encyclopedia owned by Charles Darwin showing a tarantula poised over a dead bird (figure 3.1).1 The genesis of this startling scene was a work by Maria Sibylla Merian (German, 1647–1717), and the history of this image says much about how knowledge of the New World was obtained, and how it was transmitted to the studies and private libraries of Europe, and from there into popular works like Darwin’s encyclopedia. It is unlikely that Merian ever imagined …

The Biology Of Metamorphosis Insectorum Surinamensium, Kay Etheridge

Biology Faculty Publications

Book Description: This facsimile of one of the most beautiful books of natural history ever created contains sixty magnificent illustrations showing exotic insects, with the original descriptions. The reissue is the same size as the original and is enriched with an illustrated introduction about the life, work and significance of Maria Sibylla Merian, and a new scientific description of all the insects, animals and plants.

The life and work of this German woman who moved to the Netherlands has been the subject of international research by botanists, entomologists and historians concerned with the history of science, art, religion and economics. …

Maria Sibylla Merian's Frogs, Kay Etheridge

Biology Faculty Publications

Maria Sibylla Merian (German, 1647-1717) is best known for her magnificent 1705 publication, Metamorphosis insectorum surinamensium, although she published earlier works on insect metamorphosis. Merian wrote the text and painted all of the illustrations for her books, and for the early volumes she produced most of the engravings. Contemporary scholarship has focused primarily on Merian's detailed images of lepidopteran and host plant life cycles, but Merian's Surinam album also portrays anuram metamorphosis, including the first European depiction of Pipa pipa.